DIVDIVA community lynches a wrongly accused man in Caldwell’s scathing indictment of Southern prejudice/divDIV /divDIVWhen word spreads through Julie County that Sonny Clark, a black man, has assaulted Katy Barlow, a white woman, the man’s fate is sealed. With frightening speed, authorities and an outraged mob align to apprehend Clark and condemn him without trial. By the time Barlow confesses that no crime occurred, it is too late./divDIV /divDIVTold from the multiple perspectives of victim and victimizers as well as passive onlookers, Trouble in July depicts in harrowing detail the tragic ignorance of individuals who fail to understand their roles in a hateful miscarriage of justice./divDIV /divDIVThis ebook features an illustrated biography of Erskine Caldwell including rare photos and never-before-seen documents courtesy of the Dartmouth College Library./div/div

In the middle years of the Great Depression, Erskine Caldwell and photographer Margaret Bourke-White spent eighteen months traveling across the back roads of the Deep South--from South Carolina to Arkansas--to document the living conditions of the sharecropper. Their collaboration resulted in You Have Seen Their Faces, a graphic portrayal of America's desperately poor rural underclass. First published in 1937, it is a classic comparable to Jacob Riis's How the Other Half Lives, and James Agee and Walker Evans's Let Us Now Praise Famous Men, which it preceded by more than three years. Caldwell lets the poor speak for themselves. Supported by his commentary, they tell how the tenant system exploited whites and blacks alike and fostered animosity between them. Bourke-White, who sometimes waited hours for the right moment, captures her subjects in the shacks where they lived, the depleted fields where they plowed, and the churches where they worshipped.

Erskine Caldwell has been compared to literary giants like Faulkner and Hemingway, yet he has also been reviled as peddler of pop trash. Was he a genius, or just a shooting star whose brilliance faded long before he stopped writing? Caldwell began his career in the late 1920s and gained fame for revealing the gritty backwoods South in novels such as his seminal Tobacco Road. He wrote prolifically, sometimes as much as a book a year. As the editor of this book maintains, perhaps anyone who wrote so much would inevitably stumble. These 12 essays explore a variety of issues. They discuss Caldwell as humorist, social commentator, modernist, and revolutionary novelist. They examine his themes and tropes (political images, social injustice, the environment, ideological struggles) and his use of artistic devices (short stories, cubist strategies, repetition). A generous bibliography includes not only books on Caldwell but also chapters and forewords, journal articles, essays, news items and obituaries. The reader is encouraged to look at Caldwell with fresh eyes, to press beyond his controversial image, and to compare his works, especially his early ones, to those of any of the top names in literature.

DIVDIVIn this travelogue and memoir, groundbreaking novelist Erskine Caldwell looks back at a life lived in the troubled South /divDIV /divDIVFive decades removed from his own Southern childhood, novelist Erskine Caldwell sets out on a journey to find an old friend—a friend lost to him through the culture of segregation. As Caldwell follows a trail through Georgia, South Carolina, and much of the Deep South in search of his black childhood friend Bisco, his interviews with white and black Americans expose a range of attitudes that are tragic, if not surprising./divDIV /divDIVPublished first in the mid-1960s just as the South was undergoing a radical transformation by freedom marches and sit-ins, In Search of Bisco offers a heartfelt account of the civil rights movement by one of the region’s fiercest critics and most prominent sons./divDIV /divDIVThis ebook features an illustrated biography of Erskine Caldwell including rare photos and never-before-seen documents courtesy of the Dartmouth College Library./div/div

The author's anecdotes, memories, interviews, and observations offer a portrayal of the religious life of the South and how southern protestantism fared during the social upheaval of the mid-1960s

Conversations with Erskine Caldwell contains thirty-two interviews with this major writer, who during his long career enjoyed both the celebrity and the controversy that his books generated. These collected interviews include what is apparently his first, given in 1929 before the publication of The Bastard, to one of the very last, given only weeks before his death in April 1987. Caldwell was a lifelong outspoken opponent of censorship and an early advocate of racial equality. His ideas were reflected in a number of important interviews and portraits, often in newspapers or small journals not easily obtained today. In his later years he became a kind of elder statesman, celebrated as the last of that extraordinary generation of American writers which included Faulkner, Fitzgerald, Hemingway, Wolfe, and Steinbeck and which changed the face of American literature. The interviews in this collection reveal Caldwell's attitudes toward the profession of writing. He describes his early years of struggle, his determination to prove himself as a writer, and his tremendous success as the author of Tobacco Road and God's Little Acre, two American classics. He explains his attitude toward the South and his desire to bring about social reform through his writings. He is also candid about his own personal trials, his doubts and beliefs, and the state of his critical reputation.

DIVDIVFourteen stories that follow a young boy coming of age in a dysfunctional family in the rural South /div DIVMeet William Stroop, a young son of the South whose charming voice and mordant observations of family and culture make him one of American literature’s most memorable narrators. In these fourteen interwoven stories, William details the high (and low) points of his family history, focusing particularly on his lazy, scheming father, Morris, his put-upon mother, Martha, and his confidante, Handsome Brown, a young black farmhand. As Morris matches wits with strangers and neighbors alike in constant pursuit of get-rich-quick plans, Martha tries to hold the family together without the aid of any discernable income./divDIV /divDIVTold with the polish and moral resonance of fables, Georgia Boy captures the beauty and tragedy of life in the rural South during the twentieth century./divDIV /divDIVThis ebook features an illustrated biography of Erskine Caldwell including rare photos and never-before-seen documents courtesy of the Dartmouth College Library./div/div

DIVDIVA wandering preacher who gambles and chases women exposes the hypocrisies of a small Southern town/divDIV /divDIVWhen preacher Semon Dye moves into the tiny Georgia town of Rocky Comfort, many of its citizens welcome him. After all, the only church in town is being used to store fertilizer. But sermons aren’t the first thing on the mind of the tall, magnetic, and utterly dissolute man. Other callings take priority: women, whiskey, gambling, and hiding from the law. Even as he seduces wives, cheats at cards, and provokes old feuds, Dye manages to cast a dark spell over all the people in Rocky Comfort./divDIV /divDIVJourneyman is a wicked send-up of religious fervor by an American master of dark political satire./divDIV /divDIVThis ebook features an illustrated biography of Erskine Caldwell including rare photos and never-before-seen documents courtesy of the Dartmouth College Library./div/div

Here is a strong, simply told story of the urban South. As a child, Annette doted on her father and hated her fault-finding mother. She often thought of running away to escape her mother, but she was discouraged by vivid stories told by other children about runaway girls who had been raped. Her approaching marriage to Wayne Lombard, a high-school sweetheart, introduces Annette to a new life--and makes Wayne understand that he has competition in Mr. Truelove, Annette’s man-sized teddy bear, who sleeps with her. Later, when Wayne wants to discuss household finances, she distracts him with her little-girl sex games. After Wayne’s violent death, Annette thinks she sees him in other men. She marries again, but soon learns that Doan Thurmond, her new husband, is not much like Wayne. Again she fights a compulsion to escape, just as she did as a child. Then, one rainy evening, she runs out of the house just before Doan returns from work. She is going to a friend’s house across town. The streets are dark. She is confused...and somewhere in the back of her mind the fear of rape still lurks. The shocking ending is not exactly what Annette, or the reader, fears.--Dust jacket.