Why you need a writing revolution in your classroom and how to lead it The Writing Revolution (TWR) provides a clear method of instruction that you can use no matter what subject or grade level you teach. The model, also known as The Hochman Method, has demonstrated, over and over, that it can turn weak writers into strong communicators by focusing on specific techniques that match their needs and by providing them with targeted feedback. Insurmountable as the challenges faced by many students may seem, The Writing Revolution can make a dramatic difference. And the method does more than improve writing skills. It also helps: Boost reading comprehension Improve organizational and study skills Enhance speaking abilities Develop analytical capabilities The Writing Revolution is as much a method of teaching content as it is a method of teaching writing. There's no separate writing block and no separate writing curriculum. Instead, teachers of all subjects adapt the TWR strategies and activities to their current curriculum and weave them into their content instruction. But perhaps what's most revolutionary about the TWR method is that it takes the mystery out of learning to write well. It breaks the writing process down into manageable chunks and then has students practice the chunks they need, repeatedly, while also learning content.

Shakespeare's work gives hope and inspiration to the political prisoners held on apartheid South Africa's infamous Robben Island.

Of all of Soviet cultural myths, none was more resilient than the belief that the USSR had the world's greatest readers. This book explains how the 'Russian reading myth' took hold in the 1920s and 1930s, how it was supported by a monopolistic and homogenizing system of book production and distribution, and how it was challenged in the post-Stalin era; first, by the latent expansion and differentiation of the reading public, and then, more dramatically, by the economic and cultural changes of the 1990s.

This fascinating book - the first comprehensive study of reading and politics in early modern England - examines how texts of that period were produced and disseminated and how readers interpreted and were influenced by them. Based on the voluminous reading notes of one gentleman, Sir William Drake, the book shows how readers formed radical social values and political ideas as they experienced civil war, revolution, republic and restoration. By analysing the strategies of Drake's reading practices, as well as those of several key contemporaries (including Jonson, Milton and Clarendon), Kevin Sharpe demonstrates how reading in the rhetorical culture of Renaissance England was a political act. He explains how Drake, for example, by reading and rereading classical and humanist works of Tacitus, Machiavelli, Guicciardini and Bacon, became the advocate of dissimulation, intrigue and realpolitik. Authority, Sharpe argues, was experienced, reviewed and criticised not only in the public forum but in the study, on the page and in the imagination, of early modern readers. 'Erudite, intelligent and fascinating ...a wonderful study of a subject central to the intellectual and cultural history of early modern England.' Anthony Grafton Kevin Sharpe was director of the Centre for Renaissance and Early Modern Studies and professor of renaissance studies at Queen Mary, University of London. He is the author of 'The Personal Rule of Charles I', 'Selling the Tudor Monarchy' and 'Image Wars', all published by Yale University Press.

Now, for the first time, the best of Goodman's provocative writings are available in one convenient volume.

"When can we move beyond representation to liberation?" This question from a young Black girl moved New York Times #1 bestselling author Dr. Sonja Cherry-Paul to offer a vision for antiracist teaching that goes far beyond adding diverse texts in a classroom library. Antiracist Reading Revolution provides an actionable antiracist teaching framework and models how K-8 educators can create opportunities for transformative reading and discussions in classrooms. Dr. Cherry-Paul offers six critical lenses that help educators to adopt an antiracist teaching stance, spotlighting the importance of instruction built around love, joy, community, justice, and solidarity. Educators are invited to reflect on their instructional practices, dismantle ideologies that are barriers to students’ critical and creative thinking and cultivate identity-inspiring learning experiences where students can show up fully as themselves and recognize the full humanity of all people. This is what it means to move beyond representation to liberation. Chapters feature several children’s books that center BIPOC characters and creators. Dr. Cherry-Paul provides prompts and pathways for each children’s book that guide teachers toward putting into action the six critical lenses at the core of the Antiracist Reading Framework – affirmation, awareness, authorship, atmosphere, activism, and accountability. And she provides toolkits for students and teachers to use when selecting and reading books on their own. Chapters in this book also ... Offer personal and insightful anecdotes, supported by research and scholarship, that illustrate the power of antiracist teaching in working toward equity, justice, and freedom Provide a clear and actionable guide for K-8 literacy educators including classroom teachers, instructional coaches, and librarians Encourage critical reflection, pausing to ask educators to examine their own identities and values, and how these influence their teaching Guide educators toward selecting and teaching with books that center the lived experiences of BIPOC students This book is a call to action. In Dr. Cherry-Paul’s words, "In an antiracist classroom, reading helps us to dream, experience joy, engage in collective struggle, liberate our minds, and love. Let’s move forward together to realize our vision of an antiracist reading classroom rooted in love and liberation."

Struggling to adapt within her newly blended family in 1964 Mississippi, young Sunny witnesses increasingly scary community agitation when activists from the North arrive in town to help register African-Americans to vote.

Literature has not always been written in the same ways, nor has it been received or read in the same ways over the course of Western civilization. Cavallo (Greek palaeography, U. of Rome La Sapienza), Chartier (Ecole des Hautes Etudes en Sciences Sociales, Paris) and a number of other international contributors, address themes that highlight the transformation of reading methods and materials over the ages, such as the way texts in the Middle Ages were often written with the voice in mind, as they would have been read aloud, or even sung. Articles explore the innovations in the physical evolution of the book, as well as the growth and development of a broad-based reading public.

By closely examining the interaction between intellectual and material culture in the period before the Nazis came to power in Germany, the author comes to the conclusion that, contrary to widely held assumptions, consumer culture in the Weimar period, far from undermining reading, used reading culture to enhance its goods and values. Reading material was marked as a consumer good, while reading as an activity, raising expectations as it did, influenced consumer culture. Consequently, consumption contributed to the diffusion of reading culture, while at the same time a popular reading culture strengthened consumption and its values. Gideon Reuveni is Director of the Centre for German Jewish Studies at the University of Sussex. He is the co-editor of The Economy in Jewish History (Berghahn, 2010) and several other books on different aspects of Jewish history. Presently he is working on a book on consumer culture and the making of Jewish identity in Europe.

In this provocative work, Roger Chartier continues his extraordinarily influential consideration of the forms of production, dissemination, and interpretation of discourse in Early Modern Europe. Chartier here examines the relationship between patronage and the market, and explores how the form in which a text is transmitted not only constrains the production of meaning but defines and constructs its audience.