"The funniest book Pynchon has written." — Rolling Stone "Entertainment of a high order." - Time Part noir, part psychedelic romp, all Thomas Pynchon—private eye Doc Sportello surfaces, occasionally, out of a marijuana haze to watch the end of an era. In this lively yarn, Thomas Pynchon, working in an unaccustomed genre that is at once exciting and accessible, provides a classic illustration of the principle that if you can remember the sixties, you weren't there. It's been a while since Doc Sportello has seen his ex- girlfriend. Suddenly she shows up with a story about a plot to kidnap a billionaire land developer whom she just happens to be in love with. It's the tail end of the psychedelic sixties in L.A., and Doc knows that "love" is another of those words going around at the moment, like "trip" or "groovy," except that this one usually leads to trouble. Undeniably one of the most influential writers at work today, Pynchon has penned another unforgettable book.

Rainbow's End tells the story of the stock market collapse in a colorful, swift-moving narrative that blends a vivid portrait of the 1920s with an intensely gripping account of Wall Street's greatest catastrophe. The book offers a vibrant picture of a world full of plungers, powerful bankers, corporate titans, millionaire brokers, and buoyantly optimistic stock market bulls. We meet Sunshine Charley Mitchell, head of the National City Bank, powerful financiers Jack Morgan and Jacob Schiff, Wall Street manipulators such as the legendary Jesse Livermore, and the lavish-living Billy Durant, founder of General Motors. As Klein follows the careers of these men, he shows us how the financial house of cards gradually grew taller, as the irrational exuberance of an earlier age gripped America and convinced us that the market would continue to rise forever. Then, in October 1929, came a "perfect storm"-like convergence of factors that shook Wall Street to its foundations. We relive Black Thursday, when police lined Wall Street, brokers grew hysterical, customers "bellowed like lunatics," and the ticker tape fell hours behind. This compelling history of the Crash--the first to follow the market closely for the two years leading up to the disaster--illuminates a major turning point in our history.

Unprecedented in its scope, Rainbow's End provides a bold new analysis of the emergence, growth, and decline of six classic Irish-American political machines in New York, Jersey City, Chicago, San Francisco, Pittsburgh and Albany. Combining the approaches of political economy and historical sociology, Erie examines a wide range of issues, including the relationship between city and state politics, the manner in which machines shaped ethnic and working-class politics, and the reasons why centralized party organizations failed to emerge in Boston and Philadelphia despite their large Irish populations. The book ends with a thorough discussion of the significance of machine politics for today's urban minorities.

The growing drug culture in the new South Africa is tightly linked to the world of commercial sex and in conflict with a profoundly Christian population. Here, Ted Leggett shows how varied the drug scene is.

Graph Theory is a branch of discrete mathematics. It has many applications to many different areas of Science and Engineering. This book provides the most up-to-date research findings and applications in Graph Theory. This book focuses on the latest research in Graph Theory. It provides recent findings that are occurring in the field, offers insights on an international and transnational levels, identifies the gaps in the results, and includes forthcoming international studies and research, along with its applications in Networking, Computer Science, Chemistry, and Biological Sciences, etc. The book is written with researchers and post graduate students in mind.

This book draws on a four-year ethnographic study conducted in the prisons and on the streets of Greater Manchester, England, to examine gangs and organised crime in the North of England. It includes the personal testimonies of active prison gang members and major organised crime figures, many of whom are behind bars, and some active street gang members. It presents an holistic account by exploring the linkages that exist between prisons and the streets, including the lines of continuity between gangs on both sides of the prison walls and how gang affiliation straddles this divide. It offers data on the region’s drug market (specifically Class A drugs) as this market is the lynchpin of the underworld, both within and without prison. It also includes the perspectives and insights of prison officers, police detectives, youth workers, active and former street gang members and the parents of deceased gang members. This is a ground-breaking, contemporary study, analysing English gang compositions and activities, with its findings and results based on qualitative interviews and ethnographic research.

Instant New York Times, USA Today, and Wall Street Journal Bestseller! An intimate and light-hearted memoir by viral sensation and three-time Emmy-nominated musical comedian Randy Rainbow that takes readers through his life—the highs, the lows, the lipstick, the pink glasses, and the show tunes. Randy Rainbow, the man who conquered the Internet with a stylish pair of pink glasses, an inexhaustible knowledge of Broadway musicals, and the most gimlet-eyed view of American politics this side of Mark Twain finally tells all in Playing with Myself, a memoir sure to cause more than a few readers to begin singing one of his greatest hits like “A Spoonful of Clorox” or “Cover Your Freakin’ Face.” As Randy has said, “There’s so much fake news out there about me. I can’t wait to set the record straight and finally give people a peek behind the green screen.” And set the record straight he does. Playing with Myself is a first-hand account of the journey that led Randy Rainbow from his childhood as the over-imaginative, often misunderstood little boy who carried a purse in the second grade to his first job on Broadway as the host at Hooters and on to the creation of his trademark comedy character. In chapters titled “Pajama Bottoms” (a look back at the days when he wore pajama bottoms on his head to pretend he was Dorothy in The Wizard of Oz), “Yes, It’s My Real Name, Shut Up!” (no explanation necessary...) and “Pink Glasses” (a rose-colored homage to his favorite accessory), Playing with Myself is a memoir that answers the question “Can an introverted musical theatre nerd with a MacBook and a dream save the world, one show tune at a time?”