The essays in this collection combine historical, cultural, and literary analyses in their treatment of aspects of exile in Irish writing. Some are 'structuralist' in seeing exile as a physical state of being, often associated with absence, into which an individual willingly or unwillingly enters. Others are 'poststructuralist', considering the narration of exile as a celebration of transgressiveness, hybridity, and otherness. This type of exile moves away from a political, cultural, economic idea of exile to an understanding of exile in a wider existential sense. The volume presents readings of Irish literature, history and culture that reflect some of the historical, sociological, psychological and philosophical dimensions of exile in the 1800s and 1900s. The theme of exile is discussed in a wide range of texts including literature, political writings and song-writing, either in works of Irish writers not normally associated with exile, or in which new aspects of 'exile' can be discerned. The essays cover, among others: Butler, D'Arcy McGee, Mulholland, Joyce, Hewitt, Van Morrison, Ni Chuilleanain, Doyle, and Banville.

Remapping Asian American History discusses new frameworks such as transnationalism, the political contexts of international migrations, and a multipolar approach to the study of contemporary U.S. race relations. Collectively, the essays in this volume challenge some long-held assumptions about Asian-American communities and point to new directions in Asian American historiography. Visit our website for sample chapters!

An examination of how wartime rhetoric in World War I influenced the home front fiction of four British women writers -- Violet Hunt, Rose Macaulay, Stella Benson, and Rebecca West.

The history of exile literature is as old as the history of writing itself. Despite this vast and varied literary tradition, criticism of exile writing has tended to analyze these works according to a binary logic, where exile either produces creative freedom or it traps the writer in restrictive nostalgia. The Dialectics of Exile: Nation, Time, Language and Space in Hispanic Literatures offers a theory of exile writing that accounts for the persistence of these dual impulses and for the ways that they often co-exist within the same literary works. Focusing on writers working in the latter part of the twentieth century who were exiled during a historical moment of increasing globalization, transnational economics, and the theoretical shifts of postmodernism, Sophia A. McClennen proposes that exile literature is best understood as a series of dialectic tensions about cultural identity. Through comparative analysis of Juan Goytisolo (Spain), Ariel Dorfman (Chile) and Cristina Peri Rossi (Uruguay), this book explores how these writers represent exile identity. Each chapter addresses dilemmas central to debates over cultural identity such as nationalism versus globalization, time as historical or cyclical, language as representationally accurate or disconnected from reality, and social space as utopic or dystopic. McClennen demonstrates how the complex writing of these three authors functions as an alternative discourse of cultural identity that not only challenges official versions imposed by authoritarian regimes, but also tests the limits of much cultural criticism.

"For more than thirty years, the quarterly journal U.S. Catholic historian has mapped the diverse terrain of American Catholicism. This collection of essays, including seven of the most popular and path-breaking contributions of recent years, tells the story of Catholics previously underappreciated by historians: women, African Americans, Latinos, Asian Americans, and those on the frontier and borderlands."--Publisher description.

The fiction of Doris Betts, Barry Hannah, Cormac McCarthy, Madison Smartt Bell, Richard Ford, Rick Bass, Barbara Kingsolver, Chris Offutt, Frederick Barthelme, Dorothy Allison, and Clyde Edgerton, among others, challenges long-standing definitions of Southern fiction and regional identity and reconfigures the myths of the West that have shaped American life." "In Remapping Southern Literature, Brinkmeyer proposes that today's Southern writers are not by this shift abandoning Southern culture but are instead expanding its reach by seeking to balance the ideals of the South and West."--BOOK JACKET.

These stimulating essays address such topics as histories of public health, emotional life, law, and sexuality, notions of borders and frontiers, the relationship between native place identities and nationalism, the May Fourth Movement, and the periodization of the Chinese revolution.

The essays in this volume explore the Mediterranean both as a physical and cultural space, and as a conceptual notion that challenges the boundaries between East and West. It emphasizes the Ottoman Mediterranean, by exploring a variety of literary and non-literary texts produced between the Sixteenth and Eighteenth centuries.

Remapping Memory was first published in 1994. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. The essays in this book focus on contested memories in relation to time and space. Within the context of several profound cultural and political conflicts in the contemporary world, the contributors analyze historical self-configurations of human groups, and the construction by these groups of the spaces they shape and that shape them. What emerges is a view of the state as a highly contingent artifact of groups vying for legitimacy-whether through their own sense of "insiderhood," their control of positions within hierarchies, or their control of geographical territories. Boyarin's lead essay shows how the supposedly "objective" categories of space and time are, in fact, specific products of European modernity. Each case study, in turn, addresses the (re)constitution of space, time, and memory in relation to an event either of historical significance, like the dropping of the atomic bomb on Hiroshima, or of cultural importance, like the Indian preoccupation with reincarnation. These ethnographic studies explore fundamental questions about the nature of memory, the limits of politics, and the complex links between them. By focusing on personal and collective identity as the site where constructions of memory and dimensionality are tested, shaped, and effected, the authors offer a new way of understanding how the politics of space, time and memory are negotiated to bring people to terms with their history. Contributors: Akhil Gupta, Stanford University; Charles R. Hale, University of California, Davis; Carina Perelli, PEITHO, Montevideo, Uruguay; Jennifer Schirmer, Center for European Studies, Harvard; Daniel A. Segal, Pitzer College, Claremont, California; Lisa Yoneyama, University of California, San Diego.

This book is about intersections among science, philosophy, and literature. It bridges the gap between the traditional "cultures" of science and the humanities by constituting an area of interaction that some have called a "third culture." By asking questions about three disciplines rather than about just two, as is customary in research, this inquiry breaks new ground and resists easy categorization. It seeks to answer the following questions: What impact has the remapping of reality in scientific terms since the Copernican Revolution through thermodynamics, relativity theory, and quantum mechanics had on the way writers and thinkers conceptualized the place of human culture within the total economy of existence? What influence, on the other hand, have writers and philosophers had on the doing of science and on scientific paradigms of the world? Thirdly, where does humankind fit into the total picture with its uniquely moral nature? In other words, rather than privileging one discipline over another, this study seeks to uncover a common ground for science, ethics, and literary creativity. Throughout this inquiry certain nodal points emerge to bond the argument cogently together and create new meaning. These anchor points are the notion of movement inherent in all forms of existence, the changing concepts of evil in the altered spaces of reality, and the creative impulse critical to the literary work of art as well as to the expanding universe. This ambitious undertaking is unified through its use of phenomena typical of chaos and complexity theory as so many leitmotifs. While they first emerged to explain natural phenomena at the quantum and cosmic levels, chaos and complexity are equally apt for explaining moral and aesthetic events. Hence, the title "Remapping Reality" extends to the reconfigurations of the three main spheres of human interaction: the physical, the ethical, and the aesthetic or creative.