This volume weaves together the Scottish otter stories from Gavin Maxwell's three non-fiction books, Ring of Bright Water (1960), The Rocks Remain (1963), and Raven Meet Thy Brother (1969). Maxwell was both an extraordinarily evocative writer and a highly unusual man. While touring the Iraqi marshes, he was captivated by an otter and became a devoted advocate of and spokesman for the species. He moved to a remote house in the Scottish highlands, co-habiting there with three otters and living an idyllic and isolated life – at least for a while. Fate, fame, and fire conspired against this paradise, and it, too, came to an end, though the journey was filled with incident and wonder. Maxwell was also talented as an artist, and his sinuous line drawings of these amphibious and engaging creatures, and the homes they occupied, illustrate his story. This book stands as a lasting tribute to a man, his work, and his passion. It was received and has endured as a classic for its portrait not only of otters but also of a man who endured heartaches and disappointments, whose life embodied both greatness and tragedy. He writes with rare eloquence about his birth, his devotion to the beloved Scottish highlands, and the wildlife he loved, while refusing to ignore the darker aspects of his nature and of nature in its larger sense.

Gavin Maxwell lived at Camusfearna, facing Skye on the Sound of Sleat, for many years. This is a self-portrait full of anecdotes, descriptions of people and landscapes, birds and animals, times of comedy and tragedy."

An enchanting story from Maggie Stiefvater featuring Opal, Ronan, and Adam from her bestselling Raven Cycle, taking place after the events of The Raven King.

Brotherhood. Club. Family. They live and ride by their own rules. These are the Raven Riders . . . Raven Riders Motorcycle Club President Dare Kenyon rides hard and values loyalty above all else. He’ll do anything to protect the brotherhood of bikers—the only family he’s got—as well as those who can’t defend themselves. So when mistrustful Haven Randall lands on the club’s doorstep scared that she’s being hunted, Dare takes her in, swears to keep her safe, and pushes to learn the secrets overshadowing her pretty smile. Haven fled from years of abuse at the hands of her criminal father and is suspicious of any man’s promises, including those of the darkly sexy and overwhelmingly intense Ravens’ leader. But as the powerful attraction between them flares to life, Dare pushes her boundaries and tempts her to want things she never thought she could. The past never dies without a fight, but Dare Kenyon’s never backed down before . . .

Raised by the brothers of the Sixth Order, Vaelin Al Sorna, a Warrior of the Faith, must battle the Empire and even his own father in the first book of a new fantasy trilogy.

In this beguiling work Posnett journeys to some of the most far-flung locales on the planet to bring seven wonders of the natural world--eiderdown, vicu-a fiber, sea silk, vegetable ivory, civet coffee, guano, and edible birds' nests--that promise ways of using nature without damaging it.out damaging it.

New York Times bestselling author Anthony Ryan returns to the “wonderful universe” (Fantasy Book Critic) of Blood Song, as Vaelin Al Sorna continues on his inevitable road to destiny… King Janus’s vision of a Unified Realm has failed, drowned in the blood of brave men fighting for a cause that was forged from a lie. Sick at heart, Vaelin Al Sorna, warrior of the Sixth Order, returns home, determined to kill no more, seeking peace far from the intrigues of a troubled Realm. But those gifted with the blood-song are not destined to live quiet lives. Vaelin finds himself a target, both for those seeking revenge and those who know about his gift. And as a great threat once again moves against the Realm, Vaelin realizes that when faced with annihilation, even the most reluctant hand must eventually draw a sword.

Derived from the parent Guide to Literature in English, this volume offers in concise form over 4,000 entries on literature in English from cultures throughout the world. Writers and major works from the UK and the USA are represented, as are those from Canada, the Caribbean, Australia, India, and Africa. The coverage is broad - from the classics of English literature to the best of modern writing. Additionally, the Guide has a wealth of entries on literary movements, groups or schools in literature and criticism, literary magazines, genres and sub-genres, critical concepts, and rhetorical terms.

Nature Prose seeks to explain the popularity and appeal of contemporary writing about nature. This book intervenes in key areas of contemporary debate about literature and the environment and explores the enduring appeal of writing about nature during an ecological crisis. Using a range of international examples, with a focus on late twentieth- and early twenty-first-century writing from Britain and the US, Dominic Head argues that nature writing contains formal effects which encapsulate our current ecological dilemma and offer a fresh resource for critical thinking. The environmental crisis has injected a fresh urgency into nature writing, along with a new piquancy for those readers seeking solace in the nonhuman, or for those looking to change their habits in the face of ecological catastrophe. However, behind this apparently strong match between the aims of nature writers and the desires of their readers, there is also a shared mood of radical uncertainty and insecurity. The treatment and construction of 'nature' in contemporary imaginative prose reveals some significant paradoxes beneath its dominant moods, moods which are usually earnest, sometimes celebratory, sometimes prophetic or cautionary. It is in these paradoxical moments that the contemporary ecological crisis is formally encoded, in a progressive development of ecological consciousness from the late 1950s onwards. Nature prose, fiction and nonfiction, is now contemporaneous with a defining time of crisis, while also being formally fashioned by that context. This is a mode of writing that emerges in a world in crisis, but which is also, in some ways, in crisis itself. With chapters on remoteness, exclusivity, abundance, and rarity, this book marks a turning point in how literary criticism engages with nature writing.