"In Raw Material, Stephany Wilkes tells not only her own story, but also that of American wool. What begins as a knitter's search for local yarn becomes a dirty, unlikely, and irresistible side job. Wilkes become a certified sheep shearer and wool classer, working at the very first step in the textile supply chain, ultimately leaving her high-tech job for a new way of life considered long dead in the American West."--Provided by publisher.

'They were all the same, communists, Nazis, parents, church, book reviews, features section, editorial, revolutionary struggle, Baader-Meinhof, capital, television, Club Voltaire, pacifism, guerrilla, Mao, Trotsky, Red Student Action, the underground scene and Germania Security. They were all part of the same idea, they knew how things ought to be, they had a monopoly on consciousness, love, human happiness.' In Raw Material Jörg Fauser casts an eye over the times he lived in and his own life: a junkie in Istanbul, the move to a commune in Berlin and a squat in Frankfurt, work on an underground magazine and unceasing efforts to get a novel published. The autobiographical testament of Fauser's alter ego Harry Gelb is an unsparing, razor-sharp but often lovingly ironic portrait of the 1960s and 70's. It is a portrait of the artist to rank with the best, and a portrait of the ferment of Europe at that time.

Analyzes the intertwined metaphoric language of capitalism and disease in nineteenth-century England.

For the power industry, biomass is just a modern name for the ancient material of plant origin that was converted into energy in the simple technology of burning. This book discusses biomass as a raw material for the production of liquid or gaseous biofuels and valuable chemicals. Such biomass processing should be beneficial from both economic and environmental points of view. Classic technologies of biogas production are still being improved, but they always generate waste that differs in terms of chemical parameters, depending on the feedstock digested. These parameters dictate the manner of their final managing. Various biotechnologies allow the use of the biomass of hydrobionts, such as cyanobacteria as a raw substance for obtaining different products, e.g. hyaluronic acid, biopolymers, fertilizers, or even drugs. Animal fats or algae can be used to produce biodiesel which in turn is used in environmentally friendly urban transport. Even municipal solid waste can be a source of useful biomass. The authors show how its volume and composition can be predicted, by which form of processing it can be converted into valuable products, as well as in which ways its negative environmental impact can be limited.

Biomass as Renewable Raw Material to Obtain Bioproducts of High-tech Value examines the use of biomass as a raw material, including terrestrial and aquatic sources to obtain extracts (e.g. polyphenols), biofuels, and/or intermediates (furfural, levulinates) through chemical and biochemical processes. The book also covers the production of natural polymers using biomass and the biosynthetic process, cellulose modified by biochemical and chemical methods, and other biochemicals that can be used in the synthesis of various pharmaceuticals. Featuring case studies, discussions of sustainability, and nanomedical, biomedical, and pharmaceutical applications, Biomass as Renewable Raw Material to Obtain Bioproducts of High-tech Value is a crucial resource for biotechnologists, biochemical engineers, biochemists, microbiologists, and research students in these areas, as well as entrepreneurs, policy makers, stakeholders, and politicians. - Reviews biomass resources and compounds with bioactive properties - Describes chemical and biochemical processes for creating biofuels from biomass - Outlines production of polysaccharides and cellulose derivatives - Features applications in the fields of medicine and pharmacy

Petroleum-based industrial products have gradually replaced products derived from biological materials. However, biologically based products are making a comeback--because of a threefold increase in farm productivity and new technologies. Biobased Industrial Products envisions a biobased industrial future, where starch will be used to make biopolymers and vegetable oils will become a routine component in lubricants and detergents. Biobased Industrial Products overviews the U.S. land resources available for agricultural production, summarizes plant materials currently produced, and describes prospects for increasing varieties and yields. The committee discusses the concept of the biorefinery and outlines proven and potential thermal, mechanical, and chemical technologies for conversion of natural resources to industrial applications. The committee also illustrates the developmental dynamics of biobased products through existing examples, as well as products still on the drawing board, and it identifies priorities for research and development.

The newest development in alternative art: the use of salvaged and repurposed materials by contemporary artists. Tristan Manco reveals how artists of all kinds are bringing creativity to basic, often unglamorous materials—from broken bottles, old flip-flops, and skateboards to sustainable resources such as wood, straw, and paper. Through hundreds of illustrations, in-depth artist profiles, and detailed discussions of various materials, he showcases the work of more than thirty innovative and inspiring artists from around the world, from the United States, Mexico, Brazil, and Chile to the UK, Spain, France, and Italy. Some of the artists have invented new techniques—American artist Rosemarie Fiore uses fireworks to create paintings—while others have pushed the envelope in the presentation of their work by creating fresh, dynamic forms of display. Whether it is Chilean artist Carlos Zuniga’s creative use of text pages from found books and directories or Brazilian sculptor Henrique Oliveira’s ambitious organic forms in salvaged plywood, the book highlights how imaginative approaches to media and technique encourage us to look at the world in new ways.

Bank Holiday weekend. Sunrise on a secluded Welsh beach and Beatrice Stubbs takes some innocent snaps. The scene contains more than just cliffs and seagulls, and someone wants those pictures destroyed. But Beatrice's mind is on other things. Assigned to the London Transport Police, she's pursuing the Finsbury Park Flasher, trying to pre-empt a serious sexual offence. While Beatrice is distracted, neighbour Adrian and companion Matthew decide to play Poirot, and investigate the mystery of the disappearing photographs. Amateur detectives and professional criminals are a dangerous mix. From deserted Pembrokeshire beaches, through the shadowy underpasses of North London, to the remote Irish countryside, Beatrice discovers the darker side of human nature.

- Hochaktuelles Thema: Kohlenstoff- und Graphitmaterialien gehören aufgrund ihrer ausgezeichneten Eigenschaften und vielfältigen Anwendungsmöglichkeiten in unzähligen Bereichen, von der Nanotechnologie bis hin zur Elektronik, zu den interessantesten Verbindungsklassen. - Einzigartig und anwendungsorientiert: Es gibt viele Publikationen, die sich mit Materialien aus Kohlenstoff und Graphit beschäftigen. Dieses zweibändige Fachbuch gibt jedoch einen ausgezeichneten Überblick über Fertigung, Einsatz und Anwendung dieser Materialien in der Industrie. - Große Zielgruppe: Chemiker aus den Bereichen Elektrochemie (Li-Ionen-Batterien), Maschinenbau, Nukleartechnologie, Nanotechnologie, Katalyse, Keramik, Fasern, Polymere u.v.m. - Exzellentes Referenzwerk mit mehr als 1000 Seiten: von polygranularen Materialien bis zu Fullerenen, von Nanoröhren bis zu aktiviertem Kohlenstoff, alle wichtigen Kohlenstoff- und Graphitklassen werden behandelt.

This fusion of novel and memoir from a bestselling British author chronicles the destructive effects of WWI on two working-class families in Nottingham. An advocate for ordinary people, Alan Sillitoe combines family memoir with exhaustive research on military records, and fuses them with artistic speculation in this inventive and political historical novel. Central to the story are the author’s grandfather, the blacksmith Ernest Burton, and his uncle Edgar, a World War I deserter. The launching point for this narrative family album is a legless match-seller from Sillitoe’s childhood who “walked” on the streets of Nottingham with his hands. When the young Sillitoe asked his family about the reasons behind this man’s deformity, he heard a series of different accounts: His mother said it was a train accident, his father claimed it was an explosion during the Battle of the Somme, his grandmother was convinced it was a birth defect, and his grandfather declared it was a way of dodging work. Thus Sillitoe sets the tone for a tale in which “anything which is not scientific or mathematical thought is colored by the human imagination and feeble opinion.” In order to rediscover the fictional truth behind his own spirit, Sillitoe then delves into his heritage. He paints a telling portrait of his maternal grandfather, a blacksmith who hated dogs, despised the people who loved him, and was blinded in one eye by a shred of steel. Separated from society by his illiteracy, and both feared and respected for his instinctual cunning, Ernest was a tyrant to his wife and eight children, a hardworking provider, and a talented craftsman. On his father’s side of the family, Sillitoe explores the life of his uncle Edgar, “the darling of the family” who enlisted in the British army when the Great War began in 1914. However, when the young man discovered that his service consisted of dysentery, haircuts, and taking orders, he “sensibly” deserts. To avoid the military police, he leaves Nottingham and bicycles furiously on the back roads to his sister’s house in Hinkley, but is caught a few days later in a pub and sent back to his battalion. A persistent man, Edgar deserts a second time and hides out in the forest, but again he is captured and sent just in time to join the Sherwood Foresters on the first day of the Battle of the Somme. Raw Material spans a century of family history and legends, interweaving personal memories with collected facts and hearsay. The “kitchen-sink realism” Sillitoe is known for takes on a more philosophical and transparent approach in this innovative self-portrait that explores the base matter and inspirations of the esteemed British novelist’s life work.