The commercial explosion of ragtime in the early twentieth century created previously unimagined opportunities for black performers. However, every prospect was mitigated by systemic racism. The biggest hits of the ragtime era weren't Scott Joplin's stately piano rags. “Coon songs,” with their ugly name, defined ragtime for the masses, and played a transitional role in the commercial ascendancy of blues and jazz. In Ragged but Right, Lynn Abbott and Doug Seroff investigate black musical comedy productions, sideshow bands, and itinerant tented minstrel shows. Ragtime history is crowned by the “big shows,” the stunning musical comedy successes of Williams and Walker, Bob Cole, and Ernest Hogan. Under the big tent of Tolliver's Smart Set, Ma Rainey, Clara Smith, and others were converted from “coon shouters” to “blues singers.” Throughout the ragtime era and into the era of blues and jazz, circuses and Wild West shows exploited the popular demand for black music and culture, yet segregated and subordinated black performers to the sideshow tent. Not to be confused with their nineteenth-century white predecessors, black, tented minstrel shows such as the Rabbit's Foot and Silas Green from New Orleans provided blues and jazz-heavy vernacular entertainment that black southern audiences identified with and took pride in.

Tells of the rise of George Jones from a Depression childhood to being a country music celebrity.

Jane Bunker returns in Bimini Twist, another thrilling, small-town mystery by Linda Greenlaw set in Down East Maine. It seems like everyone in Green Haven knows that Jane Bunker has scored an invite to the ultra-exclusive Summer Solstice Soiree—and they all assume she’ll be in attendance, as one of the few eligible single women in town. Of course, that’s the last place Jane would like to be; hobnobbing and making small talk with the upper crust isn’t exactly her idea of a good time. She prefers to put in her hours working as an insurance investigator, and part-time as the deputy sheriff. When she gets to work one morning, the sheriff asks her to take a break on her personal war on drugs—it seems that she’s been so successful catching dealers and interrupting the flow of drugs in the area that she’s called too much attention to just how bad it’s gotten, and the community is worried that all the attention on the drug trade will deter the summer tourists that Green Haven so badly needs to keep the economy going. Instead, Jane takes on a missing person case—a young woman working at the Bar Harbor Inn has disappeared. The Inn employs foreign exchange students from all over the world during the busy summer season, and the missing Bianca Chiriac is one of them. When it becomes clear that Bianca isn’t just sleeping off a late-night party, Jane is plunged into the underbelly of the resort town, and must find the missing woman before the worst happens.

The story of the banjo's journey from Africa to the western hemisphere blends music, history, and a union of cultures. In Banjo Roots and Branches, Robert B. Winans presents cutting-edge scholarship that covers the instrument's West African origins and its adaptations and circulation in the Caribbean and United States. The contributors provide detailed ethnographic and technical research on gourd lutes and ekonting in Africa and the banza in Haiti while also investigating tuning practices and regional playing styles. Other essays place the instrument within the context of slavery, tell the stories of black banjoists, and shed light on the banjo's introduction into the African- and Anglo-American folk milieus. Wide-ranging and illustrated with twenty color images, Banjo Roots and Branches offers a wealth of new information to scholars of African American and folk musics as well as the worldwide community of banjo aficionados. Contributors: Greg C. Adams, Nick Bamber, Jim Dalton, George R. Gibson, Chuck Levy, Shlomo Pestcoe, Pete Ross, Tony Thomas, Saskia Willaert, and Robert B. Winans.

The banjo has been called by many names over its history, but they all refer to the same sound—strings humming over skin—that has eased souls and electrified crowds for centuries. The Banjo invites us to hear that sound afresh in a biography of one of America’s iconic folk instruments. Attuned to a rich heritage spanning continents and cultures, Laurent Dubois traces the banjo from humble origins, revealing how it became one of the great stars of American musical life. In the seventeenth century, enslaved people in the Caribbean and North America drew on their memories of varied African musical traditions to construct instruments from carved-out gourds covered with animal skin. Providing a much-needed sense of rootedness, solidarity, and consolation, banjo picking became an essential part of black plantation life. White musicians took up the banjo in the nineteenth century, when it became the foundation of the minstrel show and began to be produced industrially on a large scale. Even as this instrument found its way into rural white communities, however, the banjo remained central to African American musical performance. Twentieth-century musicians incorporated the instrument into styles ranging from ragtime and jazz to Dixieland, bluegrass, reggae, and pop. Versatile and enduring, the banjo combines rhythm and melody into a single unmistakable sound that resonates with strength and purpose. From the earliest days of American history, the banjo’s sound has allowed folk musicians to create community and joy even while protesting oppression and injustice.

Coming of age in rural 1930s America with X-ray vision, the power to stop bullets, and the ability to fly isn't exactly every boy's story. So just how did Clark Kent, a shy farmer's son, grow up to be the Man of Steel? Follow young Clark's whirlwind journey from Kansas to New York City's Daily Planet. This ace reporter is not the only person leading a double life in a teeming metropolis, just the only one able to leap tall buildings in a single bound--a skill that comes in handy when battling powerful criminal masterminds like scheming Lex Luthor and fascist robots. But can Clark's midwestern charm save the day and win the heart of stunning, seen-it-all newspaperwoman Lois Lane? Or is that a job for Superman?

Reveals how the new technologies of mass culture--the phonograph, radio, and film--played a key role in accelerating the diffusion of jazz as a modernist art form across the nation's racial divide. Focuses on four cities--New Orleans, New York, Chicago, and Los Angeles--to show how each city produced a distinctive style of jazz.

The story of the Civil War.

With the 50th Anniversary of Victory in World War II comes PROTECT & AVENGE: The 49th Fighter Group in World War II.\nAfter six years of research, author and illustrator S.W. Ferguson, Along with 49ERS Association historian William K. Pascalis, have recreated the war-years odyssey of the famous 49ERS, the most successful fighter group in the war against Japan. Flyers Paul Wrutsmith, Bob Morrissey, Ernie Harris, Gerry Johnson, Bob DeHaven and leading American ace Dick Bong, are but a few of the men who contribute to the 49ERS legend. \nFrom their desert air strips of Northwest Territory, Australia, through their jungle camps of New Guinea and the Philippines, to the final moment of victory on the Japanese homeland, all are detailed in this new volume. Derived from the diaries and logs of 49ERS veterans, the groups official USAF history and the U.S. National Archives, the story chronicles more than thirty aces and their crews who achieved over 600 aerial kills in three years of continuous combat.\nThe text is highlighted by more than 600 black and white photos, six compaign maps, and twenty-four color profiles of select P-40s, P-57s, and P-38s.\nS.W. Ferguson lives in Colorado Springs where he has pursued his teaching, writing and art career for the last ten years. His interests are American writers and history of the 20th century, and swift waters that yield trout. \nBill Pascalis is a veteran aircraft mechanic of the 49ERS Selfridge AFB cadre and served through the New Guinea campaign of mid-1943. After the war, he established a long career with Tranworld Airlines. He now lives with his wife in retirement in Florida, enjoying golf, his grandchildren and research in the 5th Air Force archives.

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