Real Life In London, Volumes I and II, stand as a seminal collection in the pantheon of early 19th-century literature, offering an immersive dive into the diverse tapestry of London life during this vibrant period. The anthology encapsulates a wide range of literary styles, from satirical sketches to detailed narratives, effectively capturing the ebullience and gritty reality of the era. Its significance lies not only in the literary variety it presents but also in its role as a cultural artifact, offering insights into the social mores, fashions, and the dynamic urban landscape of the time. The collection is notable for including standout pieces that portray the citys high life and low life with equal vivacity and depth, without attributing prominence to a single author, thereby emphasizing the collective vision over individual authorship. The contributors, Pierce Egan and John Badcock, are emblematic of the era's burgeoning literary scene, where journalism and fiction mingled freely, contributing to the rich tapestry of public life narratives. Their backgrounds as observers and chroniclers of urban culture imbue the collection with authenticity and historical value, aligning it with both the Regency periods flamboyant indulgence and its undercurrents of social change and upheaval. These varied voices together offer a multifaceted view of London, enhancing the readers understanding of its complex character. Real Life In London is an essential collection for readers interested in exploring the intersection of literature, history, and social commentary through a kaleidoscopic lens. It offers a unique opportunity to engage with the multiplicity of perspectives, styles, and themes within a single volume, making it a treasure trove for students, historians, and literary enthusiasts alike. The anthology not only educates but also entertains, serving as a vivid portal to the past and fostering a deep appreciation for the dialogue between the different authors' works and the era they encapsulate.

From the New York Times bestselling and critically acclaimed author of The Invention of Murder, an extraordinary, revelatory portrait of everyday life on the streets of Dickens' London. The nineteenth century was a time of unprecedented change, and nowhere was this more apparent than London. In only a few decades, the capital grew from a compact Regency town into a sprawling metropolis of 6.5 million inhabitants, the largest city the world had ever seen. Technology—railways, street-lighting, and sewers—transformed both the city and the experience of city-living, as London expanded in every direction. Now Judith Flanders, one of Britain's foremost social historians, explores the world portrayed so vividly in Dickens' novels, showing life on the streets of London in colorful, fascinating detail.From the moment Charles Dickens, the century's best-loved English novelist and London's greatest observer, arrived in the city in 1822, he obsessively walked its streets, recording its pleasures, curiosities and cruelties. Now, with him, Judith Flanders leads us through the markets, transport systems, sewers, rivers, slums, alleys, cemeteries, gin palaces, chop-houses and entertainment emporia of Dickens' London, to reveal the Victorian capital in all its variety, vibrancy, and squalor. From the colorful cries of street-sellers to the uncomfortable reality of travel by omnibus, to the many uses for the body parts of dead horses and the unimaginably grueling working days of hawker children, no detail is too small, or too strange. No one who reads Judith Flanders's meticulously researched, captivatingly written The Victorian City will ever view London in the same light again.

DigiCat Publishing presents to you this special edition of "Real Life In London, Volumes I. and II" by Pierce Egan, Active 1816-1830 John Badcock. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

A FINALIST for the Booker Prize, the National Book Critics Circle John Leonard Prize, the VCU/Cabell First Novelist Prize, the Lambda Literary Award, the NYPL Young Lions Award, and the Edmund White Debut Fiction Award “A blistering coming of age story” —O: The Oprah Magazine Named a Best Book of the Year by The New York Times, The Washington Post, New York Public Library, Vanity Fair, Elle, NPR, The Guardian, The Paris Review, Harper's Bazaar, Financial Times, Huffington Post, BBC, Shondaland, Barnes & Noble, Vulture, Thrillist, Vice, Self, Electric Literature, and Shelf Awareness A novel of startling intimacy, violence, and mercy among friends in a Midwestern university town, from an electric new voice. Almost everything about Wallace is at odds with the Midwestern university town where he is working uneasily toward a biochem degree. An introverted young man from Alabama, black and queer, he has left behind his family without escaping the long shadows of his childhood. For reasons of self-preservation, Wallace has enforced a wary distance even within his own circle of friends—some dating each other, some dating women, some feigning straightness. But over the course of a late-summer weekend, a series of confrontations with colleagues, and an unexpected encounter with an ostensibly straight, white classmate, conspire to fracture his defenses while exposing long-hidden currents of hostility and desire within their community. Real Life is a novel of profound and lacerating power, a story that asks if it’s ever really possible to overcome our private wounds, and at what cost.

Finally available, a high quality book of the original classic edition of Real Life In London. This is a new and freshly published edition of this culturally important work by Pierce Egan, which is now, at last, again available to you. Enjoy this classic work today. These selected paragraphs distill the contents and give you a quick look inside Real Life In London: The party were regaling themselves after the dangers and fatigues of a very hard days fox-chace; and, while the sparkling glass circulated, each, anxious to impress on the minds of the company the value of the exploits and amusements in which he felt most delight, became more animated and boisterous in his oratory-forgetting that excellent regulation which forms an article in some of the rules and orders of our Free and Easies in London, that no more than three gentlemen shall be allowed to speak at the same time. ... Tom Dashall, of Bond Street notoriety, had in [2]some measure led to an indecision of character, and often when perusing the lively and fascinating descriptions which the latter drew of the passing scenes in the gay metropolis, Bob would break out into an involuntary exclamation of-Curse me, but after all, this only is Real Life; -while, for the moment, horses, dogs, and gun, with the whole paraphernalia of sporting, were annihilated. ...It was not, however, the mere representations of Bobs friend, with which, (in consequence of the important result, ) we commenced our chapter, that produced the powerful effect of fixing the wavering mind of Bob-No, it was the air-the manner-the je ne sais quoi, by which these representations were accompanied: the curled lip of contempt, and the eye, measuring as he spoke, from top to toe, his companions, with the cool elegant sang froid and self-possession displayed in his own person and manner, which became a fiat with Bob, and which effected the object so long courted by his cousin. ...[5]However, it shall be so: adieu, my dear little roan filly, -Snow-ball, good by, -my new patent double-barrelled percussion-ah, I give you all up!-Order the tandem, my dear Tom, whenever you please; whisk me up to the fairy scenes you have so often and admirably described; and, above all things, take me as an humble and docile pupil under your august auspices and tuition. ...tumble your hero neck and heels into the midst of a drunken fox-hunting party, and then carry him off from his paternal estate, without even noticing his ancestors, relatives, friends, connexions, or prospects-without any description of romantic scenery on the estate-without so much as an allusion to the female who first kindled in his breast the tender passion, or a detail of those incidents with which it is usually connected!-a strange, very strange way indeed this of commencing