Raven’s Cry is a Northwest Coast classic -- a moving and powerful work that is a fictionalized retelling of the near destruction of the Haida nation. The Haida are a proud and cultured people, whose home is Haida Gwaii (the Queen Charlotte Islands) off the coast of northern British Columbia. Until the first Europeans arrived in 1775, the Haida were the lords of the coast. The meeting of cultures was a fateful one: the Europeans had the advantages of firearms and immunity to their own deadly diseases. In just 150 years, the Haida and their culture were pushed to the edge of extinction. Christie Harris recreates this tale of tragedy and the ultimate survival of native spirit with dignity, beauty and ethnographic accuracy.

In A Raven’s Battle-cry Charlene M. Eska presents a critical edition and translation of the previously unpublished medieval Irish legal tract Anfuigell. Although the Old Irish text itself is fragmentary, the copious accompanying commentaries provide a wealth of legal, historical, and linguistic information not found elsewhere in the medieval Irish legal corpus. Anfuigell contains a wide range of topics relating to the role of the judge in deciding difficult cases, including kingship, raiding, poets, shipwreck, marriage, fosterage, divorce, and contracts relating to land and livestock.

Volume 12 Sermons 668-727 Charles Spurgeon (19 June 1834 – 31 January 1892) is one of the church’s most famous preachers and Christianity’s foremost prolific writers. Called the “Prince of Preachers,” he was one of England's most notable ministers for most of the second half of the nineteenth century, and he still remains highly influential among Christians of different denominations today. His sermons have spread all over the world, and his many printed works have been cherished classics for decades. In his lifetime, Spurgeon preached to more than 10 million people, often up to ten times each week. He was the pastor of the congregation of the New Park Street Chapel (later the Metropolitan Tabernacle) in London for 38 years. He was an inexhaustible author of various kinds of works including sermons, commentaries, an autobiography, as well as books on prayer, devotionals, magazines, poetry, hymns and more. Spurgeon was known to produce powerful sermons of penetrating thought and divine inspiration, and his oratory and writing skills held his audiences spellbound. Many Christians have discovered Spurgeon's messages to be among the best in Christian literature. Edward Walford wrote in Old and New London: Volume 6 (1878) quoting an article from the Times regarding one of Spurgeon’s meetings at Surrey: “Fancy a congregation consisting of 10,000 souls, streaming into the hall, mounting the galleries, humming, buzzing, and swarming—a mighty hive of bees—eager to secure at first the best places, and, at last, any place at all. After waiting more than half an hour—for if you wish to have a seat you must be there at least that space of time in advance—Mr. Spurgeon ascended his tribune. To the hum, and rush, and trampling of men, succeeded a low, concentrated thrill and murmur of devotion, which seemed to run at once, like an electric current, through the breast of every one present, and by this magnetic chain the preacher held us fast bound for about two hours. It is not my purpose to give a summary of his discourse. It is enough to say of his voice, that its power and volume are sufficient to reach every one in that vast assembly; of his language, that it is neither high-flown nor homely; of his style, that it is at times familiar, at times declamatory, but always happy, and often eloquent; of his doctrine, that neither the 'Calvinist' nor the 'Baptist' appears in the forefront of the battle which is waged by Mr. Spurgeon with relentless animosity, and with Gospel weapons, against irreligion, cant, hypocrisy, pride, and those secret bosom-sins which so easily beset a man in daily life; and to sum up all in a word, it is enough to say of the man himself, that he impresses you with a perfect conviction of his sincerity.” More than a hundred years after his death, Charles Spurgeon’s legacy continues to effectively inspire the church around the world. For this reason, Delmarva Publications, has chosen to publish the complete works of Charles Spurgeon.

Here is a collection of sermons on the subject of prayer by one of the most beloved preachers in the history of the English-speaking world. Spurgeon was popular in the most fundamental sense of the word in that he was "of the people." He began selling his sermons early in his career, and they have been published in many formats over the last century and a half. This edition presents the sermons in a re-typeset and redesigned modern, easy-to-read format. Selected from over 3,500 sermons, this volume features Spurgeon's preaching on praying: the personal life of prayer, as well as prayers of the Bible and the prayers of Christ. The focus is on praying, not prayer, in the sense that praying is an action and not an abstraction. Spurgeon preaches about how praying is a key component of a righteous life, about the work of prayer in the life of a Christian, about examples of prayer found in the Scriptures, and about the pray-ers: the saints whose examples can teach us about prayer.

As individuals, we struggle daily with life issues. As a pastor’s wife, my heart has encountered many challenges. As a servant of God, I had to endure the realities of life and the expectations of normalcy. Being a pastor’s wife for twenty five years and serving God for thirty, I have learned that I am not exempt from the trials of life. My hearts feels. It loves and experiences joy. But it also hurts and can be deceitful. As a pastor’s wife, I found it extremely difficult to talk about my struggles and failures. I feared being judged. But I realized that sharing my inner struggles could help others. From The Heart of A Pastor’s Wife was written out of a deep need I saw within the body of Christ. We are living in a world where we are open to almost anything. We encounter daily issues in our lives. Yet some people find themselves in desperate need of a Savior. They need to know that God sees us. We are not alone. My heart is with every pastor’s wife and every child of God that is quiet. This book is for those who won’t share their struggles because they fear rejection and judgment. I am here for you! God is with you and will never ever love you less. Let’s allow God to give us the ability to face our daily challenges.

The 1780s and 1790s were a critical era for communities of color in the new United States of America. Even Thomas Jefferson observed that in the aftermath of the American Revolution, "the spirit of the master is abating, that of the slave rising from the dust." This book explores the means by which the very first Black and Indian authors rose up to transform their communities and the course of American literary history. It argues that the origins of modern African-American and American Indian literatures emerged at the revolutionary crossroads of religion and racial formation as early Black and Indian authors reinvented American evangelicalism and created new postslavery communities, new categories of racial identification, and new literary traditions. While shedding fresh light on the pioneering figures of African-American and Native American cultural history--including Samson Occom, Prince Hall, Richard Allen, Absalom Jones, and John Marrant--this work also explores a powerful set of little-known Black and Indian sermons, narratives, journals, and hymns. Chronicling the early American communities of color from the separatist Christian Indian settlement in upstate New York to the first African Lodge of Freemasons in Boston, it shows how eighteenth-century Black and Indian writers forever shaped the American experience of race and religion. American Lazarus offers a bold new vision of a foundational moment in American literature. It reveals the depth of early Black and Indian intellectual history and reassesses the political, literary, and cultural powers of religion in America.

In her first book, Blonde Indian, Ernestine Hayes powerfully recounted the story of returning to Juneau and to her Tlingit home after many years of wandering. The Tao of Raven takes up the next and, in some ways, less explored question: once the exile returns, then what? Using the story of Raven and the Box of Daylight (and relating it to Sun Tzu’s equally timeless Art of War) to deepen her narration and reflection, Hayes expresses an ongoing frustration and anger at the obstacles and prejudices still facing Alaska Natives in their own land, but also recounts her own story of attending and completing college in her fifties and becoming a professor and a writer. Hayes lyrically weaves together strands of memoir, contemplation, and fiction to articulate an Indigenous worldview in which all things are connected, in which intergenerational trauma creates many hardships but transformation is still possible. Now a grandmother and thinking very much of the generations who will come after her, Hayes speaks for herself but also has powerful things to say about the resilience and complications of her Native community.

Raven Games is a novel focused on four characters: (1) David Elwin, who studies Grizzly bear populations in the Pacific Northwest, Alaska, and Canada and who is drawn into the world of Haida spirituality by (2) Jamie Bear Mother's Daughter and (3) her Grandfather, Born of Songs, who is a Haida shaman, and (4) Jonathan Blue Heron, who is trying to escape from being a Haida by transforming himself into a white man. David Elwin and Jonathan become friends during the Vietnam War. David Elwin is drawn into the Haida world as a replacement for Jonathan Blue Heron by gradually embodying both the Haida worldview and a white culture's worldview.

(Amadeus). This book explores the mythology, story, music, characters and language of Wagner's monumental work. At its heart is a concordance of the keywords in the four librettos, a powerful reference tool. The volume also includes a brief synopsis of each of the four operas, a presentation of the 145 principal musical motives in order of appearance, and a discussion of the characters and their relationships, listing their appearances and the musical motives associated with them.