The study of intellectual history in Africa is in its infancy. We know very little about what Africa’s thinkers made of their times. Recasting the Past brings one field of intellectual endeavor into view. The book takes its place alongside a small but growing literature that highlights how, in autobiographies, historical writing, fiction, and other literary genres, African writers intervened creatively in their political world. The past has already been worked over by the African interpreters that the present volume brings into view. African brokers—pastors, journalists, kingmakers, religious dissidents, politicians, entrepreneurs all—have been doing research, conducting interviews, reading archives, and presenting their results to critical audiences. Their scholarly work makes it impossible to think of African history as an inert entity awaiting the attention of professional historians. Professionals take their place in a broader field of interpretation, where Africans are already reifying, editing, and representing the past. The essays collected in Recasting the Past study the warp and weft of Africa’s homespun historical work. Contributors trace the strands of discourse from which historical entrepreneurs drew, highlighting the sources of inspiration and reference that enlivened their work. By illuminating the conventions of the past, Africa’s history writers set their contemporary constituents on a path toward a particular future. History writing was a means by which entrepreneurs conjured up constituencies, claimed legitimate authority, and mobilized people around a cause. By illuminating the spheres of debate in which Africa’s own scholars participated, Recasting the Past repositions the practice of modern history.

Since 1952, CBC television has played a unique role as the primary mass media purveyor of Canadian history. Yet until now, there have been no comprehensive accounts of Canadian history on television. Monica MacDonald takes us behind the scenes of the major documentaries and docudramas broadcast on the CBC, including in Explorations (1956–64) and the series Images of Canada (1972–76), The National Dream (1974), The Valour and the Horror (1992), and Canada: A People's History (2000–02). Drawing on a wide range of sources, MacDonald explores how producers struggled to represent the Canadian past under a range of external and internal pressures. Despite dramatic shifts in the writing of history over this period, she determines that television themes and interpretations largely remained the same. The greater change was in the production and presentation, particularly in the role of professional historians, as journalists emerged not only as the new producers of Canadian history on CBC television, but also as the new content authorities. A critique of public history through the lens of political economy, Recasting History reveals the conflicts, compromises, and controversies that have shaped the CBC version of the Canadian past.

The purpose of this book is to provide teachers, librarians, and scholars of adolescent literature with a discussion of fiction set in the Middle Ages.

In Recasting the Past: An Early Modern Tales of Ise for Children Laura Moretti offers a critical edition, translation and study of a 1766 Japanese picture-book. The introduction includes an in-depth examination of chapbooks, kusazōshi, The Tales of Ise and children's literature.

"Presenting Antiquities at the Art Institute of Chicago was published in conjunction with the opening of Mary and Michael Jaharis Galleries of Greek, Roman, and Byzantine Art at the Art Institute of Chicago, November 11, 2012."

"The freshness of the authors' approaches . . . is salutary. . . . The collection is stimulating and valuable."—Joan Shelley Rubin, Journal of American History

The political and social life of India in the last decade has given rise to a variety of questions concerning the nature and resilience of patriarchal systems in a transitional and post-colonial society. The contributors to this interdisciplinary volume recognize that every aspect of reality is gendered, and that such a recognition involves a dismantling of the ideological presuppositions of the so-called gender neutral ideologies, as well as the boundaries of individual disciplines.

Previous notions of what constitutes "citizenship" within a country have been steadily challenged by the movement towards a globalized world. Examining the everyday habits of citizens and non-citizens, the contributors to Recasting the Social in Citizenship show how citizenship has increasingly been determined by social behaviours rather than by civil or political affiliations. Broadening the debate by interpreting the social not only as rights and privileges, but also as everyday struggles, this volume offers studies that range from environmental and security issues to transnational migration and military transformations. It further discusses debates over multiculturalism and integration and takes a fresh look at how social activities such as eating, commuting, smoking, as well as sexual habits of citizens and non-citizens have become increasingly governed by the state. Tracing developments in politics and social actions that have bound together citizens and non-citizens, Engin F. Isin and the volume's contributors explore the social sites that have become objects of government, and considers how these subjects are sites of contestation, resistance, differentiation and identification. In doing so, they provide significant insights into the changing states of citizenship and social governance, making Recasting the Social in Citizenship an engaging collection that will be of interest to sociologists, political scientists, and anyone with a concern about immigration and citizenship.

No Permanent Waves boldly enters the ongoing debates over the utility of the "wave" metaphor for capturing the complex history of women's rights by offering fresh perspectives on the diverse movements that comprise U.S. feminism, past and present. Seventeen essays--both original and reprinted--address continuities, conflicts, and transformations among women's movements in the United States from the early nineteenth century through today. A respected group of contributors from diverse generations and backgrounds argue for new chronologies, more inclusive conceptualizations of feminist agendas and participants, and fuller engagements with contestations around particular issues and practices. Race, class, and sexuality are explored within histories of women's rights and feminism as well as the cultural and intellectual currents and social and political priorities that marked movements for women's advancement and liberation. These essays question whether the concept of waves surging and receding can fully capture the complexities of U.S. feminisms and suggest models for reimagining these histories from radio waves to hip-hop.

From Academy Award-winning film director Neil Jordan comes an artful reimagining of an extraordinary friendship spanning the revolutionary tumult of the eighteenth century. South Carolina, 1781: the American Revolution. An enslaved man escaping to his freedom saves the life of Lord Edward Fitzgerald, a British army officer and the younger son of one of Ireland's grandest families. The tale that unfolds is narrated by Tony Small, the formerly enslaved man who becomes Fitzgerald's companion—and best friend. While details of Lord Edward's life are well documented, little is known of Tony Small, who is at the heart of this moving novel. In this gripping narrative, his character considers the ironies of empire, captivity, and freedom, mapping Lord Edward's journey from being a loyal subject of the British Empire to becoming a leader of the disastrous Irish rebellion of 1798. This powerful new work of fiction brings Neil Jordan's inimitable storytelling ability to the revolutions that shaped the eighteenth century—in America, France, and, finally, in Ireland.