"The study then considers the treatment of rape and ravishment in a range of literary genres: in hagiography, female saints are repeatedly threatened with rape; the stories of Lucretia and Helen underpin legendary history; the acts of rape and ravishment challenge and shape chivalric order in romance; otherworldly rapes result in the conception of romance heroes. The final two chapters examine the ways in which Malory and Chaucer write and rewrite rape and ravishment."--BOOK JACKET.

A 17th-century whodunnit - It's 1653 and Lady Jane Tremayne has inherited the estate of her late husband. When a young woman is raped, as Lady of the Manor, Jane decides to investigate, assisted by her closest friend, Lady Olivia Courtney. Then the stakes are raised when the rapist strikes again.More than just a whodunnit, this is an absorbing tale of a brave woman living in dangerous and unique times.

Are you turned on by the thought of being overpowered and defiled by a masked intruder? Does your lover want to be kidnapped or enslaved? Fantasies of ravishment, with their illusion of force and resistance, are more common than you may think - and very intense!Find out how to enact erotic fantasy scenes such as these. Learn about the psychology of ravishment, how to find (or persuade) a partner, negotiating and planning, safety precautions, aftercare, and special concerns for survivors of sexual assault and abuse.

SCANDALOUS DESIRES . . . Amy Hardwick has one last Season to shake off her wallflower image and make a love match. If she can't, she'll set aside her dreams of romance and return home to a suitor who can provide security-if little else. What she doesn't count on is the inappropriate-and irresistible-attention lavished on her in a darkened library by rake extraordinaire Will "The Devil" Darcett . . . DEVILISH DELIGHT When Will is caught in a tryst with the ton's shyest miss, he knows he must offer for her hand. Yet Amy is not the shrinking violet she seems to be. Passion lies beneath her prim exterior and Will is eager to release it. But winning Amy isn't simply a matter of seduction; first, Will must convince her that he's mended his wicked ways . . .

In this study of sexual violence and rape in French medieval literature and law, Kathryn Gravdal examines an array of famous works never before analyzed in connection with sexual violence. Gravdal demonstrates the variety of techniques through which medieval discourse made rape acceptable: sometimes through humor and aestheticization, sometimes through the use of social and political themes, but especially through the romanticism of rape scenes.

The Johannine Renaissance in Early Modern English Literature and Theology argues that the Fourth Gospel and First Epistle of Saint John the Evangelist were so influential during the early modern period in England as to share with Pauline theology pride of place as leading apostolic texts on matters Christological, sacramental, pneumatological, and political. The book argues further that, in several instances, Johannine theology is more central than both Pauline theology and the Synoptic theology of Matthew, Mark, and Luke, particularly with regard to early modern polemicizing on the Trinity, distinctions between agape and eros, and the ideologies of radical dissent, especially the seventeenth-century antinomian challenge of free grace to traditional Puritan Pietism. In particular, early modern religious poetry, including works by Robert Southwell, George Herbert, John Donne, Richard Crashaw, Thomas Traherne, and Anna Trapnel, embraces a distinctive form of Johannine devotion that emphasizes the divine rather than human nature of Christ; the belief that salvation is achieved more through revelation than objective atonement and expiatory sin; a realized eschatology; a robust doctrine of assurance and comfort; and a stylistic and rhetorical approach to representing these theological features that often emulates John's mode of discipleship misunderstanding and dramatic irony. Early modern Johannine devotion assumes that religious lyrics often express a revelatory poetics that aims to clarify, typically through the use of dramatic irony, some of the deepest mysteries of the Fourth Gospel and First Epistle.