Bon appétit! Remy the rat isn't your ordinary, garbage-eating rat. He has big dreams of becoming a chef! So when the old woman where he lives discovers him cooking in her kitchen late one night, she chases Remy and his family away! But Remy gets separated from them and finds himself blocks away from world-famous chef Gusteau's restaurant in Paris! There, he meets a garbage boy named Alfredo Linguini, Gusteau's son, who just wants to make his father proud. The problem is...Linguini can't cook! Can the unlikely pair team up and achieve their goals together? Don't miss this heartwarming tale as two friends work to make their dreams a reality!

Read along with Disney! Remy, a rat with a flair for cooking, pairs up with young klutz named Linguini to make him a star chef. Follow along with word-for-word narration as Remy and Linguini work together to make the best food in Paris!

A rat named Remy tries to become a chef in a famous French restaurant by helping a boy named Linguini fix his soup.

What’s Queer about Europe? examines how queer theory helps us initiate disorienting conjunctions and counterintuitive encounters for imagining historical and contemporary Europe. This book queers Europe and Europeanizes queer, forcing a reconsideration of both. Its contributors study Europe relationally, asking not so much what Europe is but what we do when we attempt to define it. The topics discussed include: gay marriage in Renaissance Rome, Russian anarchism and gender politics in early-twentieth-century Switzerland, colonialism and sexuality in Italy, queer masculinities in European popular culture, queer national identities in French cinema, and gender theories and activism. What these apparently disparate topics have in common is the urgency of the political, legal, and cultural issues they tackle. Asking what is queer about Europe means probing the blind spots that continue to structure the long and discrepant process of Europeanization.

A gourmet rat named Remy is just not satisfied eating garbage like the other rats. To be true to his fine palate, he embarks on an adventure to become a French chef! This chapter book is based on the Disney / Pixar film Ratatouille.

Big Night (1996), Ratatouille (2007), and Julie and Julia (2009) are more than films about food—they serve a political purpose. In the kitchen, around the table, and in the dining room, these films use cooking and eating to explore such themes as ideological pluralism, ethnic and racial acceptance, gender equality, and class flexibility—but not as progressively as you might think. Feasting Our Eyes takes a second look at these and other modern American food films to emphasize their conventional approaches to nation, gender, race, sexuality, and social status. Devoured visually and emotionally, these films are particularly effective defenders of the status quo. Feasting Our Eyes looks at Hollywood films and independent cinema, documentaries and docufictions, from the 1990s to today and frankly assesses their commitment to racial diversity, tolerance, and liberal political ideas. Laura Lindenfeld and Fabio Parasecoli find women and people of color continue to be treated as objects of consumption even in these modern works and, despite their progressive veneer, American food films often mask a conservative politics that makes commercial success more likely. A major force in mainstream entertainment, American food films shape our sense of who belongs, who has a voice, and who has opportunities in American society. They facilitate the virtual consumption of traditional notions of identity and citizenship, reworking and reinforcing ingrained ideas of power.

The New York Times film critic shows why we need criticism now more than ever Few could explain, let alone seek out, a career in criticism. Yet what A.O. Scott shows in Better Living Through Criticism is that we are, in fact, all critics: because critical thinking informs almost every aspect of artistic creation, of civil action, of interpersonal life. With penetrating insight and warm humor, Scott shows that while individual critics--himself included--can make mistakes and find flaws where they shouldn't, criticism as a discipline is one of the noblest, most creative, and urgent activities of modern existence. Using his own film criticism as a starting point--everything from his infamous dismissal of the international blockbuster The Avengers to his intense affection for Pixar's animated Ratatouille--Scott expands outward, easily guiding readers through the complexities of Rilke and Shelley, the origins of Chuck Berry and the Rolling Stones, the power of Marina Abramovich and 'Ode on a Grecian Urn.' Drawing on the long tradition of criticism from Aristotle to Susan Sontag, Scott shows that real criticism was and always will be the breath of fresh air that allows true creativity to thrive. "The time for criticism is always now," Scott explains, "because the imperative to think clearly, to insist on the necessary balance of reason and passion, never goes away."

When a little rat named Remy tries to become a chef in a famous French restaurant, his passion for cooking soon turns the culinary world of Paris upside down.

"Every Pixar movie is connected. I explain how and possibly why." These are the words that began the detailed essay now known as "The Pixar Theory," which came out way back in 2013. It collected over 10 million views on Jon's blog alone, and was syndicated on Buzzfeed, Mashable, Huffpost, Entertainment Weekly, and more - generating over 100 million impressions and now translated into a dozen languages. Now, these thoughts and ideas first written by Jon Negroni have been fully realized inside this book, aptly named The Pixar Theory. In this book, you'll find an analysis of every single Pixar movie to date and how it tells a hidden story lurking behind these classic movies. You'll learn about how the toys of Toy Story secretly owe their existence to the events of The Incredibles. You'll learn about what truly happened to the civilization of cars from Cars before the events of WALL-E. And of course, you'll find out the possible truth for why "Boo" of Monsters Inc. is the most important Pixar character yet. Welcome to the Pixar Theory. Don't forget to fasten your imagination.

Beginning with Toy Story in 1995, Pixar Animation Studios has taken American cinema by storm, setting a new standard of excellence in animated filmmaking and earning a fortune in the process. Their movies are both highly entertaining and surprisingly wise, displaying an all-too-rare gift for telling stories which speak about the reality of life and the complexities of the human heart - and making us laugh while doing so. The Gospel According to Pixar looks at how each Pixar film portrays the basic concerns of everyday life and seeks to connect them with a Christian understanding of the world. It touches on themes such as love, identity, fear, freedom, guilt, purpose, and belonging - to name just a few. The Gospel According to Pixar explores these common concerns in hopes of communicating the Gospel in a fresh, persuasive and, above all, fun way. For use with families, churches, and individuals as a teaching series, study guide, or simply as a commentary on these remarkable movies.