This Short Monograph Is Just Not Yet Another Book On The Controversial Clan Of The Aryas. It Has The Distinction Of Being An Unbiased, Factual Statement, Which Has Been Lacking, Despite The Fact That It Has Been One Of The Favourite Topics Of The Vedic Scholars And The Indo-Europeanists. It Is Written With A Clearcut Objective Of Knowing The Facts About The Aryas, Her Comments Try To Guide The Reader As How To Understand Them. This Book Thus Had A Limited Aim. Bare Facts Are Documented And Not Stretched To Suit The Exigencies Of A Theory. The Author Has No Theory To Propound. But At The Same Time No External Framework Is Accepted. The Romantic Dreams Woven By The Earlier Generations Of Scholars Are Not Found In The Rgveda, The Main Source Of Information. And Therefore It Is Possible To See To What Extent It Was Just The Play Of Fancy. With These Facts, The Author Reconstructs The Historical Events, With Supporting Archaeological Evidence.

Takes us to the Nayika in the Indian tradition, one who is paradigm of mankind's perennial quest for a divine and transcendental love.

The Mughals - descendants of Timur and Genghiz Khan with strong cultural ties to the Persian world - seized political power in north India in 1526 and became the most important artistically active Muslim dynasty on the subcontinent. In this richly illustrated book, Dr Milo Beach shows how, between 1555 and 1630 in particular, Mughal patronage of the arts was incessant and radically innovative for the Indian context.

This Volume Aspires To Be A Handy Reference Work For Users Whose Interest Is Not Limited To One Or Two Indian Language Literatures But Spreads Over Sanskrit, Tamil, Pali And The Prakrit As Well As To Asimiya, Bangla, Gujarati, Hindi, Kannada, Kashmiri, Maithili, Malayalam, Manipuri, Marathi, Oriya, Punjabi, Rajasthani, Sindhi, Telugu And Urdu. Starting With The Vedas And The Upanishads, The Coverage Spans Several Centuries Up To The Year 1850.

The Rise of Wisdom Moon was composed during the mid-eleventh century by Krishna mishra, an otherwise unknown poet in the service of the Chandella dynasty, whose cultural and religious capital was Khajuraho. The early popularity of Krishna mishra’s work led to its frequent translation into the vernaculars of both North and South India, and even Persian as well. Famed as providing the enduring model of the allegorical play for all subsequent Sanskrit literature, The Rise of Wisdom Moon offers a satirical account of the conquest of the holy city of Benares by Nescience, of the war of liberation waged by the forces of Intuition, and of the freedom of the Inner Man that then follows the rise of Wisdom. But at the outset, when Nescience still has the upper hand, with minions like Lord Lust, such developments seem unlikely.

Between the 14th and the 17th century, the Deccan plateau of south-central India was home to a series of important and highly cultured Muslim courts. Subtly blending elements from Iran, West Asia, southern India, and northern India, the arts produced under these sultanates are markedly different from those of the rest of India and especially from those produced under Mughal patronage. This publication, a result of a 2008 symposium held at The Metropolitan Museum of Art, investigates the arts of Deccan and the unique output in the fields of painting, literature, architecture, arms, textiles, and carpet.

The Garland of Past Lives is a collection of thirty four stories depicting the miraculous deeds performed by the Buddha in his previous rebirths. Composed in the fourth century C.E. by the Buddhist monk Aryashura, the text’s accomplished artistry led Indian aesthetic theorists to praise its elegant mixture of verse and prose. The twenty stories in this first volume deal primarily with the virtues of giving and morality. Ascetics sacrifice their lives for hungry tigers, kings open their veins for demons to drink their blood, helmsmen steer their crew through perilous seas, and quail chicks quench forest fires by proclaiming words of truth. The experience is intended to arouse astonishment in the audience, inspiring devotion, through the future Buddha’s transcendence of conventional norms in his quest to acquire enlightenment and save the world from suffering. The importance of such stories of past lives in traditional Buddhist culture, throughout Asia and up to today, cannot be overestimated.