Recorder Music through the Centuries is a compilation of three previously published volumes of recorder music by Franz Zeidler: Recorder Book of Medieval and Renaissance Music, Baroque Recorder Music and Classic Period Recorder Music. This book contains 11 recorder solos from the Medieval period, 7 from the Renaissance, 14 from the Baroque period, 10 from the Classical period, and 11 themes from well-known symphonies...53 solos!

In Europe the tradition of secular dance has continued unbroken until the present. In the late Middle Ages it was an important and frequent event—for the nobility a gracious way to entertain guests, for the peasantry a welcome relaxation from the toils of the day. Now back in print, this collection presents compositions that are known or suspected to be instrumental dances from before ca. 1420. The 47 pieces vary in length and style and come from French, Italian, English, and Czech sources. Timothy McGee relates medieval dances to the descriptions found in literary, theoretical, and archival sources and to the depictions in the iconography of the Middle Ages. In a section on instrumental performance practices, he provides information about ornamenting the dances and improvising in a historically appropriate style. This comprehensive edition brings together in one volume a repertory that has been scattered over many years and countries.

What is the relationship between performance and recording? What is the impact of recording on the lives of musicians? Comparison of the lives of musicians and audiences in the years before recordings with those of today. Survey of the changing attitudes toward freedom of expression, the globalization of performing styles and the rise of the period instrument movement.

Wherever music is taught, this decorative timeline should be on the wall! This beautiful full-color banner is over 16 feet long! A handy teacher's reference booklet is included so the teacher can read composer information at a glance. There are five sections that may be displayed together or separately: 1) Late Renaissance / Baroque 2) Classical 3) Romantic 4) Early to Mid-Twentieth Century 5) Mid- to Late Twentieth Century. * Highlights music history from the Renaissance to present day * Includes classical, rock, pop, and jazz greats * Shows dates of famous composers and musicians * Describes briefly each person's importance in music history * Includes portraits or photographs of most musicians * Defines many musical terms to help beginning students * Decorates the classroom while educating at the same time * Provides a great reference to enhance other studies * Includes a handy teacher reference about the musicians.

The recorder revival is largely due to the efforts of Carl Dolmetsch, one of the first acknowledged recorder virtuosos of the 20th century.

The fascinating story of a hugely popular instrument, detailing its rich and varied history from the Middle Ages to the present The recorder is perhaps best known today for its educational role. Although it is frequently regarded as a stepping-stone on the path toward higher musical pursuits, this role is just one recent facet of the recorder's fascinating history--which spans professional and amateur music-making since the Middle Ages. In this new addition to the Yale Musical Instrument Series, David Lasocki and Robert Ehrlich trace the evolution of the recorder. Emerging from a variety of flutes played by fourteenth-century soldiers, shepherds, and watchmen, the recorder swiftly became an artistic instrument for courtly and city minstrels. Featured in music by the greatest Baroque composers, including Bach and Handel, in the twentieth century it played a vital role in the Early Music Revival and achieved international popularity and notoriety in mass education. Overall, Lasocki and Ehrlich make a case for the recorder being surprisingly present, and significant, throughout Western music history.

Time Pieces for Descant/Soprano Recorder is a two-volume anthology of well-crafted arrangements of music from the 14th century to the present day. The pieces are presented chronologically within each volume and all include the year in which they were written, so that you can get a feel for the different styles of music through time.

(Shawnee Press). This fun, creative and necessary resource will help your students understand and appreciate music history! With your busy teaching schedule, this budget-stretching book is filled with important facts, games, quizzes, worksheets, timelines, and more. The reproducible chorals are indicative of each era, selected and edited to reflect the key elements discussed about each historical period in music. Grades 3-12.

Twenty-four solos for alto (treble) recorder based on famous classic melodies by Beethoven, Brahms, Chopin, Corelli, Dvorak, FaurÈ, Grieg, Mozart, and others as well as several folk songs and original pieces by the author. This music is specially arranged for the beginning-level pupil. Piano accompaniment included.

"An elegant anthology. The specialist will not miss the quiet sophistication with which the music has been selected and prepared. Some of it is printed here for the first time, and much of it has been edited anew." "Notes" This treasury of 47 vocal works edited by Noah Greenberg, founder and former director of the New York Pro Musica Antiqua will delight all lovers of medieval and Renaissance music. Containing a wealth of both religious and secular music from the 12th to the 17th centuries, the collection covers a broad range of moods, from the hearty "Blow Thy Horne Thou Jolly Hunter" by William Cornysh to the reflective and elegiac "Cease Mine Eyes" by Thomas Morley. Of the religious works, nine were written for church services, including "Sanctus" by Henry IV and "Angus Dei" from a beautiful four-part mass by Thomas Tallis. Other religious songs in the collection come from England's rich tradition of popular religious lyric poetry, and include William Byrd's "Susanna Farye," the anonymously written "Deo Gracias Anglia" (The Agincort Carol), and Thomas Ravenscroft's "O Lord, Turne Now Away Thy Face" and "Remember O Thou Man." Approximately half of the songs are secular, some from the popular tradition and others from the courtly poets and musicians surrounding such musically inclined monarchs as Henry VIII who himself is represented in this collection with two charming songs, "With Owt Dyscorde" and "O My Hart." Among the notable composers of Tudor and Elizabethan England represented here are Orlando Gibbons, John Dowland, and Thomas Weelkes. "