The most popular story in all of India and a classic of world literature is summarised in 728 verses in the great epic Mahabharata. Intended for independent study or classroom use for students of various levels who have had a basic introduction to Sanskrit, this fully annotated edition of the Ramopakhyana supplies all the information required for complete comprehension. It contains the Devanagari text, Roman transliteration, sandhi analysis, Sanskrit prose equivalents to the verses, syntactic and cultural notes, and the English translation, and word-by-word grammatical analysis.

The most popular story in all of India and a classic of world literature is summarised in 728 verses in the great epic Mahabharata. Intended for independent study or classroom use for students of various levels who have had a basic introduction to Sanskrit, this fully annotated edition of the Ramopakhyana supplies all the information required for complete comprehension. It contains the Devanagari text, Roman transliteration, sandhi analysis, Sanskrit prose equivalents to the verses, syntactic and cultural notes, and the English translation, and word-by-word grammatical analysis.

Second edition in Devanagari. Volume 1: the introduction and first half. Volume 2: the second half, appendices, and index.

This volume is a detailed exposition of the visual retellings from the Rāmāyaṇa, Mahābhārata and Bhāgavata Purāṇa on specific South Indian Hoysaḷa temples. The first part of the book deals with the Amṛteśvara temple, particularly its narrative panels depicting the Rāmāyaṇa, Mahābhārata and Bhāgavata Purāṇa. The text is a résumé of episodes paired with photographs which illustrate and review the visual retellings and explore Indian techniques of visual narrative. Corollary material from other Hoysaḷa temples with narrative reliefs, including new sites, is presented in the second part. There are very few published contextual studies of Indian narrative sculptures, and so the book is a contribution to the documentation of Indian medieval art, examining visual narratives within the context of the Hindu temple. The book is illustrated with 150 photographs.

The Original Ramayana Was Written Three Thousand Years Ago. Now, With Breathtaking Imagination And Brilliant Storytelling, Ashok K. Banker Has Recreated This Epic Tale For Modern Readers Everywhere. Sita Has Been Abducted By The Demonlord Ravana And Held Captive In The Island-Kingdom Of Lanka. Rama Is Now Faced With The Bitter Prospect Of A Final, Terrible War Against Ravana And His Rakshasa Hordes. Sita S Fate Hangs In The Balance While Rama S Armies Assemble On The Very Edge Of The Ocean. Using Only Their Wits And Bare Hands They Begin To Build A Bridge To The Island-Kingdom. But Time Is Rapidly Running Out, And The Journey To Lanka Appears Near-Impossible& At This Critical Moment Hanuman Attains A Magnificent Apotheosis. Transformed Into A Being With A Single-Minded Mission, He Prepares For A Terrifying Face-Off With Ravana, And Makes His Awesome Leap Across The Ocean To Rescue Sita. Will He Succeed In Saving Her Life And Averting The Final Battle? Surely A Lone Vanar Cannot Face The Crushing Might Of Lanka And Survive? But Then Hanuman Is No Ordinary Vanar...

Annotation. A readers guide to the frame stories that structure this classic Indian epic poem.

Consisting of about 25,000 verses in Vālmīki's Rāmāyaṇa, the story of Rāma was summarized in 704 verses in eighteen chapters in the Rāmopākhyāna, which comprises chapters 258-275 of the Āraṇyaka Parvan of the great epic Mahābhārata. The story is introduced in chapter 257 and given an afterword in chapter 276 which bring the number of verses in this book to 728. The book includes a thorough introduction to the various dimensions of the story, a descriptive glossary of proper names with references to where they are used in the text, and genealogical trees of Rāma and Rāvaṇa. The present English translation of the Rāmopākhyāna is suitable for secondary school and university students, and adults.

Women's stories in India have been handed down from generation to generation, enriched and embroidered along the way. Political change and the arrival of print culture meant that storytelling was pushed into the background. But in more recent times, these voices have once again come centre-stage - confident, varied and complex. Spanning half a century, this collection covers many languages and cultures, and reflects the vast and complex cultures of the country and its diaspora. It offers a view of the changes that have taken place, both in terms of the subjects women choose to write about and their preferred way of writing about these subjects. From established names such as Mahashveta Devi to the newer generation of young authors, such as Tishani Doshi, Katha brings to the reader a vivid array of voices.

Specifically designed for students of Arabic, this fully illustrated rendition of the Arabic literary classic enhances students’ reading, listening, speaking, and writing skills through the medium of these fun, engaging, and culturally relevant tales. The first part of this second edition follows the original order of the stories, with new vocabulary explained in footnotes throughout. In the second part, grammar explanations and a wealth of exercises provide ample opportunities for readers to improve their understanding of the stories and strengthen their command of Arabic grammar and Arabic writing. The audio material, containing the texts of the stories read by native speakers, is available to download free online to help develop the learner’s listening skills. Suitable for both class use and independent study, Kalila wa Dimna: for Students of Arabic is a must for all intermediate to advanced students wishing to enhance their language skills and discover one of the most popular pieces of Arabic literature ever written.