This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Brought together as a tribute to the distinguished Tudor historian C.S.L. Davies, the essays in this collection address key themes in the current historiography of the Tudor period. These include the nature, causes and consequences of change in English government, society and religion, the relationship of centre, localities and peripheral areas in the Tudor state, the regulation of belief and conduct, and the dynamics of England's relations with her neighbours. The contributors, colleagues and students of Cliff Davies, are all leading scholars who have provided fresh and interesting essays reflecting the wide ranging inquisitiveness characteristic of his own work. They seek to cross as he has done the traditional boundaries between the medieval and early modern periods and between social, political and religious history. A coherent collection in their own right, these essays, by showing the many new directions open to those studying the Tudor period, provide a fitting tribute to such an influential scholar.

In 1800 entries this valuable reference work covers texts and records of dramatic activity for about 400 sites in Britain from Roman times to 1558. Grouped in sections – Texts listed chronologically; Records of England, Wales, Scotland, Ireland and Other, classified by county, site, and date; and Doubtful Texts and Records – the entries summarize the contents of each record and give bibliographic information. Professor Lancashire presents a comprehensive survey of almost every type of literary and historical record, document, and work: civic, church, guild, monastic and royal court minutes and financial accounts; national records – Chancery, Parliament, Privy Council, Exchequer; royal proclamations; wills; local court rolls; jest-books, poems, prose treatises, sermons; archaeological remains, artifacts, illustrations. He brings together works in several normally unrelated fields: Roman theatre in Britain; medieval drama as such, including the Corpus Christi play and the moral play; court revels of the Tudors and of their predecessors in England and Scotland; and finally Latin and Greek drama as played in Oxford and Cambridge colleges. An introduction outlines the history of early drama in Britain. Appendixes include indexes of about 335 towns or patrons with travelling players, complete with rough itineraries; about 180 playwrights; and about 320 playing places and buildings. There are illustrations, four maps and a large general subject and name index

The Story of Leicester traces the evolution of this remarkable city. When the Romans arrived they developed an existing settlement into Ratae, an administrative capital. During the Tudor, Stuart and Georgian periods the town lost status, but remained an important market town. Industrialisation and population growth radically changed Leicester during Victorian times and it became prosperous, its economy underpinned by the hosiery, boot and shoe and engineering industries – the basis of modern Leicester. This popular history brings the story of the city up to date and provides new insights that will delight both residents and visitors.

The first full history of the first great Elizabethan play company, responsible for developing the main features of Shakespearean theatre.

This volume seeks to enhance our understanding of printing and the book trade in small and peripheral European cities in the 15th and 16th centuries through a number of specific case studies.