In Rebels, Wives, Saints, acclaimed scholar Tanika Sarkar continues her revolutionary scholarship on women, religion, and nationhood in colonial Bengal. The colonial universe Sarkar describes in Rebels, Wives, Saints centers around symbols of women as both defiled and deified, exemplified in the idea of woman as widow and woman as goddess. The nation, Sarkar explains, is imagined as a woman-goddess within a country comprising plural cultural traditions. Sarkar also broadens the discussion to consider male reformers who battle Hindu conservatives, a Hindu novelist who idealizes nationalism as a means for overcoming Muslim influence, male-dominant social norms, and theatre and censorship. Throughout the book, Sarkar deploys her trademark focus on small, specific, emotional defining moments in order to arrive at a larger, compelling picture that reveals how people actually feel and experience life in Bengal.

Biographies highlighting key moments and events in the lives of twelve social reformers and humanitarians.

Guru to the World tells the story of Swami Vivekananda, the nineteenth-century Hindu ascetic who introduced the West to yoga and to a tolerant, scientifically minded universalist conception of religion. Ruth Harris explores the many legacies of Vivekananda’s thought, including his impact on anticolonial movements and contemporary Hindu nationalism.

The first autobiography in Bengali was written by an upper-caste rural housewife called Rashundari Debi (1809–1899). Published when she was 88 years old, Amar Jiban (My Life) is a fascinating first-hand account of life for women in Bengal at that time. Mother to eleven children, Debi reflects on her experiences and her spiritual development across almost an entire century. Words to Win incorporates translations of major sections of this remarkable autobiography. Tanika Sarkar studies the making of an early modern subject – the woman who wants to compose a life of her own, who wishes to present it in the public sphere and eventually accomplishes her goal: for it is her words that win out in the end. Published by Zubaan.

This is a new release of the original 1925 edition.

In the twenty-first century, there has been a seismic shift in Indian political, religious and social life. The country's guiding spirit was formerly a fusion of the anti-caste worldview of B.R. Ambedkar; the inclusive Hinduism of Mahatma Gandhi; and the agnostic secularism of Jawaharlal Nehru. Today, that fusion has given way to Hindutva. This now-dominant version of Hinduism blends the militant nationalism of V.D. Savarkar; the Brahmanical anti-minorityism of M.S. Golwalkar; and the global Islamophobia of India's ruling regime. It requires deep cultural analysis and historical understanding, as only the sharpest and most profoundly informed historian can provide. For two decades, Tanika Sarkar has forged a path through the alleys and byways of Hindutva. She has trawled through the writing and iconography of its organisations and institutions, including RSS schools and VHP temples. She has visited the offices and homes of Hindutva's votaries, interviewing men and women who believe fervently in their mission of Hinduising India. And she has contextualised this new ferment on the ground with her formidable archival knowledge of Hindutva's origins and development over 150 years, from Bankimchandra to the Babri mosque and beyond. This riveting book connects Hindu religious nationalism with the cultural politics of everyday India.

Words of Her Own situates the experiences and articulations of emergent women writers in nineteenth-century Bengal through an exploration of works authored by them. Based on a spectrum of genres—such as autobiographies, novels, and travelogues—this book examines the sociocultural incentives that enabled the dawn of middle-class Hindu and Brahmo women authors at that time. Murmu explores the intersections of class, caste, gender, language, and religion in these works. Reading these texts within a specific milieu, Murmu sets out to rectify the essentialist conception of women’s writings being a monolithic body of works that displays a firmly gendered form and content, by offering rich insights into the complex world of subjectivities of women in colonial Bengal. In attempting to do so, this book opens up the possibility of reconfiguring mainstream history by questioning the scholarly conceptualization of patriarchy being omnipotent enough to shape the intricacies of gender relations, resulting in the flattening of self-fashioning by women writers. The book contends that there were women authors who flouted the norms of literary aesthetics and tastes set by male literati, thereby creating a literary tradition of their own in Bangla and becoming agents of history at the turn of the century.

Vibrant, dynamic, spirited and forceful. The contemporary women’s movement in India, which began in the late 1970s protested against the dark times, the violence and the misogyny. It also colourfully celebrated liberation, solidarity among women and breaking the shackles of patriarchy. It sang, performed and painted, to draw attention to the burning issues of the time: dowry death, widow immolation, acid throwing and rape. Over the past three decades, the women’s movement has matured and broadened to include a gamut of issues related to women’s health, sexuality, the environment, literacy, the impact of religion and communalism on women’s lives, political participation, labour rights, disability rights, class and caste issues, and many more. Indeed, feminism meant looking at the world through women’s eyes. This book constructs a pictorial history of the complex and multi-layered women’s movement through its visual representation: posters, drawings, pamphlets, reports, brochures, stickers, wall-writing and photographs. The posters reproduced here are part of Zubaan’s Poster Women project, which has attempted to locate and archive as many posters of the movement as possible to be able to visually map the women’s movement and its concerns. The Poster Women archive can be accessed at www.posterwomen.org. Published by Zubaan.

Translations of eight saints' lives, giving an insight into women's religious culture in Anglo-Saxon England. Devout, virtuous and independent, the heroines of Old English saints' lives (one of the most popular literary genres of the middle ages) provided exemplars of personal and public inspiration for medieval Christians. The eight lives translated here are the earliest known vernacular accounts of the biographies of Æthelthryth, Agatha, Agnes, Cecilia, Eugenia, Euphrosyne, Lucy, and Mary of Egypt. They depict women escaping unwanted marriages, communicating with male relatives, acquiring an education, living autonomously as hermits, and achieving positions of leadership; such lives document not only the importance of spiritual faith to early Christian women, but also testify to how these women (and their audience) employed faith as a tool for empowerment. Each life is preceded by a brief description of the saint's cult from its early Christian origins to its presence in Anglo-Saxon culture. The translationis accompanied by an introduction establishing the general background for the genre, the conventions of women saints' lives, and women's religious culture in Anglo-Saxon England; and an interpretive essay exploring the relationships between explicit presentations of the female body and the strength of spiritual authority as exhibited in these texts completes the volume. LESLIE A. DONOVAN is Associate Professor at the University of New Mexico.