‘A narrative of startling originality ... As discussions of Britain’s colonial legacy become increasingly polarised, we are in ever more need of nuanced books like this one’ SAM DALRYMPLE, SPECTATOR ‘Fascinating and provocative’ LITERARY REVIEW

Bangladesh was once East Pakistan, the Muslim nation carved out of the Indian Subcontinent when it gained independence from Britain in 1947. As religion alone could not keep East Pakistan and West Pakistan together, Bengali-speaking East Pakistan fought for and achieved liberation in 1971. Coups and assassinations followed, and two decades later it completed its long, tumultuous transition to parliamentary government. Its history is complex and tragic—one of war, natural disaster, starvation, corruption, and political instability. First published in India by the Aleph Book Company, Salil Tripathi’s lyrical, beautifully wrought tale of the difficult birth and conflict-ridden politics of this haunted land has received international critical acclaim, and his reporting has been honored with a Mumbai Press Club Red Ink Award for Excellence in Journalism. The Colonel Who Would Not Repent is an insightful study of a nation struggling to survive and define itself.

"Described by his contemporaries as a cross between Albert Schweitzer and Paul Gauguin, Elwin was a man of contradictions, at times taking on the role of evangelist, social worker, political activist, poet, government worker, and more. Intensely political, the Oxford-trained scholar tirelessly defended the rights of the indigenous and despite the deep religious influences of St.

This book is in pursuit of Alice, whose name rhymes with gallus. That, however, is another memory, another book waiting to germinate. John Lang (1816-1864), inebriated on John Exshaw, 'a ruling spirit of those days', most of his adult life, was a dogged underdog from Sydney, who spared no effort to hurt the John Company (East India Company). He settled in India at the age of 26, and was a prolific writer, journalist and lawyer. His novels were too feminist for Victorian comfort, while his white male protagonists were often described with the phrase-'India he loved, England he despised.' As a journalist he was irreverent towards the army and legal systems; modern journalists could take a lesson or two from Mr Lang. As a lawyer, John Lang learnt Persian and Urdu fast so that he could argue cases in the lower courts. He fought a number of important cases for Indians against the John Company, and won some-the establishment found a way to send him to jail. The Rani of Jhansi was so impressed, she invited him to be her lawyer. There was a party going on at Lang's house when he died. He said that a party should not be stopped just on account of his ill health.

"Seamlessly interweaves five love stories that, together, chronicle sixty years of Bangladeshi history. Shahryar, a recent PhD graduate and father of nine-year-old Anna, must leave the US when his visa expires. In their last remaining weeks together, we learn Shahryar's history, in a village on the Bay of Bengal, where a poor fisherman and his wife are preparing to face a storm of historic proportions. That story intersects with those of a Japanese pilot, a British doctor stationed in Burma during World War II, and a privileged couple in Calcutta who leaves everything behind to move to East Pakistan following the Partition of India. Inspired by the 1970 Bhola cyclone, in which half a million-people perished overnight, the structure of this riveting novel mimics the storm itself. Building to a series of revelatory and moving climaxes, it shows the many ways in which families love, betray, honor, and sacrifice for one another. At once grounded in history and fantastically imaginative, The Storm explores the humanity that connects us beyond the surface differences of race, religion, and nationality. It is an epic novel in the tradition of Khaled Hosseini's The Kite Runner and Rohinton Mistry's A Fine Balance, by a singularly gifted and perceptive new writer.--

A colorful and revealing portrait of the rise of India’s new billionaire class in a radically unequal society India is the world’s largest democracy, with more than one billion people and an economy expanding faster than China’s. But the rewards of this growth have been far from evenly shared, and the country’s top 1% now own nearly 60% of its wealth. In megacities like Mumbai, where half the population live in slums, the extraordinary riches of India’s new dynasties echo the Vanderbilts and Rockefellers of America's Gilded Age, funneling profits from huge conglomerates into lifestyles of conspicuous consumption. James Crabtree’s The Billionaire Raj takes readers on a personal journey to meet these reclusive billionaires, fugitive tycoons, and shadowy political power brokers. From the sky terrace of the world’s most expensive home to impoverished villages and mass political rallies, Crabtree dramatizes the battle between crony capitalists and economic reformers, revealing a tense struggle between equality and privilege playing out against a combustible backdrop of aspiration, class, and caste. The Billionaire Raj is a vivid account of a divided society on the cusp of transformation—and a struggle that will shape not just India’s future, but the world’s.

Here is the first volume of a magisterial biography of Mohandas Gandhi that gives us the most illuminating portrait we have had of the life, the work and the historical context of one of the most abidingly influential—and controversial—men in modern history. Ramachandra Guha—hailed by Time as “Indian democracy’s preeminent chronicler”—takes us from Gandhi’s birth in 1869 through his upbringing in Gujarat, his two years as a student in London and his two decades as a lawyer and community organizer in South Africa. Guha has uncovered myriad previously untapped documents, including private papers of Gandhi’s contemporaries and co-workers; contemporary newspapers and court documents; the writings of Gandhi’s children; and secret files kept by British Empire functionaries. Using this wealth of material in an exuberant, brilliantly nuanced and detailed narrative, Guha describes the social, political and personal worlds inside of which Gandhi began the journey that would earn him the honorific Mahatma: “Great Soul.” And, more clearly than ever before, he elucidates how Gandhi’s work in South Africa—far from being a mere prelude to his accomplishments in India—was profoundly influential in his evolution as a family man, political thinker, social reformer and, ultimately, beloved leader. In 1893, when Gandhi set sail for South Africa, he was a twenty-three-year-old lawyer who had failed to establish himself in India. In this remarkable biography, the author makes clear the fundamental ways in which Gandhi’s ideas were shaped before his return to India in 1915. It was during his years in England and South Africa, Guha shows us, that Gandhi came to understand the nature of imperialism and racism; and in South Africa that he forged the philosophy and techniques that would undermine and eventually overthrow the British Raj. Gandhi Before India gives us equally vivid portraits of the man and the world he lived in: a world of sharp contrasts among the coastal culture of his birthplace, High Victorian London, and colonial South Africa. It explores in abundant detail Gandhi’s experiments with dissident cults such as the Tolstoyans; his friendships with radical Jews, heterodox Christians and devout Muslims; his enmities and rivalries; and his often overlooked failures as a husband and father. It tells the dramatic, profoundly moving story of how Gandhi inspired the devotion of thousands of followers in South Africa as he mobilized a cross-class and inter-religious coalition, pledged to non-violence in their battle against a brutally racist regime. Researched with unequaled depth and breadth, and written with extraordinary grace and clarity, Gandhi Before India is, on every level, fully commensurate with its subject. It will radically alter our understanding and appreciation of twentieth-century India’s greatest man.

The youngest ever Nobel Prize laureate, Pakistani women’s rights activist Malala Yousafzai, is the 26th hero in the New York Times bestselling picture book biography series for ages 5 to 8. (Cover may vary) Malala Yousafzai won the Nobel Peace Prize at the age of 17 for speaking out against injustice even when it was terrifying to do so. She was an ordinary Muslim girl who wanted to attend school, and she refused to stop protesting for her rights even after being attacked by a powerful group in Pakistan who wanted women to remain in the shadows. She continues to fight for women’s rights and free education for children all over the world. This friendly, fun biography series inspired the PBS Kids TV show Xavier Riddle and the Secret Museum. One great role model at a time, these books encourage kids to dream big. Included in each book are: • A timeline of key events in the hero’s history • Photos that bring the story more fully to life • Comic-book-style illustrations that are irresistibly adorable • Childhood moments that influenced the hero • Facts that make great conversation-starters • A virtue this person embodies: Malala Yousafzai's tenacity against incredible odds is celebrated in this You’ll want to collect each book in this dynamic, informative series!

Many Mahābhāratas is an introduction to the spectacular and long-lived diversity of Mahābhārata literature in South Asia. This diversity begins with the Sanskrit Mahābhārata, an early epic poem that narrates the events of a catastrophic fratricidal war. Along the way, it draws in nearly everything else in Hindu mythology, philosophy, and story literature. The magnitude of its scope and the relentless complexity of its worldview primed the Mahābhārata for uncountable tellings in South Asia and beyond. For two thousand years, the instinctive approach to the Mahābhārata has been not to consume it but to create it anew. The many Mahābhāratas of this book come from the first century to the twenty-first. They are composed in nine different languages—Apabhramsha, Bengali, English, Hindi, Kannada, Malayalam, Sanskrit, Tamil, and Telugu. Early chapters illuminate themes of retelling within the Sanskrit Mahābhārata itself, demonstrating that the story's propensity for regeneration emerges from within. The majority of the book, however, reaches far beyond the Sanskrit epic. Readers dive into classical dramas, premodern vernacular poems, regional performance traditions, commentaries, graphic novels, political essays, novels, and contemporary theater productions—all of them Mahābhāratas. Because of its historical and linguistic breadth, its commitment to primary sources, and its exploration of multiplicity and diversity as essential features of the Mahābhārata's long life in South Asia, Many Mahābhāratas constitutes a major contribution to the study of South Asian literature and offers a landmark view of the field of Mahābhārata studies.