"'Red ball of a sun slipping down' speaks of remembrance and change, of struggle and privation, of loving and loss, of things that came to pass in the Arkansas Delta long years ago and the way it is now."--Front jacket flap.

A diaristic photographic portrait of the memory-laden Mississippi Delta of Arkansas Fifty years ago, New York-based photographer Eugene Richards (born 1944) worked as a VISTA Volunteer and then as a reporter in the Arkansas Delta. Even after the newspaper he helped found closed its doors, Richards kept revisiting the region. In early 2019 he returned to the small town of Earle, Arkansas, where, on a September night in 1970, peaceful protesters were attacked by a crowd of white men and women brandishing sticks and firing guns. Crossing the tracks from what had been the Black side of the town into the white side of the town, Richards happened upon an old appliance store. On the shadowy and cracked walls of the building were painted the faces of Jesus, Malcolm X, H. Rap Brown, Angela Davis, Dr. Martin Luther King and John Brown--the faces of revolution, reconciliation, change. In the months that followed, the old store became for Richards a kind of portal, a doorway into the region's volatile history and into the lives of those who lived, struggled, raised families, grew old and died there. The Day I Was Born interweaves full-bleed images of Earle with deeply personal narratives in the words of people who live there.

Award-winning photographer Eugene Richards was asked by a magazine to report on what happens inside a typical emergency room. Once inside, he took photograps, talked with doctors and nurses and made friends with paramedics. He discovered a world he never knew existed. The Knife And Gun Club is the fascinating account of his exploration of emergency room medicine. Serial in LIFE magazine.

Eugene Richards first came to the southeastern part of Arkansas--the so-called Delta--in 1968 as a VISTA volunteer. After nearly two years in that organization working to set up a daycare center and recreation programs, he and some of his associates in it left to found RESPECT Inc., a private social-action program providing paralegal services, publishing a community newspaper, and distributing food and clothing in West Memphis (across the Mississippi River from Memphis, Tennessee).As he lived and became increasingly involved in the black community, Richards, a skilled photographer, began to use his camera to record what he observed--not only the poverty and suffering of these people but also their laughter, contemplation, and triumphs. His subjects range from children at play to an African-style wedding to scenes of work and home life. Death, religion, and imprisonment are major elements of Delta existence, and so of these photos.The 110 photographs collected here express the quality of life in a part of the South where 60 percent of the black families barely earn $2000 a year, and 70 percent of the dwellings are deteriorated and without plumbing. Richards' camera catches the cotton compresses, the cement mill, the broken fields and small cafes, Logan the mortician, the two blind brothers Willy and Isaiah McCowan, and the Reverend Ezra Greer at the state capitol in Little Rock, while his few but carefully chosen words complement these images. Together they hold the people and the place in a world that Richards feels "slipping by, while I merely observed its disappearance."I feared being only eyes, only a cameraman," he says, but through his camera his eyes become ours, and the power of his feelings, ours too.

"In 1978, thirty-four-year-old Dorothea Lynch discovered she had breast cancer. In an attempt to gain control of the disease and communicate her experience to others, she asked her longtime companion, Eugene Richards, to visually document her struggle while she kept a written diary. Exploding Into Life is the synthesis of their two experiences. What begins as their need to know the facts about cancer becomes, as the years pass, a highly personal inquiry into what it means to be alive, to face the uncertain future, and to accept death. The book that results is a testament to a woman's strength, intelligence, and sensitivity as she confronts cancer, a medical care system, and cultural attitudes towards illness and mortality"--Eugene Richards' website, viewed on December 1, 2014.

A young man seeks vengeance against the man who killed his parents in this action-packed science fiction thriller series opener. It is the distant future. The world known as Virga is a fullerene balloon three thousand kilometers in diameter, filled with air, water, and aimlessly floating chunks of rock. The humans who live in this vast environment must build their own fusion suns and “towns” that are in the shape of enormous wood and rope wheels that are spun for gravity. Young, fit, bitter, and friendless, Hayden Griffin is a very dangerous man. He’s come to the city of Rush in the nation of Slipstream with one thing in mind: to take murderous revenge for the deaths of his parents six years ago. His target is Admiral Chaison Fanning, head of the fleet of Slipstream, which conquered Hayden’s nation of Aerie years ago. And the fact that Hayden’s spent his adolescence living with pirates doesn’t bode well for Fanning’s chances . . .

A photographic portrait of small town America in the 1970s.

A compilation of fifteen real-life stories that speak of what it means to go to war, to sacrifice, to wait, to hope, to mourn, to remember, to live on when those you love are gone.

"Steppping Through the Ashes" is a photographic elegy to those who died on September 11, and a portrait of how people are coping in the wake of the terrorist attack on New York. Many photographers have recorded the devastation, but Eugene Richards transcends description to offer instead a way of coming to terms with this tragedy. Interviews with survivors and victims' relatives complement Richards' beautiful and poignant images. It may be the best photo book yet on those hard days. --"Albuquerque Journal" Richards is arguably the most empathetic photographer working when it comes to showing the hard parts of people's lives... Once again, Richards has wrought a personal elegy for those who are just learning to cope with what has happened to them. --"New Yorker"

In a prose that is so beautiful it is poetry, we see the world of growing up and going somewhere through the dust and heat of Fresno's industrial side and beyond: It is a boy's coming of age in the barrio, parochial school, attending church, public summer school, and trying to fall out of love so he can join in a Little League baseball team. His is a clarity that rings constantly through the warmth and wry reality of these sometimes humorous, sometimes tragic, always human remembrances.