This book is a portrait of Rajiv Gandhi by the person who knew him best: his wife Sonia. It is in four parts, the first and last being in the nature of meditations - one in words, the other in images. In the first, Sonia Gandhi reveals Rajiv through recollections and reflections, delicate and restrained in tone but powerful in resonance. In the last, Rajiv discloses the essence of himself in a gallery of his own photographs. The biographical narrative in between progresses through pictures and extended captions, interweaving Rajiv's personal history with the milieu in which it unfolded.

About the Book A CANDID ACCOUNT OF RAJIV GANDHI’S PRIME MINISTERIAL YEARS. On 21 May 1991, Wajahat Habibullah, then the commissioner of Kashmir (constituting the valley and the two districts of Ladakh), had returned home after inspecting a mysterious fire at Dalgate, Srinagar. Much to his dismay, there had been another fire, one that left him devastated: an RDX explosion in the south Indian town of Sriperumbudur had taken the life of India’s sixth prime minister, Rajiv Gandhi. My Years with Rajiv is an endearing account of a friendship that turned into an administrative partnership, one that gave Habibullah an acute insight into Rajiv Gandhi’s political life. But equally, in this lucid memoir, recounting his years in the Indian Administrative Service, particularly at the Prime Minister’s Office, he walks us through the last three decades of the twentieth century—in many ways, the most formative years of Indian history. Habibullah also seeks to demystify the workings of the Indian government and bureaucracy: the modernisation of the Nehruvian nation, the turbulence of the Khalistan years in Punjab, the introduction of grassroots policies aimed at poverty alleviation in rural India, the beginning of telecommunications services, the Shah Bano case, the opening of the locks at Babri Masjid–Ram Janmabhoomi, Indian interventions in Sri Lanka, and much else. In this, the author, a natural raconteur, is more than successful, telling the tale in his inimitably candid and self-effacing manner.

"Rajiv Mohabir's Cutlish uses history to interrogate the word "home" and all that it might mean to those who thrive in spite of homophobia, stereotype, and xenophobia. These poems are grounded in definite time and space in a voice that refuses to be silenced, "They are vexed you survive; that you/rise up from the pavement..." But what I love most is read a poet as disciplined and committed as Mohabir as he transforms and reinvents himself in tone, in subject, and in line: "Let's get one thing queer-I'm no Sabu-like sidekick,/I'm the main drag. Ram Ram in a sari; salaam//on the street. I don't speak Hindu, Paki, or Indian,/can't control minds, have no psychic powers." Jericho Brown Cutlish, Rajiv Mohabir's stunning new collection, asks urgent questions about queer identities, diaspora and silence. Deeply grounded in 1838, the year the first ships brought indentured servants from India to Guyana, Cutlish reckons with the relationship between language and violence. These poems challenge the colonizer's English through Creole, Sanskrit, Hindi, Hindustani and Chutney songs, dazzling us at every turn: "May each face who ever said, Speak English / find their own tongue fettered and split, / my mixed blood blackening their faces." The book's title evokes the violence of a cutlass, and everywhere here we see language as knife and blade but also as solace. Cutlish is a luminous, beautiful book. Rajiv Mohabir is one of the most important poets writing today. --Nicole Cooley"--

Rajiv Surendra was filming Mean Girls, playing the beloved rapping mathlete Kevin Gnapoor, when a cameraman insisted he read Yann Martel's Life of Pi. So begins his "lovely and human" (Jenny Lawson, author of Furiously Happy) tale of obsessively pursuing a dream, overcoming failure, and finding meaning in life. “This was a once-in-a-lifetime chance. I found myself standing dangerously close to the edge of a cliff. Far below me was an incredible abyss with no end in sight. I could turn back and safely return to where I had come from, or I could throw caution to the wind, lift my arms up into the air . . . and jump.” —From The Elephants in My Backyard What happens when you spend ten years obsessively pursuing a dream, and then, in the blink of an eye, you learn that you have failed, that the dream will not come true? In 2003, Rajiv Surendra was filming Mean Girls, playing the beloved rapping mathlete Kevin Gnapoor, when a cameraman insisted he read Yann Martel’s Life of Pi. Mesmerized by all the similarities between Pi and himself—both are five-foot-five with coffee-colored complexions, both share a South Indian culture, both lived by a zoo—when Rajiv learns that Life of Pi will be made into a major motion picture he is convinced that playing the title role is his destiny. In a great leap of faith Rajiv embarks on a quest to embody the sixteen-year-old Tamil schoolboy. He quits university and buys a one-way ticket from Toronto to South India. He visits the sacred stone temples of Pondicherry, he travels to the frigid waters off the coast of rural Maine, and explores the cobbled streets of Munich. He befriends Yann Martel, a priest, a castaway, an eccentric old woman, and a pack of Tamil schoolboys. He learns how to swim, to spin wool, to keep bees, and to look a tiger in the eye. All the while he is really learning how to dream big, to fail, to survive, to love, and to become who he truly is. Rajiv Surendra captures the uncertainty, heartache, and joy of finding ones place in the world with sly humor and refreshing honesty. The Elephants in My Backyard is not a journey of goals and victories, but a story of process and determination. It is a spellbinding and profound book for anyone who has ever failed at something and had to find a new path through life.

Six years ago, Rajiv Gandhi found himself at the helm of a country of 800 m people. A former airline pilot, he had never been a cabinet minister and, indeed, had never aspired to follow in the footsteps of his grandfather, Jawarharlal Nehru, and his mother, Indira Gandhi.

Who Killed Rajiv Gandhi? Why? How? An infamous murder. It was 10:20 pm on 21 May. The year was 1991. A woman bowed respectfully. Her arm reached out to touch his feet. Suddenly there was an explosion. The deafening sound, the clouds of smoke, the shattered bodies, the blood and gore. Who put together the pieces? Who saw through the foul play? Follow the trail. Follow the trial. Follow the story to know the truth. This book unfolds the gripping story – at once fascinating and grim – of perhaps the first case of assassination of a world-class leader by a human bomb. There was a general demand for explanation and action. The totally blind case with enormous ramifications needed skilled, dexterous and professional investigation. D. R. Kaarthikeyan was called upon by the Government of India to unravel the mystery. This assassination profoundly influenced political developments in India and altered the course of contemporary history in India and Sri Lanka.

30th January 1948; 31st October 1984; 21st May 1991. These three days bear significant importance in the history of independent India. The nation witnessed the assassination of the Father of the Nation, the Prime Minister of India and an ex-Prime Minister of India respectively. It is even more startling because it was the first instance where a mother and her son were robbed of their lives because of political and religious reasons. Assassination of Mahatma – Indira – Rajiv Gandhis' by K. Ragothaman is an attempt to shed light on these occurrences and what led to their gruesome deaths. It is also a commentary on the functioning of the law enforcement agencies and the Executive. As the Chief Investigating Officer in the Rajiv Gandhi assassination case, Mr Ragothaman is in a unique position to discuss the intricacies of three of the most significant occurrences in the history of 20th century India. The events leading up to these dates have been reconstructed to give the reader a holistic picture and how these three seemingly individual tragedies are connected.

'Rajiv Malhotra's insistence on preserving difference with mutual respect - not with mere "tolerance" - is even more pertinent today because the notion of a single universalism is being propounded. There can be no single universalism, even if it assimilates or, in the author's words, "digests", elements from other civilizations' - Kapila Vatsyayan In Being Different: An Indian Challenge to Western Universalism, thinker and philosopher Rajiv Malhotra addresses the challenge of a direct and honest engagement on differences, by reversing the gaze, repositioning India from being the observed to the observer and looking at the West from the dharmic point of view. In doing so, he challenges many hitherto unexamined beliefs that both sides hold about themselves and each other. He highlights that while unique historical revelations are the basis for Western religions, dharma emphasizes self-realization in the body here and now. He also points out the integral unity that underpins dharma's metaphysics and contrasts this with Western thought and history as a synthetic unity. Erudite and engaging, Being Different critiques fashionable reductive translations and analyses the West's anxiety over difference and fixation for order which contrast the creative role of chaos in dharma. It concludes with a rebuttal of Western claims of universalism, while recommending a multi-civilizational worldview.