Religious faith, myths and legends have always been present in literature. However, their role has changed over time. Since the middle of the nineteenth century, with the diminishing role of religion in European society, writers with some kind of belief system, whether religious or political, have tended to use myth in two different ways. They have either retold the old, familiar myths of the past so that they carry fresh messages relevant to a contemporary audience or created their own, new myths as modern vehicles of traditional truths. Many writers have combined the two techniques. Such is the transforming artistry which the eighteen essays in Re-Embroidering the Robe examine: the remaking or new-minting of myth, in literature from 1850 to the present day, so that what it embodies and expresses speaks powerfully to the modern reader. In widely differing ways, therefore, all of the texts analysed here compel attention.

Conversing Identities: Encounters Between British, Irish and Greek Poetry, 1922-1952 presents a panorama of cultures brought in dialogue through travel, immigration and translation set against the insularity imposed by war and the hegemony of the national centre in the period 1922-1952. Each chapter tells a story within a specific time and space that connected the challenges and fissures experienced in two cultures with the goal to explore how the post-1922 accentuated mobility across frontiers found an appropriate expression in the work of the poets under consideration. Either influenced by their actual travel to Britain or Greece or divided in their various allegiances and reactions to national or imperial sovereignty, the poets examined explored the possibilities of a metaphorical diasporic sense of belonging within the multicultural metropolis and created personae to indicate the tension at the contact of the old and the new, the hypocritical parody of mixed breeds and the need for modern heroes to avoid national or gendered stereotypes. The main coordinates were the national voices of W.B. Yeats and Kostes Palamas, T.S. Eliot’s multilingual outlook as an Anglo-American métoikos, C.P. Cavafy’s view as a Greek of the diaspora, displaced William Plomer’s portrayal of 1930s Athens, Demetrios Capetanakis’ journey to the British metropolis, John Lehmann’s antithetical journey eastward, as well as Louis MacNeice’s complex loyalties to a national identity and sense of belonging as an Irish classicist, translator and traveller.

Important American periodical dating back to 1850.

Rose Isabella Paterson gave birth to a boy, Barty, in 1864. That child became the famous balladeer, Andrew Barton 'Banjo' Paterson. Barty was the first of seven children who lived on Illalong station, a property near the New South Wales township of Binalong, where Rose spent most of her married life. In this book, we enter into the rustic world of late nineteenth-century pioneers, where women endured continuous cycles of pregnancy, childbirth and recovery, and the constraints of strict social codes. Rose faced the isolation of Illalong - 'this poor old prison of a habitation' - with resolute determination and an incisive wit. Her candid letters, written throughout the 1870s and 1880s, to her younger sister, Nora Murray-Prior, reveal a woman who found comfort in the shared confidences of correspondence and who did not lack for opinions on women's rights, health and education. Here we see a devoted sister, a loyal wife battling domestic drudgery with scarce resources, and an affectionate mother whose parenting approach embraced 'a little judicious neglect & occasional scrubbing'. 'Looking for Rose' recreates the world of Rose Paterson and, within the rhythm of her life, the bush childhood of 'Banjo' Paterson, which ultimately found a place in some of Australia's best-known verses.

An illustrated women's magazine; includes extracts from novels, short stories, reviews, aphorisms, songs, philosophical discussions, and detailed descriptions of the latest clothing fashions from London and Paris.