Since the publication of Dracula in 1897, Bram Stoker's original creation has been a source of inspiration for artists, writers, and filmmakers. From Universal's early black-and-white films and Hammer's Technicolor representations that followed, iterations of Dracula have been cemented in mainstream cinema. This anthology investigates and explores the far larger body of work coming from sources beyond mainstream cinema reinventing Dracula. Draculas, Vampires and Other Undead Forms assembles provocative essays that examine Dracula films and their movement across borders of nationality, sexuality, ethnicity, gender, and genre since the 1920s. The essays analyze the complexity Dracula embodies outside the conventional landscape of films with which the vampire is typically associated. Focusing on Dracula and Dracula-type characters in film, anime, and literature from predominantly non-Anglo markets, this anthology offers unique perspectives that seek to ground depictions and experiences of Dracula within a larger political, historical, and cultural framework.

This groundbreaking collection of original essays provides new perspectives in Asian media studies. The volume covers a diverse range of topics from media policy to globalization, using lively examples from various countries and media.

This book explores the work and careers of women, trans, and third-gender artists engaged in political activism. While some artists negotiated their own political status in their indigenous communities, others responded to global issues of military dictatorship, racial discrimination, or masculine privilege in regions other than their own. Women, trans, and third-gender artists continue to highlight and challenge the disturbing legacies of colonialism, imperialism, capitalism, communism, and other political ideologies that are correlated with patriarchy, primogeniture, sexism, or misogyny. The book argues that solidarity among such artists remains valuable and empowering for those who still seek legitimate recognition in art schools, cultural institutions, and the history curriculum.

In the early 1990s, the animist and Hindu traces in adat, or Malay custom, became contentious for resurgent Islam in Malaysia. Reclaiming Adat focuses on the filmmakers, intellectuals, and writers who reclaimed adat to counter the homogenizing aspects of both Islamic discourse and globalization in this period. They practised their project of recuperation with an emphasis on sexuality and a return to archaic forms such as magic and traditional healing. Using close textual readings of literature and film, Khoo Gaik Cheng reveals the tensions between gender, modernity, and nation. Khoo weaves a wealth of cultural theory into a rare analysis of Malay cinema and the work of new Malaysian anglophone writers. Reclaiming Adat makes an essential contribution to our knowledge of the complexities embedded in modern Malaysian culture, politics, and identity.

The Cold War in Southeast Asia was a many-faceted conflict, driven by regional historical imperatives as much as by the contest between global superpowers. The essays in this book offer the most detailed and probing examination to date of the cultural dimension of the Cold War in Southeast Asia. Southeast Asian culture from the late 1940s to the late 1970s was primarily shaped by a long-standing search for national identity and independence, which took place in the context of intense rivalry between the United States and the Soviet Union, with the Peoples' Republic of China emerging in 1949 as another major international competitor for influence in Southeast Asia. Based on fieldwork in Burma, Indonesia, Laos, Malaysia, the Philippines, Singapore, Thailand, and Vietnam, the essays in this collection analyze the ways in which art, literature, film, theater, spectacle, physical culture, and the popular press represented Southeast Asian responses to the Cold War and commemorated that era's violent conflicts long after tensions had subsided. Southeast Asian cultural reactions to the Cold War involved various solutions to the dilemmas of the newly independent nation-states of the region. What is common to all of the perspectives and works examined in this book is that they expressed social and aesthetic concerns that both antedated and outlasted the Cold War, ones that never became simply aligned with the ideologies of either bloc. Contributors:Francisco B. Benitez, University of Washington; Bo Bo, Burmese writer (SOAS, University of London); Michael Bodden, University of Victoria; Simon Creak, Australian National University; Gaik Cheng Khoo, Australian National University; Rachel Harrison, SOAS, University of London; Barbara Hatley, University of Tasmania; Boitran Huynh-Beattie, Asiarta Foundation; Jennifer Lindsay, Australian National University

Our Lived Realities: Reading Gender in Malaysia is rooted in the concrete experiences of women (and men) in Malaysia. This first gender anthology, produced by the Women’s Development Research Centre (KANITA), is centred on the belief that scholarly discourses should not only be framed at the academic level but that they should also be grounded in people’s lived realities. This anthology is a collection of essays based on such empirical data utilising a feminist framework and a gender lens offering new insights into the understanding and analysis of local and national issues. It maps the landscape of women’s issues which have remained persistent and unresolved over the years – issues which are often seen by policy-makers as inconsequential to economic development, but yet they impact heavily on people’s lives, often violating their rights. This volume is significant in filling the void in the local literature in women’s and gender studies. The essays are relevant and cover a wide range of topics such as gender and literature, violence against women and women’s lack of political representation; women, gender and development discourses; local interventions among poor women; inadequacies of legal codes and procedures; and the shifting boundaries of Islam, jurisprudence and gender in Malaysia. It is a must read for academics, researchers, students – not only in women’s and gender studies but also to those in sociology, law and Islamic jurisprudence, economics and development. It should also be read by policy and decision makers including civil society activists who are concerned with issues of social and gender justice in Malaysia. Universiti Sains Malaysia, Penerbit Universiti Sains Malaysia

Many states in the Asia Pacific region are not built around a single homogenous people, but rather include many large, varied, different national groups. This book explores how states in the region attempt to develop commonality and a nation and the difficulties that arise. It discusses the consequences which ensue when competing narratives clash, and examines the nature of resistance to dominant narratives which arise. It considers the problems in a wide range of countries in the region including Indonesia, Malaysia, Singapore, Hong Kong, Korea, Australia and New Zealand.

Before the modernist transformations of the twentieth century, China had one of the richest and most diverse religious cultures in the world. The radical anti-traditionalist policies of both the Republican and Communist regimes as well as other socio-historical factors posed formidable challenges to China’s religious traditions but, this book argues, these conditions also presented new opportunities for re-generation and innovation. It shows that economic reforms and the concurrent relaxation of religious policies have provided fertile ground for the revitalization of a wide array of religious practices, including divination, ancestor worship, temple festivals, spirit mediumism, churchgoing, funeral rites, exorcism, pilgrimages, sectarianism, sutra chanting, and the printing and distribution of morality books. Equally new forms of religious practices have emerged such as lay Buddhist preachers, "Maoist shamans", and a range of qigong sects/schools. Written by an international, interdisciplinary team of experts who have all conducted in-depth fieldwork research in China, this book provides a wide-ranging survey of contemporary religious practices in China. It examines the different processes and mechanisms of religious revivals and innovations, and, more broadly, relates the Chinese example of religious revitalization to larger issues of social and cultural continuity and change.