Rival reporters team up for the story of their careers in this lesbian romantic suspense filled with humor, twists, and one fierce ice queen. Ambitious Daily Sentinel journalist Lauren King is chafing on LA's vapid social circuit, reporting on glam, A-list parties while sparring with her rival-the formidable, icy Catherine Ayers. Ayers is an ex-Washington DC political correspondent who suffered a humiliating fall from grace, and her acerbic tongue keeps everyone at bay. Everyone, that is, except knockabout Iowa girl King, who is undaunted, unimpressed and gives as good as she gets. One night a curious story unfolds before their eyes: One business launch, 34 prostitutes and a pallet of missing pink champagne. What on earth does it mean? King and Ayers join forces but they might find a lot more than just a passion for news on the dusty road to Nevada.

Having gained exclusive access to the Russian State Film and Photo Archive, a Russian expert provides extraordinary revelations and never-before-seen images from deep within Russia's document vaults that shed light on unexplored Russian history. Based on a PBS documentary. Photos. Index.

This debut poetry collection from Lisa Bird-Wilson reflects on the legacy of the residential school system: the fragmentation of families and histories, with blows that resonate through the generations. Inspired by family and archival sources, Bird-Wilson assembles scraps of a history torn apart by colonial violence. The collection takes its name from the federal government's complex organizational structure of residential schools archives, which are divided into “black files" and “red files." In vignettes as clear as glass beads, her poems offer affection to generations of children whose presence within the historic record is ghostlike, anonymous and ephemeral. The collection also explores the larger political context driving the mechanisms that tore apart families and cultures, including the Sixties Scoop. It depicts moments of resistance, both personal and political, as well as official attempts at reconciliation: “I can hold in the palm of my right hand / all that I have left: one story-gift from an uncle, / a father's surname, treaty card, Cree accent echo, metal bits, grit— / and I will still have room to cock a fist." The Red Files concludes with a fierce hopefulness, embracing the various types of love that can begin to heal the traumas inflicted by a legacy of violence.

The Red Equinox has dawned, and the old gods who have slept for aeons are stirring. Urban explorer and photographer Becca Philips was raised in the shadow of Miskatonic University, steeped in the mysteries of her late grandmother's work in occult studies. But what she thought was myth becomes all too real when cultists unleash terror on the city of Boston. Now she's caught between a shadowy government agency called SPECTRA and the followers of an apocalyptic faith bent on awakening an ancient evil. As urban warfare breaks out between eldritch monsters and an emerging police state, she must uncover the secrets of a family heirloom known as the Fire of Cairo to banish the rising tide of darkness before the balance tips irrevocably at the Red Equinox.

“A can’t-miss entry in one of the best urban-fantasy series currently being published.”—Booklist (starred review) As Chicago’s only professional wizard, Harry Dresden has faced demons, vampires, werewolves, dark sorcerers, and hosts of horrors from beyond the mortal realm. But nothing could have prepared him for this… Long ago, Susan Rodriguez was Harry's Dresden’s lover—until she was attacked by his enemies, leaving her caught between humanity and the relentless bloodlust of the vampiric Red Court. She disappeared to South America, where she could fight both her savage gift and those who cursed her with it. Now, she needs Harry’s help more than ever. For the vengeful Duchess of the Red Court has discovered a secret Susan has long kept from everyone—including Harry—and she plans to use it. To prevail, Harry may have to unleash the full fury of his untapped power—and he may have no choice but to embrace the darkness within himself. Because this time, he’s fighting to save his child.

"The Masque of the Red Death", originally published as "The Mask of the Red Death: A Fantasy", is an 1842 short story by American writer Edgar Allan Poe. The story follows Prince Prospero's attempts to avoid a dangerous plague, known as the Red Death, by hiding in his abbey. He, along with many other wealthy nobles, hosts a masquerade ballwithin seven rooms of the abbey, each decorated with a different color. In the midst of their revelry, a mysterious figure disguised as a Red Death victim enters and makes his way through each of the rooms. Prospero dies after confronting this stranger, whose "costume" proves to contain nothing tangible inside it; the guests also die in turn. Poe's story follows many traditions of Gothic fiction and is often analyzed as an allegory about the inevitability of death, though some critics advise against an allegorical reading. Many different interpretations have been presented, as well as attempts to identify the true nature of the titular disease. The story was first published in May 1842 in Graham's Magazineand has since been adapted in many different forms, including a 1964 film starring Vincent Price.

Does the identification number 60 indicate a toxic substance or a flammable solid, in the molten state at an elevated temperature? Does the identification number 1035 indicate ethane or butane? What is the difference between natural gas transmission pipelines and natural gas distribution pipelines? If you came upon an overturned truck on the highway that was leaking, would you be able to identify if it was hazardous and know what steps to take? Questions like these and more are answered in the Emergency Response Guidebook. Learn how to identify symbols for and vehicles carrying toxic, flammable, explosive, radioactive, or otherwise harmful substances and how to respond once an incident involving those substances has been identified. Always be prepared in situations that are unfamiliar and dangerous and know how to rectify them. Keeping this guide around at all times will ensure that, if you were to come upon a transportation situation involving hazardous substances or dangerous goods, you will be able to help keep others and yourself out of danger. With color-coded pages for quick and easy reference, this is the official manual used by first responders in the United States and Canada for transportation incidents involving dangerous goods or hazardous materials.

A twisty lesbian romance sequel to The Red Files about the family we can't choose, and the one that chooses us.

Patrisia Gonzales addresses "Red Medicine" as a system of healing that includes birthing practices, dreaming, and purification rites to re-establish personal and social equilibrium. The book explores Indigenous medicine across North America, with a special emphasis on how Indigenous knowledge has endured and persisted among peoples with a legacy to Mexico. Gonzales combines her lived experience in Red Medicine as an herbalist and traditional birth attendant with in-depth research into oral traditions, storytelling, and the meanings of symbols to uncover how Indigenous knowledge endures over time. And she shows how this knowledge is now being reclaimed by Chicanos, Mexican Americans and Mexican Indigenous peoples. For Gonzales, a central guiding force in Red Medicine is the principal of regeneration as it is manifested in Spiderwoman. Dating to Pre-Columbian times, the Mesoamerican Weaver/Spiderwoman—the guardian of birth, medicine, and purification rites such as the Nahua sweat bath—exemplifies the interconnected process of rebalancing that transpires throughout life in mental, spiritual and physical manifestations. Gonzales also explains how dreaming is a form of diagnosing in traditional Indigenous medicine and how Indigenous concepts of the body provide insight into healing various kinds of trauma. Gonzales links pre-Columbian thought to contemporary healing practices by examining ancient symbols and their relation to current curative knowledges among Indigenous peoples. Red Medicine suggests that Indigenous healing systems can usefully point contemporary people back to ancestral teachings and help them reconnect to the dynamics of the natural world.