Originally edited by F.X. Martin in 1963, this is the 50th anniversary edition of the classic work on the Irish Volunteers. This book is a wonderful and unique historical record of the Irish Volunteer movement, revealing fascinating documents and essays written by the leading members of Irish nationalism, during a period when the Irish people witnessed social and cultural changes that were as radical as anything seen in Irish history. Including contributions by Bulmer Hobson, Eoin MacNeill, Pádraig Pearse, Michael Davitt, The O’Rahilly, Éamonn Ceannt, and Seán T. Ó Ceallaigh, this a rich compendium of essays, original letters, first hand reports, inspiring speeches, newspaper editorials, military and administrative instructions as well as members’ subscription lists. This classic text explains how the Irish Volunteers, encompassing a new generation of Irish men and women, oversaw the develop ment of a new and re- energized movement, free from much of the party-political machinations and interference that had hindered Irish nationalist attempts at self-determination in previous decades. As described in these essays, the Irish Volunteers were a ‘broad church’ encompassing members of the Gaelic League, the Ancient Order of Hibernians, Sinn Féin, the IRB, Irish Citizen Army, Cumann na mBan and Fianna Éireann, all contributing to a unified and dynamic coalition. Something new and unprecedented occurred in Irish history – a movement which we are only now beginning to understand in terms of its great and distinctive legacy, a full century later.

An electric portrait of the artist as a young woman that asks how a writer finds her voice in a society that prefers women to be silent In Recollections of My Nonexistence, Rebecca Solnit describes her formation as a writer and as a feminist in 1980s San Francisco, in an atmosphere of gender violence on the street and throughout society and the exclusion of women from cultural arenas. She tells of being poor, hopeful, and adrift in the city that became her great teacher; of the small apartment that, when she was nineteen, became the home in which she transformed herself; of how punk rock gave form and voice to her own fury and explosive energy. Solnit recounts how she came to recognize the epidemic of violence against women around her, the street harassment that unsettled her, the trauma that changed her, and the authority figures who routinely disdained and disbelieved girls and women, including her. Looking back, she sees all these as consequences of the voicelessness that was and still is the ordinary condition of women, and how she contended with that while becoming a writer and a public voice for women's rights. She explores the forces that liberated her as a person and as a writer--books themselves, the gay men around her who offered other visions of what gender, family, and joy could be, and her eventual arrival in the spacious landscapes and overlooked conflicts of the American West. These influences taught her how to write in the way she has ever since, and gave her a voice that has resonated with and empowered many others.

"Mother Ireland" includes seven essays seamlessly woven into an autobiographical tapestry. In her lyrical, sensuous voice, O'Brien describes growing up in rural County Clare, from her days in a convent school to her first kiss to her eventual migration to England. Weaving her own personal history with the history of Ireland, she effortlessly melds local customs and ancient lore with the fascinating people and events that shaped he young life. The result is a colorful and timeless narrative that perfectly captures the heart and soul of this harshly beautiful country.

Few writers on the Irish in America have looked beyond the nineteenth-century ethnic enclaves of New York, Boston, Philadelphia, or Chicago, or have asked how the notion of an Irish-American ethnic identity in contemporary America can be reconciled with five, six, or seven generations of intermarriage and assimilation over the last century and a half. This study, based on interviews with 500 people of Irish ancestry in Albany, New York, aims to discover in what senses and in what degrees the present-day descendants of nineteenth-century Irish immigrants possess distinctive social practices and ways of seeing the world, and raises questions about the social conditions in which ideas of Irishness have been created and re-created.

In Vanishing Ireland II, the follow up to the bestselling Vanishing Ireland I, we take another journey down memory lane and, through a unique collection of portrait interviews, we look at the dying ways and traditions of Irish life. Illustrated with over a hundred evocative and stunning photographs, we meet the people and the customs that are fast becoming a distant memory. Through their own words and memories, men and women from every corner of Ireland transport us back to a simpler time when people lived off the land and the sea, and when music and storytelling were essential parts of life. Vanishing Ireland brings together the stories of those who lived through Ireland's formative years. These poignant interviews and photographs will make you laugh and cry but, above all, will provide a valuable chronicle that connects twenty-first century Ireland to a rapidly disappearing world.