A surreal sexual nightmare by cult bizarro author Carlton Mellick III. In a dark future where males have become extinct, humans are forced to breed with factory-manufactured living fuck-toys that possess an abundance of both male and female sex organs. One such creature is adopted by a warrior dominatrix named Celsia, who is trying to have a baby. But once she takes her new merchandise home, things don't quite go as planned. Wild tribes of rapists, women with multiple vaginas covering their bodies, sex tournaments, erotic mutilation, and a giant vagina possessing the secrets of the universe, this is one ugly perverted hell of a world. Told in Mellick's early schizophrenic prose style, Razor Wire Pubic Hair is like postmodern minimalistic art mixed with Japanese "guro" porn.

Steve is madly in love with his eccentric girlfriend, Stacy. Unfortunately, their sex life has been suffering as of late, because Steve is worried about the odd noises that have been coming from Stacy's pubic region. She says that her vagina is haunted. She doesn't think it's that big of a deal. Steve, on the other hand, completely disagrees. When a living corpse climbs out of her during an awkward night of sex, Stacy learns that her vagina is actually a doorway to another world. She persuades Steve to climb inside of her to explore this strange new place. But once inside, Steve finds it difficult to return... especially once he meets an oddly attractive woman named Fig, who lives within the lonely haunted world between Stacy's legs.

When Satan Burger was first being passed around among teenage punks and fans of weird art and film, there was nothing else like it. A book of rebellious spirit that simplistically captured the postmodern malaise of a culture obsessed with consumerism. It quickly gained an underground following, was transcribed by fans and bootlegged online, was translated into Russian and made its way around the world attracting the attention of readers bored with typical mainstream fare. Combining a satirical wit and style on par with legendary humorists such as Kurt Vonnegut and Russell Edson with the crazy punk ethos of cult film directors such as Terry Gilliam, David Lynch, and Takashi Miike, this was a book overflowing with so many new ideas and absurd philosophies that it not only launched the career of underground author Carlton Mellick III, but inspired an entire literary movement. For the fifteenth anniversary of the release of this Bizarro Fiction classic, Eraserhead Press is thrilled to present this special hardcover edition, featuring an introduction by splatterpunk legend John Skipp, illustrations by Ryan Ward, and a new preface by the author. Satan Burger explores a new kind of apocalypse. Not an apocalypse caused by disease or nuclear war, but an apocalypse of boredom. A plague of monotony has spread across the countryside, sucking all passion and inspiration out of everyone over the age of twenty-five, leaving only the disenfranchised youth to fend for themselves in a world crumbling around them. Featuring a narrator who sees his body from a third-person perspective, a man whose flesh is dead but his body parts are alive and running amok, an overweight messiah, the personal life of the Grim Reaper, a race of women who feed on male orgasms, and a motley group of squatter punks that team up with the devil to find their place in a world that doesn't want them anymore.

An astonishing, ambitious and masterful new novel, with echoes of Birdsong, that reads at the pace of a thriller. On its way to the Galápagos Islands, a light aircraft crashes into the sea. Zoologist Daniel Kennedy is confronted with a stark Darwinian choice. Should he save himself, or Nancy, the woman he loves? But how can one moment of betrayal ever be forgiven? And after he escapes the plane and swims for help, who is the elusive figure who guides him away from certain death? Back in London, Daniel thinks he finds the answer; it is connected with his great grandfather and the first horrific day of Passchendaele. But as the past collapses into the present, the fissures in his relationship with Nancy show through. Until he is given a second chance to prove his courage and earn her forgiveness. The Blasphemer is a novel that speaks to the head as well as the heart of the reader.

" Ilmars Salts is the author of ""A Stolen Childhood; Five Winters in Siberia."" The eldest son of Aleksandrs and Olga Salts, well-to-do land owners in southern Latvia, Ilmars was only 10 years old when, during the first Russian invasion of Latvia in 1941, the ""Saltes"" ancestral home was confiscated and the family -- father, mother, grandmother and three children -- were loaded onto a cattle train bound for Siberia. The inhumane work conditions, lack of food, and freezing cold killed his parents and grandmother and the orphaned children returned to Latvia in 1946. They were taken in by their mother's cousins. Ilmars had only 5 and a half years to finish his studies and begin work when, at age 21, he was drafted by the Soviet army, where he found himself assigned to a battalion of Soviet ""stepchildren"" that had little to do with the military. The author, a retired electrical engineer, is a widower, and the father of two grown daughters. He regained ownership of his family's home in 1996 and built a cottage for himself at the seaside. He feels it is his obligation to his parents and progeny to share this unvarnished story of what it means to lose your freedom, in the hope others will learn from it. (Gunna Dickson is a New York based writer and editor. Raised bilingual in the U.S., she has lived in Germany, France and Denmark, and traveled extensively. This is her third translation.) "

Vivian Gornick’s Fierce Attachments—hailed by the New York Times for the renowned feminist author’s “mesmerizing, thrilling” truths within its pages—has been selected by the publication’s book critics as the #1 Best Memoir of the Past 50 Years. In this deeply etched and haunting memoir, Vivian Gornick tells the story of her lifelong battle with her mother for independence. There have been numerous books about mother and daughter, but none has dealt with this closest of filial relations as directly or as ruthlessly. Gornick’s groundbreaking book confronts what Edna O’Brien has called “the principal crux of female despair”: the unacknowledged Oedipal nature of the mother-daughter bond. Born and raised in the Bronx, the daughter of “urban peasants,” Gornick grows up in a household dominated by her intelligent but uneducated mother’s romantic depression over the early death of her husband. Next door lives Nettie, an attractive widow whose calculating sensuality appeals greatly to Vivian. These women with their opposing models of femininity continue, well into adulthood, to affect Gornick’s struggle to find herself in love and in work. As Gornick walks with her aged mother through the streets of New York, arguing and remembering the past, each wins the reader’s admiration: the caustic and clear-thinking daughter, for her courage and tenacity in really talking to her mother about the most basic issues of their lives, and the still powerful and intuitively-wise old woman, who again and again proves herself her daughter’s mother. Unsparing, deeply courageous, Fierce Attachments is one of the most remarkable documents of family feeling that has been written, a classic that helped start the memoir boom and remains one of the most moving examples of the genre. “[Gornick] stares unflinchingly at all that is hidden, difficult, strange, unresolvable in herself and others—at loneliness, sexual malice and the devouring, claustral closeness of mothers and daughters...[Fierce Attachments is] a portrait of the artist as she finds a language—original, allergic to euphemism and therapeutic banalities—worthy of the women that raised her.”—The New York Times

Based on classified documents and interviews, argues that American acts of violence against millions of Vietnamese civilians during the Vietnam War were a pervasive and systematic part of the war.

For more than three decades, bestselling novelist John Saul has been summoning macabre masterpieces from the darkest realms of his imagination. With each new book, his instinct for playing upon our deepest dread has grown only stronger and more sinister. He’s never been afraid to push the boundaries of suspense and confront us with what frightens us most. After his father’s untimely death sends fifteen-year-old Ryan McIntyre into an emotional tailspin, his mother enrolls him in St. Isaac’s Catholic boarding school, hoping the venerable institution with a reputation for transforming wayward teens can work its magic on her son. But troubles are not unknown even at St. Isaac, where Ryan arrives to find the school awash in news of one student’s violent death, another’s mysterious disappearance, and growing incidents of disturbing behavior within the hallowed halls. Things begin to change when Father Sebastian joins the faculty. Armed with unprecedented knowledge and uncanny skills acquired through years of secret study, the young priest has been dispatched on an extraordinary and controversial mission: to prove the power of one of the Church’s most arcane sacred rituals, exorcism. Willing or not, St. Isaac’s most troubled students will be pawns in Father Sebastian’s one-man war against evil–a war so surprisingly effective that the pope himself takes notice of the seemingly miraculous events unfolding an ocean away. But Ryan, drawn ever more deeply into Father Sebastian’s ministrations, sees–and knows–otherwise. As he witnesses with mounting dread the transformations of his fellow pupils, his certainty grows that forces of darkness, not divinity, are at work. Evil is not being cast out . . . something else is being called forth. Something that hasn’t stirred since the Inquisition’s reign of terror. Something nurtured through the ages to do its vengeful masters’ unholy bidding. Something whose hour has finally come to bring hell unto earth.

The New York Times bestseller and basis for the Tony-winning hit musical, soon to be a major motion picture starring Cynthia Erivo and Ariana Grande With millions of copies in print around the world, Gregory Maguire’s Wicked is established not only as a commentary on our time but as a novel to revisit for years to come. Wicked relishes the inspired inventions of L. Frank Baum’s 1900 novel, The Wonderful Wizard of Oz, while playing sleight of hand with our collective memories of the 1939 MGM film starring Margaret Hamilton (and Judy Garland). In this fast-paced, fantastically real, and supremely entertaining novel, Maguire has populated the largely unknown world of Oz with the power of his own imagination. Years before Dorothy and her dog crash-land, another little girl makes her presence known in Oz. This girl, Elphaba, is born with emerald-green skin—no easy burden in a land as mean and poor as Oz, where superstition and magic are not strong enough to explain or overcome the natural disasters of flood and famine. Still, Elphaba is smart, and by the time she enters Shiz University, she becomes a member of a charmed circle of Oz’s most promising young citizens. But Elphaba’s Oz is no utopia. The Wizard’s secret police are everywhere. Animals—those creatures with voices, souls, and minds—are threatened with exile. Young Elphaba, green and wild and misunderstood, is determined to protect the Animals—even if it means combating the mysterious Wizard, even if it means risking her single chance at romance. Ever wiser in guilt and sorrow, she can find herself grateful when the world declares her a witch. And she can even make herself glad for that young girl from Kansas. Recognized as an iconoclastic tour de force on its initial publication, the novel has inspired the blockbuster musical of the same name—one of the longest-running plays in Broadway history. Popular, indeed. But while the novel’s distant cousins hail from the traditions of magical realism, mythopoeic fantasy, and sprawling nineteenth-century sagas of moral urgency, Maguire’s Wicked is as unique as its green-skinned witch.