Describes the courage and sacrifices of the young men and women responsible for running the guerrillas' radio station during the ten-year-long civil war in El Salvador.

This book reviews the history of the microradio movement, enabling readers to understand why and how it has captured momentum and power. It discusses the anti-Nazi underground stations and other resistance stations, explaining how previous stations provided vehicles for democratic communications.

The vast array of CIA black "ops" (operations) has turned the agency into a policy maker dangerously independent of the government that created it. This is an unprecedented declassification of foreign exploits and domestic secrets.

This two-volume collection of essays addresses the Latino/a experience in present-day America, covering six major areas of importance: education, health, family, children, teens, and violence. The Latino/a presence in this country predates the United States itself, yet this group is often marginalized in the American culture. Many noted experts explore the ideology behind this prejudicial attitude, examining how America views Latinos/as, how Latinos/as view themselves, and what the future of America will look like as this group progresses toward equitable treatment. Through the exploration process, the book reveals the complexity and diversity of this community, tracing the historical trajectories of those whose diverse points of origin could be from almost anywhere, including the Americas, Europe, or other places. Written with contemporary issues at the forefront, this timely collection looks at the resolve of the Latino people and considers their histories, contributions, concerns, and accomplishments. Pointed essays address disparate quality-of-life issues in education, health, and economic stability while depicting individual and group efforts in overcoming barriers to mainstream American society. Each chapter discusses key challenge areas for the Latino American population in everyday life. An engaging "Further Investigations" feature poses questions about most of the essays, leading to critical thinking about the most important topics affecting Latino/as today.

This richly detailed examination of two forms of American entertainment focuses on the various ways that radio stations and air personalities have been depicted in motion pictures, from 1926's The Radio Detective to more recent films like 2022's Halloween Ends. Newly updated and revised chapters cover the cinematic portrayals of various aspects of radio, including disc jockeys, sports broadcasts, religious programs and abnormal personalities on the air. Such films as The Big Broadcast (1932), Reveille with Beverly (1943), Mister Rock and Roll (1957), WUSA (1970), Radio Days (1987), Private Parts (1997), We Are Marshall (2006) and Straight Outta Compton (2015) provide fascinating insights into not only their own times but also the historical eras that some of these films have attempted to recreate.

This is Radio Happy Isles... Ko e ui ‘e ni ‘a e ‘otu felenite... This is Radio Sunshine... Traveling throughout the Pacific over a period of six years, Robert Seward listened to radio wherever he went. From the Solomon Islands to Vanuatu to Fiji to Tonga to Hawai'i, he tuned in and listened. He recorded broadcasts, he sat in radio stations and newsrooms, he met the people who ran them, and he talked to folks who listened. The result is Radio Happy Isles, a highly readable, insightful, and unexpected look at the mediascape of the Pacific. What Seward discovered is surprising: in an era of satellite downloads and globe-circling communication empires, radio-the forgotten medium-is alive and well in the Pacific. Subject to political pressures and calls for privatization, its role is in constant evolution. But one thing is clear: the media rules of metropolitan dominance have not played out according to script here. Media in the Pacific has been active, not passive, in shaping its own local narratives. Full of anecdotes and engagingly written, Radio Happy Isles introduces us to an unmistakable voice, one that is varied and distinct and far from being drowned out by the noises coming from the metropolitan world.

In Masters of War, Clara Nieto adeptly presents the parallel histories of the countries of Latin America, histories that are intertwined, each reflecting the United States’ "coherent policy of intervention" set into motion by the Monroe Doctrine. As the value of this continued policy comes increasingly into question, Nieto argues for the need to evaluate the alarming precedent set in Latin America: the institution of client dictatorships, the roles played by the interests of U.S. corporations, the enormous tolls taken on civilian populations, and the irreversible disruption of regional stability. Drawing from an impressive array of documents and sources as well as from her unique first-hand insights as a participant in crucial meetings and negotiations in the region from the mid-1960s through the mid-1980s, Nieto chronicles the Cuban Revolution, the CIA-sponsored coup against popularly elected President Allende in Chile, the U.S. invasions of Panama and Grenada, U.S. support for the cultivation and training of paramilitary death squads in Nicaragua, El Salvador, and Colombia, as well as similarly severe but less well-known situations in other countries such as Uruguay, Venezuela, Argentina, Peru, Bolivia, Honduras, and Guatemala. Masters of War offers, from an informed perspective, perhaps for the first time, a distanced, objective analysis of recent Latin American history. Clara Nieto’s depth of knowledge and understanding is an invaluable resource at a time when the media is seen as unapologetically aligned with the interests of major corporations and policymakers, and the American public has reached a new height of apprehension regarding the intentions behind and consequences of its government’s policies.

A volume in Critical Constructions: Studies on Education and Society Series Editor: Curry Stephenson Malott, West Chester University of Pennsylvania Arising from the street corners and underground clubs, Rebel Music: Resistance through Hip Hop and Punk, challenges standardized schooling and argues for equity, peace, and justice. Rebel Music is an important, one-of-a-kind book that takes readers through fun, radical, educational chapters examining Hip Hop and Punk songs, with each section addressing a particular social issue. Rebel Music values the experiences found in both movements as cultural capital that is de-valued in the current oppressive, standard, test-driven, rule-bound, and corporate schooling experience, making youth "just another brick in the wall." This collection is a "rebel yell" to administrators, teachers, parents, police, politicians, and counselors who demonize Hip Hop and Punk to listen up and respect youth culture. Finally, Rebel Music is a celebration of radical voices and an organizing tool for those who use music to challenge oppression.

Beginning in the 1970s Chicana and Chicano organizers turned to community radio broadcasting to educate, entertain, and uplift Mexican American listeners across the United States. In rural areas, radio emerged as the most effective medium for reaching relatively isolated communities such as migrant farmworkers. And in Washington’s Yakima Valley, where the media landscape was dominated by perspectives favorable to agribusiness, community radio for and about farmworkers became a life-sustaining tool. Feminista Frequencies unearths the remarkable history of one of the United States’ first full-time Spanish-language community radio stations, Radio KDNA, which began broadcasting in the Yakima Valley in 1979. Extensive interviews reveal the work of Chicana and Chicano producers, on-air announcers, station managers, technical directors, and listeners who contributed to the station’s success. Monica De La Torre weaves these oral histories together with a range of visual and audio artifacts, including radio programs, program guides, and photographs to situate KDNA within the larger network of Chicano community-based broadcasting and social movement activism. Feminista Frequencies highlights the development of a public broadcasting model that centered Chicana radio producers and documents the central role of women in developing this infrastructure in the Yakima Valley. De La Torre shows how KDNA revolutionized community radio programming, adding new depth to the history of the Chicano movement, women’s activism, and media histories.