"During his resignation speech, a corrupt U.S. President is assassinated by an agent in his Secret Service detail. The transition of power was immediately succeeded to his VP, Meredith McDearmon. Soon after, the ruthless cult-like conspirators, known only as "The Masses," announce to the American public their vow to take out anyone who sided with the dead president. The only person who can be trusted, Special Agent Barto, must get the newly sworn in Commander-in-Chief to the safety of The White House before the nation collapses under the violent weight of The Masses." -- page 4 of cover.

When a campaign worker for a U.S. Senate candidate is murdered, former ballplayer turned private detective Robert Miles becomes embroiled with a right-wing paramilitary group and the corrupt Illinois political system

Reclaiming the first century as common ground rather than the origin of deeply entrenched differences: liberating the past to speak to us in another way. Conventional readings of antiquity cast Athens against Jerusalem, with Athens standing in for “reason” and Jerusalem for “faith.” And yet, Susan Buck-Morss reminds us, recent scholarship has overturned this separation. Naming the first century as a zero point—“year one”—that divides time into before and after is equally arbirtrary, nothing more than a convenience that is empirically meaningless. In YEAR 1, Buck-Morss liberates the first century so it can speak to us in another way, reclaiming it as common ground rather than the origin of deeply entrenched differences. Buck-Morss aims to topple various conceptual givens that have shaped modernity as an episteme and led us into some unhelpful postmodern impasses. She approaches the first century through the writings of three thinkers often marginalized in current discourse: Flavius Josephus, historian of the Judaean War; the neo-Platonic philosopher Philo of Alexandria; and John of Patmos, author of Revelation, the last book of the Christian Bible. Also making appearances are Antigone and John Coltrane, Plato and Bulwer-Lytton, al-Farabi and Jean Anouilh, Nicholas of Cusa and Zora Neale Hurston—not to mention Descartes, Kant, Hegel, Kristeva, and Derrida. Buck-Morss shows that we need no longer partition history as if it were a homeless child in need of the protective wisdom of Solomon. Those inhabiting the first century belong together in time, and therefore not to us.

It was September 18, 2001, just seven days after al-Qaeda hijackers destroyed the Twin Towers. In the early morning darkness, a lone figure dropped several letters into a mailbox. Seventeen days later a Florida journalist died of inhalational anthrax. The death from the rare disease made world news. These anthrax attacks marked the first time a sophisticated biological weapon was released in the United States. It killed five people, disfigured at least 18 more, and launched the largest investigation in the FBI’s history. Recounting the Anthrax Attacks explores the origins of the innovative forensics used in this case, while also explaining their historical context. R. Scott Decker’s team pursued its first suspect with dogged determination before realizing that the evidence did not add up. With renewed energy, they turned to non-traditional forensics—scientific initiatives never before applied to an investigation—as they continued to hunt for clues. These advances formed the new science of microbial forensics, a novel discipline that produced critical leads when traditional methods failed. The new technologies helped identify a second suspect—one who possessed the knowledge and skills to unleash a living weapon of mass destruction. Decker provides the first inside look at how the investigation was conducted, highlighting dramatic turning points as the case progressed until its final solution. Join FBI agents as they race against terror and the ultimate insider threat—a decorated government scientist releasing powders of deadly anthrax. Walk in the steps of these dedicated officers while they pursue numerous forensic leads before more letters can be sent until finally they confront a psychotic killer.

"In the wake of the Spanish Civil War, Raúl Ferrer Gaminde--the son of a well-connected, middle-class family sympathetic to Francisco Franco's regime--comes of age in Catalonia. Yearning to be a writer but urged by his conservative family to study law, Raúl rebels and briefly joins the Communist Party, a decision that will alter forever the course of his life."--

Recounting surveys the social history of Barcelona and Catalonia, primarily since the end of the Spanish Civil War in 1939. The novel follows the youth and education of Raúl Ferrer Gaminde, son of a well-connected, middle-class Catalan family that embraces Franco and Spanish Nationalism. The novel’s potent drama plays out through Goytisolo’s crisp, forceful presentation of youth, humor, optimism, rebellion, violence, sexual awakening, indulgence, punishment, and the realization of one’s artistic vocation. Alternately modern and historical, Recuento displays intelligent realism, emotional gravity, profane beauty, brute vulgarity, sweeping rhetorical scope, and seamless transitions through long, streaming passages of narrative and introspection.

Tells the story of "Chucky" Taylor, a young American who lost his soul in Liberia, the country where his African father was a ruthless warlord and dictator.