This book introduces readers to modern Thai literature through the themes of modernity, nationalism, identity and gender. In the cultural, political and social transformations that occurred in Thailand during the first half of the twentieth century, Thai literature was one of the vehicles that moved the changes. Taking seriously ‘read till it shatters’, a Thai phrase that instructs readers to take apart the text, to break it down, to deconstruct it, Thak Chaloemtiarana challenges the Thai literary canon from the margins and suggests ways of expanding and enriching it. Thai literature is scarce in translation and requires the skills of a scholar fluent in Thai to comprehend it. Thak is a political scientist turned literary scholar who is bilingual in Thai and English and an avid reader of Thai fiction by authors up and down the social scale. Here he offers lively insights into his favourite literary genres with fresh readings of early Thai novels, Sino-Thai biographies and memoirs of the rich and famous. ‘Thak Chaloemtiarana is an inquisitive man. Late in his career he switched from politics to literature. In these chapters, he draws on a lifetime of reading about writers and writing in Thailand over the past century. He nods towards the usual big names—King Vajiravudh, Luang Wichit, Kulap Saipradit, Kukrit Pramoj—but spends more time on those found in the lesser visited stacks of the libraries, the secondhand bookstalls, and the shelf by the supermarket checkout. His themes are familiar—Thailand and the West, Thai nationalism, the Thai-Chinese, and women under patriarchy—but the angles of vision are original. With a cast ranging from motor-racing princes through sexy Egyptian mummies and a feminist serial murderer to starlets touting breast-enhancement techniques, this book educates, enlightens, and entertains.’

This first in-depth piece of reportage about the largest natural resource heist in Asia reveals Myanmar's world of secret-keepers and truth-tellers. In Myanmar, where civil war, repressive government, and the $40 billion a year jade industry have shaped life for decades, everyone is fighting for their own version of the truth. Until the World Shatters, takes us deep into a world in which journalists seek to overcome censorship and intimidation, ethnic minorities wage guerilla war against a government they claim refuses to grant basic human rights; devout Buddhists launch violent anti-Muslim campaigns; and artists try to build their own havens of free expression. In the bustling city of Yangon we meet Phoe Wa, a young photojournalist pursuing his dream at a time when the government is jailing reporters and nationalist voices are on the rise. In Myanmar's far north, we meet Bum Tsit who is caught between the insurgent army his family supports and the business and military leaders his career depends on. His attempt to get rich quickly leads him to Myanmar's biggest, worst kept secret: the connection between the jade industry and the longest running war in the world. Until the World Shatters weaves Phoe Wa and Bum Tsit's stories to reveal a larger portrait of Myanmar's history, politics, and people in a time and place where public trust has disappeared.

A man wakes up in a living room he doesn’t recognize, unable to remember anything about himself. All he has are the few remnants of his identity scattered throughout the house—clues to his past. He soon learns that he is Charles Lang, a brilliant scientist whose wife, Julie, and daughter, Jess, mysteriously disappeared several years ago. Soon, he begins to recover memories—memories that may or may not be his own—and as he does, he realizes that only by uncovering the details of his former life will he have any hope of being reunited with Julie and Jess. A haunting tale of love and longing, fate and free will, and the easily blurred lines between fiction and reality, Glass Shatters explores the risks of trying to reinvent oneself, and the dangers of pushing science to its limits.

The gripping first installment in New York Times bestselling author Tahereh Mafi’s Shatter Me series. One touch is all it takes. One touch, and Juliette Ferrars can leave a fully grown man gasping for air. One touch, and she can kill. No one knows why Juliette has such incredible power. It feels like a curse, a burden that one person alone could never bear. But The Reestablishment sees it as a gift, sees her as an opportunity. An opportunity for a deadly weapon. Juliette has never fought for herself before. But when she’s reunited with the one person who ever cared about her, she finds a strength she never knew she had. And don’t miss Defy Me, the shocking fifth book in the Shatter Me series!

"What are you waiting for, I said kill her!" he screamed as loud as he could. It sounded like a knife in Amelia's ears, and she tried to look over at him, but he was already gone. Gone to take everything else from her. He had been right . . . she should have killed him while he wasn't a threat, but it was that very fact that made her unable to kill him in the first place. SS-Oberschtze Markus Lubrich warned me this would happen. He said I didn't know when to quit, but the truth is, I just don't know how. I've been living a lie for years, a traitor in the midst of a thousand nationalists. But until the the iron hand that controls our destiny is no longer a threat, I can never stop searching for a way to make sure we survive. But when it's over and the Reich has fallen, we will finally be able to live without fear of what is lurking in the shadows. Victorious over our enemies. Over our past. Over our future. Forever.

The third book in the Joseph O'Loughlin series, from the multi-million-copy bestselling author. Don't miss Michael Robotham's new thriller When She Was Good, out now. Can you hear it? The sound of a mind breaking? A naked woman in red high-heeled shoes is perched on the edge of Clifton Suspension Bridge with her back pressed to the safety fence, weeping into a mobile phone. Clinical psychologist Joseph O'Loughlin is only feet away, desperately trying to talk her down. She whispers, 'you don't understand,' and jumps. Later, Joe has a visitor - the woman's teenage daughter, a runaway from boarding school. She refuses to believe that her mother would have jumped off the bridge - not only would she not commit suicide, she is terrified of heights. Joe wants to believe her, but what would drive a woman to such a desperate act? Whose voice? What evil? Praise for Michael Robotham's thrillers: 'I love this guy's books' Lee Child 'Will have you turning the pages compulsively'The Times 'An absolute master' Stephen King 'He writes in a voice with a haunting sense of soul' Peter James 'Heart-stopping and heart-breaking' Val McDermid 'The real deal' David Baldacci 'Superbly exciting . . . a terrific read' Guardian

Comprising 11 countries and hundreds of languages from one of the most culturally diverse regions in the world, the chapters in this collection explore a wide range of translation issues. The subject of this volume is set in the contrasted landscapes of mainland peninsulas and maritime archipelagos in Southeast Asia, which, whilst remaining a largely minor area in Asian studies, harbors a wealth of textual heritage that opens to inquiries and new readings. From the post-Angkor Cambodia, the post-colonial Viantiane, to the ultra-modern Singapore metropolis, translation figures problematically in the modernization of indigenous literatures, criss-crossing chronologically and spatially through different literary landscapes. The peninsular geo-body gives rise to the politics of singularity as seen in the case of the predominant monolingual culture in Thailand, whereas the archipelagic geography such as the thousand islands of Indonesia allows for peculiar types of communication. Translation can also be metaphorized poetically to configure the transference in different scenarios such as the cases of self-translation in Philippine protest poetry and untranslatability in Vietnamese diasporic writings. The collection also includes intra-regional comparative views on historical and religious terms. This book will appeal to scholars and postgraduate students of translation studies, sociolinguistics, and Southeast Asian studies.

The New York Times bestselling final installment of Jeff VanderMeer’s wildy popular Southern Reach Trilogy It is winter in Area X, the mysterious wilderness that has defied explanation for thirty years, rebuffing expedition after expedition, refusing to reveal its secrets. As Area X expands, the agency tasked with investigating and overseeing it--the Southern Reach--has collapsed on itself in confusion. Now one last, desperate team crosses the border, determined to reach a remote island that may hold the answers they've been seeking. If they fail, the outer world is in peril. Meanwhile, Acceptance tunnels ever deeper into the circumstances surrounding the creation of Area X--what initiated this unnatural upheaval? Among the many who have tried, who has gotten close to understanding Area X--and who may have been corrupted by it? In this last installment of Jeff VanderMeer's Southern Reach trilogy, the mysteries of Area X may be solved, but their consequences and implications are no less profound--or terrifying.

Traumatizing events can break a person. However, a series of small but inevitable pinpricks, lovelessness and ambivalent relationships can also ruin a person. A traumatic event touches and invades a person unspeakably deeply. This book attempts to put into words the psychic abyss of trauma, which the victim experiences, and helps to detect and understand possible traumatization. It wants to encourage traumatized people and their counsellors to choose the path of small steps out of the trauma. In this way, previously traumatized people can rediscover their dignity. The path leads from an existence dictated by the outside world to a self-determined life.

Focusing on one of the most significant poets of the twentieth century, Angkarn Kallayanapong (1926–2012), this book makes a unique contribution to understandings of non-Western literary modernity. Arnika Fuhrmann investigates how the Thai poet adapts Buddhist understandings of time to create a modern Asian aesthetic imaginary. While Angkarn's poetry conjures the image of an early modern Thai cosmopolitanism, it also pioneers a poetics reflective of present-day globalization. The result is an experiment in Buddhist cosmopolitan aesthetic modernity. Teardrops of Time contextualizes the poet's work in the literary history and cultural politics of his time, tracing the transformation of a modern Thai cultural and political imaginary through the political history of the country's authoritarian governance since the late 1950s and the exigencies of an increasingly globalized economy since the 1980s. As Angkarn's work aligns itself with contemporaneous global trends in poetry, the book reads it alongside the work of Paul Celan and Allen Ginsberg.