'They were all the same, communists, Nazis, parents, church, book reviews, features section, editorial, revolutionary struggle, Baader-Meinhof, capital, television, Club Voltaire, pacifism, guerrilla, Mao, Trotsky, Red Student Action, the underground scene and Germania Security. They were all part of the same idea, they knew how things ought to be, they had a monopoly on consciousness, love, human happiness.' In Raw Material Jörg Fauser casts an eye over the times he lived in and his own life: a junkie in Istanbul, the move to a commune in Berlin and a squat in Frankfurt, work on an underground magazine and unceasing efforts to get a novel published. The autobiographical testament of Fauser's alter ego Harry Gelb is an unsparing, razor-sharp but often lovingly ironic portrait of the 1960s and 70's. It is a portrait of the artist to rank with the best, and a portrait of the ferment of Europe at that time.

"In Raw Material, Stephany Wilkes tells not only her own story, but also that of American wool. What begins as a knitter's search for local yarn becomes a dirty, unlikely, and irresistible side job. Wilkes become a certified sheep shearer and wool classer, working at the very first step in the textile supply chain, ultimately leaving her high-tech job for a new way of life considered long dead in the American West."--Provided by publisher.

Analyzes the intertwined metaphoric language of capitalism and disease in nineteenth-century England.

For the power industry, biomass is just a modern name for the ancient material of plant origin that was converted into energy in the simple technology of burning. This book discusses biomass as a raw material for the production of liquid or gaseous biofuels and valuable chemicals. Such biomass processing should be beneficial from both economic and environmental points of view. Classic technologies of biogas production are still being improved, but they always generate waste that differs in terms of chemical parameters, depending on the feedstock digested. These parameters dictate the manner of their final managing. Various biotechnologies allow the use of the biomass of hydrobionts, such as cyanobacteria as a raw substance for obtaining different products, e.g. hyaluronic acid, biopolymers, fertilizers, or even drugs. Animal fats or algae can be used to produce biodiesel which in turn is used in environmentally friendly urban transport. Even municipal solid waste can be a source of useful biomass. The authors show how its volume and composition can be predicted, by which form of processing it can be converted into valuable products, as well as in which ways its negative environmental impact can be limited.

Biomass as Renewable Raw Material to Obtain Bioproducts of High-tech Value examines the use of biomass as a raw material, including terrestrial and aquatic sources to obtain extracts (e.g. polyphenols), biofuels, and/or intermediates (furfural, levulinates) through chemical and biochemical processes. The book also covers the production of natural polymers using biomass and the biosynthetic process, cellulose modified by biochemical and chemical methods, and other biochemicals that can be used in the synthesis of various pharmaceuticals. Featuring case studies, discussions of sustainability, and nanomedical, biomedical, and pharmaceutical applications, Biomass as Renewable Raw Material to Obtain Bioproducts of High-tech Value is a crucial resource for biotechnologists, biochemical engineers, biochemists, microbiologists, and research students in these areas, as well as entrepreneurs, policy makers, stakeholders, and politicians. - Reviews biomass resources and compounds with bioactive properties - Describes chemical and biochemical processes for creating biofuels from biomass - Outlines production of polysaccharides and cellulose derivatives - Features applications in the fields of medicine and pharmacy

The newest development in alternative art: the use of salvaged and repurposed materials by contemporary artists. Tristan Manco reveals how artists of all kinds are bringing creativity to basic, often unglamorous materials—from broken bottles, old flip-flops, and skateboards to sustainable resources such as wood, straw, and paper. Through hundreds of illustrations, in-depth artist profiles, and detailed discussions of various materials, he showcases the work of more than thirty innovative and inspiring artists from around the world, from the United States, Mexico, Brazil, and Chile to the UK, Spain, France, and Italy. Some of the artists have invented new techniques—American artist Rosemarie Fiore uses fireworks to create paintings—while others have pushed the envelope in the presentation of their work by creating fresh, dynamic forms of display. Whether it is Chilean artist Carlos Zuniga’s creative use of text pages from found books and directories or Brazilian sculptor Henrique Oliveira’s ambitious organic forms in salvaged plywood, the book highlights how imaginative approaches to media and technique encourage us to look at the world in new ways.

Input and Evidence: the raw material of second language acquisition is an empirical and theoretical treatment of one of the essential components of SLA: the input to language learning mechanisms. It reviews and adds to the empirical studies showing that negative evidence (correction, feedback, repetitions, reformulations) play a role in language acquisition in addition to that played by ordinary conversation. At the same time, it embeds discussion of input within a framework which includes a serious treatment of language processing, including the problem of modularity and the question of how semantic representations can influence grammatical ones. It lays the foundation for the development of a truly explanatory theory of SLA in the form of the Autonomous Induction Theory which combines a model of induction with an interpretation of Universal Grammar, thereby permitting, for the the first time, a coherent approach to the problem of constraining induction in SLA.

Bank Holiday weekend. Sunrise on a secluded Welsh beach and Beatrice Stubbs takes some innocent snaps. The scene contains more than just cliffs and seagulls, and someone wants those pictures destroyed. But Beatrice's mind is on other things. Assigned to the London Transport Police, she's pursuing the Finsbury Park Flasher, trying to pre-empt a serious sexual offence. While Beatrice is distracted, neighbour Adrian and companion Matthew decide to play Poirot, and investigate the mystery of the disappearing photographs. Amateur detectives and professional criminals are a dangerous mix. From deserted Pembrokeshire beaches, through the shadowy underpasses of North London, to the remote Irish countryside, Beatrice discovers the darker side of human nature.

"In his autobiography, Father wrote a superior account of one man's life . . . the account of how the raw material of one boy grew into a man whose life both displayed and sought out true integrity."--John Pen La Farge.

An excellent overview of industrial carbon and graphite materials, especially their manufacture, use and applications in industry. Following a short introduction, the main part of this reference deals with industrial forms, their raw materials, properties and manifold applications. Featuring chapters on carbon and graphite materials in energy application, and as catalysts. It covers all important classes of carbon and graphite, from polygranular materials to fullerenes, and from activated carbon to carbon blacks and nanoforms of carbon. Indispensable for chemists and engineers working in such fields as steel, aluminum, electrochemistry, nanotechnology, catalyst, carbon fibres and lightweight composites.