Growing up in the fast lane… Sixteen year old Telluride Marshall loves her sex kitten mother, but the woman is a thug magnet. Kittie's love affairs always end the same—packing only what they can carry for a middle of the night escape. On the road once again, Tellie tries to warn her mom about the dangers they'll face in the stolen hot rod with thousands of dollars belonging to Kittie's abusive ex. But while Tellie wants to shape a different kind of life, all Kittie wants is another man. The question becomes, who does the road belong to when you're racing down the interstate in a red hot sports car?

"First published in Great Britain by Faber and Faber Limited under the title Red Mercury blues"--T.p. verso.

From Elvis and a hound dog wearing matching tuxedos and the comic adventures of artificially produced bands to elaborate music videos and contrived reality-show contests, television--as this critical look brilliantly shows--has done a superb job of presenting the energy of rock in a fabulously entertaining but patently "fake" manner. The dichotomy of "fake" and "real" music as it is portrayed on television is presented in detail through many generations of rock music: the Monkees shared the charts with the Beatles, Tupac and Slayer fans voted for corny American Idols, and shows like" Shindig! "and "Soul Train "somehow captured the unhinged energy of rock far more effectively than most long-haired guitar-smashing acts. Also shown is how TV has often delighted in breaking the rules while still mostly playing by them: Bo Diddley defied Ed Sullivan and sang rock and roll after he had been told not to, the Chipmunks' subversive antics prepared kids for punk rock, and things got out of hand when" Saturday Night Live "invited punk kids to attend a taping of the band Fear. Every aspect of the idiosyncratic history of rock and TV and their peculiar relationship is covered, including cartoon rock, music programming for African American audiences, punk on television, Michael Jackson's life on TV, and the tortured history of MTV and its progeny.

Incorporating the Hugo & Nebula award–nominated novella “Identity Theft” The name’s Lomax—Alex Lomax. I’m the one and only private eye working the mean streets of New Klondike, the Martian frontier town that sprang up forty years ago after Simon Weingarten and Denny O’Reilly discovered fossils on the Red Planet. Back on Earth, where anything can be synthesized, the remains of alien life are the most valuable of all collectibles, so shiploads of desperate treasure hunters stampeded here in the Great Martian Fossil Rush. I’m trying to make an honest buck in a dishonest world, tracking down killers and kidnappers among the failed prospectors, the corrupt cops, and a growing population of transfers—lucky stiffs who, after striking paleontological gold, upload their minds into immortal android bodies. But when I uncover clues to solving the decades-old murders of Weingarten and O’Reilly, along with a journal that may lead to their legendary mother lode of Martian fossils, God only knows what I’ll dig up...

While traveling through England with her best friend, physicist Portia Harding, accidentally summoning an ethereal virtue who gives her the gift of weather control, is stalked by Theondre North, the gorgeous son of an angel, who needs her help in changing his fate. Original.

In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.

This collection of over fifty years of writing about the South and its music by Stanley Booth, one of the undisputedly great chroniclers of the subject, is a classic, essential read. Booth's close contacts with many of the musicians he writes about provide a gateway to truly understanding the music and culture of Memphis and other blues strongholds in the South. Subjects include Elvis Presley, Otis Redding, William Eggleston, Ma Rainey, Blind Willie McTell, Graceland, Beale Street and much more.

In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.

“Get your biscuits in the oven and your buns in the bed, ‘cuz Dixie Cash is the best good-night reading around!” —Nancy Martin, author of the Blackbird Sisters series The irrepressible Domestic Equalizers are back in Our Red Hot Romance is Leaving Me Blue—a hilarious new Southern hoot from the ever-popular Dixie Cash. If you love Lorraine desPres or the Sweet Potato Queens, you’ll want to join Debbie Sue Overstreet and Edwina Perkins as they rush to the rescue of a recent widower in tiny Salt Lick, Texas, who’s being haunted by his late wife…or not. Read it and laugh, and see why Booklist says, “Cash’s madcap series just keeps getting better.”