Since the 1980s, France has experienced a vigorous revival of interest in its past and cultural heritage. This study brings together scholars from multidisciplinary backgrounds and engages them in debate with professionals from France.

Since the 1980s, France has experienced a vigorous revival of interest in its past and cultural heritage. This has been expressed as part of a movement of remembering through museums and festivals as well as via elaborate commemorations, most notably those held to celebrate the bi-centenary of the Revolution in 1989 and can be interpreted as part of a re-examinaton of what it means to be French in the context of ongoing Europeanization. This study brings together scholars from multidisciplinary backgrounds and engages them in debate with professionals from France, who are working in the fields of museology, heritage and cultural production. Addressing subjects such as war and memory, gastronomy and regional identity, maritime culture and urban societies, they throw fresh light on the process by which France has been conceptualized and packaged as a cultural object.

Alexis de Tocqueville’s Souvenirs was his extraordinarily lucid and trenchant analysis of the 1848 revolution in France. Despite its bravura passages and stylistic flourishes, however, it was not intended for publication. Written just before Louis-Napoléon Bonaparte’s 1851 coup prompted the great theorist of democracy to retire from political life, it was initially conceived simply as an exercise in candid personal reflection. In Recollections: The French Revolution of 1848 and Its Aftermath, renowned historian Olivier Zunz and award-winning translator Arthur Goldhammer offer an entirely new translation of Tocqueville’s compelling book. The book has an interesting publishing history. Yielding to pressure from friends, Tocqueville finally approved its publication, although only after those portrayed in the work—most, unflatteringly—had died. After Tocqueville’s death, his grandnephew published a redacted version, but it was not until 1942 that French editors restored the potentially offensive passages. Goldhammer’s is the first English translation to do justice to Tocqueville’s original uncensored masterpiece of analytical description, stylistic subtlety, vivid social panorama, and incisive critique of political blundering and cowardice. Zunz’s introduction—and his addition of several of Tocqueville’s ancillary speeches, occasional texts, and letters—round out a unique volume that significantly enhances our understanding of the revolutionary period and Tocqueville’s role in it. In this new edition, Zunz highlights the persistent influence of the United States on the life and work of a man who tirelessly, albeit futilely, promoted the American model of government for the New French Republic.

A provocative novel by the most influential living French writer, Recollections of the Golden Triangle is a tour de force: a literary thriller constructed of wildly diverse elements--fantasy and dream, erotic invention, and the stuff of popular fiction and movies taken to its farthest limits. A secret door that is opened slightly by an electronic device, a beautiful hanged factory girl, a pale young aristocrat whose blood apparently nourishes his vampiric lover, the evil Dr. Morgan who conducts his experiments in "tertiary dream behavior," the beautiful and sinister women from the world of horror films, and the investigating police, who are not all what they seem to be, are just some of the ingredients of this intriguing new novel by the French master of the intellectual thriller, whose novels and films have effectively changed the way we can look at the "real" world today. Recollections of the Golden Triangle challenges the reader to find his own meaning in its descriptions, clues, and contradictions, and to play detective by assembling the pieces of the fictional puzzle.

Paris to Provence is a culinary travelogue of separate summers spent in France, interweaving a collection of simple recipes with evocative memories and stories of those years. “This beautiful mémoire will beguile everyone who loves France and should be essential reading for anyone going there for the first time. Ethel and Sara have captured a beloved place through the rosy, whimsical, wacky, tender, and honest lens of childhood. Forget three-star dining and luxury travel; this is the France that I love and remember with pleasure. The recipes are simple and soul satisfying—from café fare and home cooking to street food and a village feast. I was enchanted with the evocative photos and charmed by every memory.” —Alice Medrich, author of Sinfully Easy Delicious Desserts “To read Paris to Provence is to take a beautiful and wonderfully nostalgic journey to the France of my childhood, the France of sweet dreams. If you’ve ever had your soul captured by the magic that exists in the lighter side of la France profonde, and if you have a sensitivity toward joyful moments created around food, family, and friends, then Paris to Provence is for you. It’s a lovely book filled with classic and simple yet delicious French recipes. Somebody needs to open a restaurant here in the United States that uses this book to inspire its menu. I’d eat there at least once a week!” —William Widmaier, author of A Feast at the Beach Ethel and Sara beguile you with recipes and stories from their summer childhoods as they traveled with their respective families from Paris to Provence. In markets, cafés, truck stops, bakeries, bistros, and French family homes, the girls experienced their first taste of France, re-created here through recipes, stories, and photographs. Inspired by her memories of truck stop lunches sitting next to tables of grizzled truckers, Ethel gives us Steak au Poivre à la Sauce aux Morilles (pepper steak with morels). Sara’s whimsical game of using her asparagus as soldiers’ spears to guard her food from her sister is the source of her recipe for Les Soldats (soft-boiled eggs and fresh asparagus spears). Lingering over late-night dinners with grown-ups and listening in on their stories of the resistance and wild boar hunts inspired Ethel’s recipe for Fraises au Vin Rouge (strawberries in red wine syrup). Rosemary and its powerful scent, first discovered by Sara while hiking with her family in the Luberon Mountains in the south of France, infuses her recipe for Cotes d’Agneau Grillées au Romarin (grilled lamb chops with rosemary). From Îles Flottantes (poached meringues in crème anglaise) to Escargots (snails in garlic butter), and from Merguez (spicy grilled lamb sausage patties) to Ratatouille (summer vegetable stew), each recipe reflects Sara and Ethel’s childhood experiences in Paris and Provence. Sixty thoughtful, simple, and traditionally French dishes complemented by over one hundred luscious photographs will send you to your kitchen, and maybe even to France.

Thousands of Frenchmen volunteered to provide military help to the Nazis during World War II, fighting in such places as Belorussia, Galicia, Pomerania, and Berlin. Utilizing these soldiers' memoirs, The French Who Fought for Hitler examines how these volunteers describe their exploits on the battlefield, their relations to civilian populations in occupied territories, and their sexual prowess. It also discusses how the volunteers account for their controversial decisions to enlist, to fight to the end, and finally to testify. Coining the concepts of 'outcast memory' and 'unlikeable vanquished', Philippe Carrard characterizes the type of bitter, unrepentant memory at work in the volunteers' recollections and situates it on the map of France's collective memory. In the process, he contributes to the ongoing conversation about memory, asking whether all testimonies are fit to be given and preserved, and how we should deal with life narratives that uphold positions now viewed as unacceptable.

Since its first limited American printing in 1928, "Recollections of a Western Ranchman" has been largely unavailable and, even when found, affordable only by collectors. Herein is Captain French's original volume in a reader's edition, the story of a man who lived through the wildest years of the New Mexico/Arizona border country to leave us a frontier memoir with a human voice. In the midst of the final astonishing stand of Geronimo and his renegades, French displays a perceptive and balanced admiration for both the soldiers and the Apache tribe. At the siege of Elfego Baca, the author deftly delineates the hero from the bullies. When the outlaw Black Jack steals his horses, the Captain delightedly steals them back. And nobody has written better of Butch Cassidy and the Wild Bunch than French. Finally, his descriptions of ranch life and the Southwest wilderness are those of a natural raconteur who still held to the facts. Never the hero, though often heroic, French saw it all, with balance, perception, and a droll British wit.

What view of man did the French Revolutionaries hold? Anyone who purports to be interested in the "Rights of Man" could be expected to see this question as crucial and yet, surprisingly, it is rarely raised. Through his work as a legal historian, Xavier Martin came to realize that there is no unified view of man and that, alongside the "official" revolutionary discourse, very divergent views can be traced in a variety of sources from the Enlightenment to the Napoleonic Code. Michelet's phrases, "Know men in order to act upon them" sums up the problem that Martin's study constantly seeks to elucidate and illustrate: it reveals the prevailing tendency to see men as passive, giving legislators and medical people alike free rein to manipulate them at will. His analysis impels the reader to revaluate the Enlightenment concept of humanism. By drawing on a variety of sources, the author shows how the anthropology of Enlightenment and revolutionary France often conflicts with concurrent discourses.