The Thunder Moon series represents some of Max Brand?s best work, originally published in 1927?28 as a series of interlocking stories. The University of Nebraska Press is now republishing these stories uncut and in the sequence Faust intended, with careful reference to the original typescripts. In order, the works appear in four volumes as The Legend of Thunder Moon, Red Wind and Thunder Moon, Thunder Moon and the Sky People, and Farewell, Thunder Moon. Red Wind and Thunder Moon originally appeared in 1927 issues of Western Story Magazine. In this work, Walking Horse, war chief of the Omissi band of the Cheyennes, pays a mysterious visit to the Suhtai band, among whose foremost chiefs is Big Hard Face. Big Hard Face proudly shows Walking Horse the large herd of fine horses presented to him by his son, Thunder Moon, who has captured them in daring raids upon their traditional enemies, the Comanches. Feigning a desire to buy some of the horses, Walking Horse cleverly concludes a bargain with Big Hard Face, over Thunder Moon?s objections, that obliges the young warrior to accept an unknown gift. Big Hard Face is ecstatic over the good price he has received for the horses; Thunder Moon awaits the ?gift? with foreboding.

Born white but raised in the ways of the Cheyenne, Thunder Moon must face the consequences when a bargain gone awry forces him to accept an unknown gift.

The Thunder Moon series represents some of Max Brand?s best work, originally published in 1927?28 as a series of interlocking stories. The University of Nebraska Press is now republishing these stories uncut and in the sequence Faust intended, with careful reference to the original typescripts. In order, the works appear in four volumes as The Legend of Thunder Moon, Red Wind and Thunder Moon, Thunder Moon and the Sky People, and Farewell, Thunder Moon. Farewell, Thunder Moon originally appeared in 1928 in Western Story Magazine. In this work, Thunder Moon is betrayed yet again and forced to flee his newly found home among those from whom he was abducted as a child. Returning to the plains that have been the scene of his greatest exploits, he finds the shadows of the encroaching whites lengthening on the lodges of his people. Forced, in order to preserve his people, to make choices that they cannot understand, Thunder Moon must again confront his hereditary enemy, the Pawnees, as well as the oncoming whites. But soon Thunder Moon?s greatest test draws nigh, and he must find where his heart truly lies.

The big man at the window, as though fascinated by the flood of light within the room, remained for a long time staring. Finally he turned, and instantly he grappled with the smaller shadow behind him. “It is I!” whispered the Cheyenne hastily. “It is Standing Antelope. Take your hand from my throat, Thunder Moon!” He was free, and the two slipped silently through the garden, through the hedges, and back into the adjoining woods where they had left their four horses. “I, also, have seen,” said the boy. “What?” asked the other. “I have seen the reason that brought you from the Suhtai and made you travel all these moons into the land of the white men. I have seen his face!” “You have seen him? Then who is he, Standing Antelope?”

Thunder Moon, unaware that his father was a white man, struggles to make a name for himself among the Sky People

This is an encyclopedic work, arranged by broad categories and then by original authors, of literary pastiches in which fictional characters have reappeared in new works after the deaths of the authors that created them. It includes book series that have continued under a deceased writer's real or pen name, undisguised offshoots issued under the new writer's name, posthumous collaborations in which a deceased author's unfinished manuscript is completed by another writer, unauthorized pastiches, and "biographies" of literary characters. The authors and works are entered under the following categories: Action and Adventure, Classics (18th Century and Earlier), Classics (19th Century), Classics (20th Century), Crime and Mystery, Espionage, Fantasy and Horror, Humor, Juveniles (19th Century), Juveniles (20th Century), Poets, Pulps, Romances, Science Fiction and Westerns. Each original author entry includes a short biography, a list of original works, and information on the pastiches based on the author's characters.

This publication will fill a gap in the bibliographic reference shelf by identifying historical novels for both adult and young adult readers. ^IAmerican Historical Fiction^R contains over 3,000 titles set in states and historical regions of the United States. Entries are organized by time period. The newest titles, as well as old favorites, are covered. The volume is indexed by author, title, genre, subject, and geographic setting.

Includes Part 1, Number 1: Books and Pamphlets, Including Serials and Contributions to Periodicals (January - June)

Called the King of the Pulps, Frederick Schiller Faust, aka Max Brand, wrote nearly 400 Westerns from The Untamed to Destry Rides Again--a total of more than 220 books in this genre. Yet Max Brand also created Dr. Kildare (of books, films, and television) and wrote under twenty-one pseudonyms, in another dozen genres. This book removes the mask, with deeply personal memoirs from family, friends and fellow writers, taking us through his orphaned boyhood on the brutal ranches of California, his frustrating decades in Italy, as both a classical poet and a fast-action pulpist, to his heroic death as a war correspondent on the World War II battlefields. Faust's life story is augmented by a complete bibliography of his work--over a thousand books, stories, and films--plus the first listing of works about Faust.

On loan from CTLS.