Crouch, a recognized jazz critic, joins noted journalist Playthell Benjamin for this thought-provoking look back at "The Souls of Black Folk" by W.E.B. DuBois, published in 1903. DuBois's collection of essays is reflected upon in this literary and sociological triumph on the 100th anniversary of DuBois's publication.

Stanley Crouch teams up with noted journalist Playthell Benjamin for this thought-provoking look back at The Souls of Black Folk, the epochal, prophetic work by the great African-American intellectual W. E. B. DuBois. Crouch--an internationally recognized jazz critic, syndicated columnist, and author--and Benjamin appraise the contributions of DuBois's work, noting its uncanny relevance to today's society and its profound impact on the field of African-American studies. Reconsidering the Souls of Black Folk is a fitting tribute to a literary and sociological triumph.

An irreverent, yet powerful exploration of race relations by the New York Times-bestselling author of The Chris Farley Show Frank, funny, and incisive, Some of My Best Friends Are Black offers a profoundly honest portrait of race in America. In a book that is part reportage, part history, part social commentary, Tanner Colby explores why the civil rights movement ultimately produced such little true integration in schools, neighborhoods, offices, and churches—the very places where social change needed to unfold. Weaving together the personal, intimate stories of everyday people—black and white—Colby reveals the strange, sordid history of what was supposed to be the end of Jim Crow, but turned out to be more of the same with no name. He shows us how far we have come in our journey to leave mistrust and anger behind—and how far all of us have left to go.

The Souls of Black Folk, originally published in 1903, contains a number of groundbreaking essays on race and race relations by scholar and activist W.E.B. DuBois. As an early work in the field of sociology, this book analyzes the interactions between the races and offers a solution for the strife and inequality that had come to characterize those interactions. DuBois believed that education was the route to a better life for all blacks, and his recommendation became the basis for the civil rights movement. Anyone interested in history, race relations, sociology, or the intellectual heritage of the United States will find this an essential read. American writer, civil rights activist, and scholar W.E.B. DUBOIS (1868-1963) was a free-born African American in Great Barrington, Massachusetts. He was the first black man to receive a PhD from Harvard University and was convinced that education was the means for African Americans to achieve equality. He wrote a number of important books, including The Philadelphia Negro (1899), Black Folk, Then and Now (1899), and The Negro (1915).

Poet Langston Hughes' only novel, a coming-of-age tale that unfolds amid an African American family in rural Kansas, explores the dilemmas of life in a racially divided society.

W. E. B. Du Bois was a political and literary giant of the 20th century, publishing over twenty books and thousands of essays and articles throughout his life. In The Social Theory of W. E. B. Du Bois, editor Phil Zuckerman assembles Du Bois's work from a wide variety of sources, including articles Du Bois published in newspapers, speeches he delivered, selections from well-known classics such as The Souls of Black Folk and Darkwater, and lesser-known, hard-to-find material written by this revolutionary social theorist. This book offers an excellent introduction to the sociological theory of one of the 20th century's intellectual beacons.

“A tour de force. . . . Crouch has given us a bone-deep understanding of Parker’s music and the world that produced it. In his pages, Bird still lives.” — Washington Post A stunning portrait of Charlie Parker, one of the most talented and influential musicians of the twentieth century, from Stanley Crouch, one of the foremost authorities on jazz and culture in America. Throughout his life, Charlie Parker personified the tortured American artist: a revolutionary performer who used his alto saxophone to create a new music known as bebop even as he wrestled with a drug addiction that would lead to his death at the age of thirty-four. Drawing on interviews with peers, collaborators, and family members, Stanley Crouch recreates Parker’s Depression-era childhood; his early days navigating the Kansas City nightlife, inspired by lions like Lester Young and Count Basie; and on to New York, where he began to transcend the music he had mastered. Crouch reveals an ambitious young man torn between music and drugs, between his domineering mother and his impressionable young wife, whose teenage romance with Charlie lies at the bittersweet heart of this story. With the wisdom of a jazz scholar, the cultural insights of an acclaimed social critic, and the narrative skill of a literary novelist, Stanley Crouch illuminates this American master as never before.

The Souls of Black Folk by W. E. B. Du Bois: This classic book is a collection of essays on the experience of African Americans in the United States in the late 19th and early 20th centuries. The book examines a wide range of social and political issues, including race relations, education, and the legacy of slavery, and offers a powerful critique of American society during this time period. Key Aspects of the Book "The Souls of Black Folk": African American History: The book provides a valuable insight into the experience of African Americans in the late 19th and early 20th centuries, discussing the challenges they faced and the progress they made towards equality. Social Critique: The book offers a powerful critique of American society during this time period, highlighting the injustices and inequalities that persisted despite the country's democratic ideals. Political Theory: The book explores a wide range of political issues, including race relations, education, and the legacy of slavery, and offers important insights into the debates and struggles that shaped American society during this period. W. E. B. Du Bois was an African American writer, educator, and civil rights activist who lived in the late 19th and early 20th centuries. His book, The Souls of Black Folk, remains a powerful and influential work of African American literature and political critique.

“With A Visitation of Spirits, Randall Kenan continues James Baldwin’s legendary tradition of ‘telling it on the mountain.’”—San Francisco Chronicle When A Visitation of Spirits was published, Randall Kenan (1963-2020) was instantly recognized as a writer of significance, and one who brought into literary fiction the southern Black, gay experience, one of the first such writers to achieve mainstream success. His groundbreaking first novel, A Visitation of Spirits, is the powerful story of Horace Cross, a popular and high-achieving sixteen-year-old boy, who wrestles with the guilt of discovering who he is, a young man attracted to other men and yearning to escape the narrow confines of the small town of Tims Creek, North Carolina, where he grew up. Raised on stories of prophets, revelations, and dreams, his internal struggles take shape in his mind as demons and angels battling for his soul, culminating in one night of horrible and tragic transformation. A Visitation of Spirits established Randall Kenan as a literary master, and his influence continues to be felt. Now in Grove paperback and with an introduction by Tarell Alvin McCraney, Oscar-winning writer of Moonlight, A Visitation of Spirits is a classic novel of growing up from a literary giant.

Stanley Crouch, the rarely acknowledged but epic nature of the Afro-American experience offers one of the most revealing paths through the spiritual and intellectual thickets of our time, exposing us to ourselves as often through art as through politics. In Notes of a Hanging Judge, Crouch portrays this century as an "Age of Redefinition" for the United States and identifies the Civil Rights Movement as one of its richest metaphors. Crouch explores the movement from all sides--its epochal triumphs and the forces that have nearly destroyed it, its great political and artistic success stories and the crime culture it has been powerless to prevent or to control--and traces its complex and ambivalent interactions with the feminist and gay dissent that followed its example. Balancing the passionate involvement of an insider with a reporter's open-minded rigor, and using a virtuosic prose style, Crouch offers uniquely insightful accounts of familiar public issues--black middle-class life, the Bernhard Goetz case, black homosexuals, the career of Louis Farrakhan--that throw fresh light on the position of Afro-Americans in the contemporary world. Even more revealing are Crouch's accounts of his travels, focusing on his perceptions as a black man, that put places as diverse as Atlanta and Africa, or Mississippi and Italy, in unique new perspectives. Perhaps most powerful of all are Crouch's profiles of black leaders ranging from Maynard, to Michael, to Jesse Jackson. Crouch's stern evaluations are sure to be controversial, especially his vision of the Civil Rights Movement as a noble cause "gone loco," mired in self-defeating ethnic nationalism and condescending self-regard, and conspicuously lacking in the spiritual majesty that ensured its great political victories. His discussions of artistic figures, including extended critiques of Toni Morrison and Spike Lee, will also incite much debate. Taken together, these essays represent a major reinterpretation of black, and therefore American, culture in our time, and should be read by anyone who is serious about either.