Formed at their Oxfordshire secondary school in the mid-eighties, Radiohead have gone on arguably to be not only the most important rock group of the 1990s, but also the most significant post-rock group of the new century. Few would have predicted such greatness when their 1993 debut Pablo Honey appeared, revealing an infatuation with The Pixies and, in 'Creep' featuring a lead single deemed 'too depressing to be playlisted on BBC Radio 1. They went on to deliver two of the era-defining albums of the '90s in The Bends and OK Computer, the latter in particular redefining what could be achieved in the realm of guitar- based rock. In the early 2000s they radically rewrote the rulebook both for themselves and for popular music, largely eschewing guitar rock for the experimental, electronic Kid A and Amnesiac. In 2016 they issued their ninth album A Moon Shaped Pool - the latest in a series of works that has seen the group restlessly finding new approaches to both composition and recording. This book examines each album (and each peripheral song, from singles, B-sides and EPs) with stories and analysis of every officially released track.

THE MAKING AND MEANING OF RADIOHEAD'S GROUNDBREAKING, CONTROVERSIAL, EPOCHDEFINING ALBUM, KID A. In 1999, as the end of an old century loomed, five musicians entered a recording studio in Paris without a deadline. Their band was widely recognized as the best and most forward-thinking in rock, a rarefied status granting them the time, money, and space to make a masterpiece. But Radiohead didn't want to make another rock record. Instead, they set out to create the future. For more than a year, they battled writer's block, intra-band disagreements, and crippling self-doubt. In the end, however, they produced an album that was not only a complete departure from their prior guitar-based rock sound, it was the sound of a new era-and it embodied widespread changes catalyzed by emerging technologies just beginning to take hold of the culture. What they created was Kid A. Upon its release in 2000, Radiohead's fourth album divided critics. Some called it an instant classic; others, such as the UK music magazine Melody Maker, deemed it "tubby, ostentatious, self-congratulatory... whiny old rubbish." But two decades later, Kid A sounds like nothing less than an overture for the chaos and confusion of the twenty-first century. Acclaimed rock critic Steven Hyden digs deep into the songs, history, legacy, and mystique of Kid A, outlining the album's pervasive influence and impact on culture in time for its twentieth anniversary in 2020. Deploying a mix of criticism, journalism, and personal memoir, Hyden skillfully revisits this enigmatic, alluring LP and investigates the many ways in which Kid A shaped and foreshadowed our world.

With complex, haunting soundscapes and raw, soul-searching lyrics, Radiohead has blazed an uncompromising trail to become one of the most critically acclaimed, socially aware, and perennially popular rock acts in the world. Like such predecessors as Pink Floyd, U2, and REM, the band has maintained its underground cred even while residing at the heart of the popular mainstream. Now writer and musicologist James Doheny reveals the inside story behind every Radiohead song in a comprehensive and insightful book no true fan will want to be without.

Everything in its Right Place identifies the secret to Radiohead's immense commercial and critical success in the band's ability to navigate a sweet spot between expectation and surprise. The author uses tools from musical perception, semiotics, and music theory to demonstrate this reconciliation of extremes, and analyzes musical meaning with lyrics, biographical details, and intertextual relationships.

Created for drumset players who find themselves in a creative rut, this book and audio package easily breaks down the mystery behind subdivisions, rhythmic modulation, rhythmic scales and beat displacement. The author makes the transition from mathematics to musicality with an easy and systematic approach.

Traces the history of the rock group Radiohead, discussing how the group met, what their musical background is, how their music has influenced other groups, and other related topics.

A consumer's guide to the music of Radiohead, this publication is an album by album, track by track, examination of every song released by Radiohead, from Pablo Honey in 1993 to Hail to the Thief in 2003.

Radiohead Complete is the definitive collection of Radiohead songs, including every song ever released by the British rock band (at time of publication). This artist-approved 368-page book contains 154 songs, including B-sides and rarities, all with lyrics and guitar chords. In addition it features 48 pages of artwork by the band's album artist Stanley Donwood, who also designed the exclusive cover artwork. This is the full eBook version of the original printed edition, in fixed-layout format. Contents: (Nice Dream); 15 Step; 2+2=5; 4 Minute Warning; A Punch Up At A Wedding; A Reminder; A Wolf At The Door; Airbag; All I Need; The Amazing Sounds Of Orgy; Anyone Can Play Guitar; Backdrifts; Banana Co.; Bangers + Mash; The Bends; Bishop's Robes; Black Star; Bloom; Blow Out; Bodysnatchers; Bones; Bullet Proof... I Wish I Was; Burn The Witch; The Butcher; Climbing Up The Walls; Codex; Coke Babies; Creep; Cuttooth; The Daily Mail; Daydreaming; Decks Dark; Desert Island Disk; Dollars And Cents; Down Is The New Up; Electioneering; Everything In Its Right Place; Exit Music (For A Film); Faithless, The Wonder Boy; Fake Plastic Trees; Faust Arp; Feral; Fitter Happier; Fog; Ful Stop; Gagging Order; Give Up The Ghost; Glass Eyes; The Gloaming; Go Slowly; Go To Sleep; Harry Patch (In Memory Of); High & Dry; House Of Cards; How Can You Be Sure; How Do You Do?; How I Made My Millions; How To Disappear Completely; I Am A Wicked Child; I Can't; I Might Be Wrong; I Promise; I Want None Of This; I Will; Identikit; Idioteque; Ill Wind; In Limbo; India Rubber; Inside My Head; Jigsaw Falling Into Place; Just; Karma Police; Kid A; Killer Cars; Kinetic; Knives Out; Last Flowers; Let Down; Lewis (Mistreated); Life In A Glasshouse; Lift; Like Spinning Plates; Little By Little; Lotus Flower; Lozenge Of Love; Lucky; Lull; Lurgee; Man Of War; Maquiladora; Melatonin; Million Dollar Question; Molasses; Morning Bell; Morning Bell / Amnesiac; Morning Mr Magpie; Motion Picture Soundtrack; My Iron Lung; Myxomatosis; The National Anthem; No Surprises; Nude; The Numbers; Optimistic; Packt Like Sardines In A Crushd Tin Box; Palo Alto; Paperbag Writer; Paranoid Android; Pearly; Permanent Daylight; Planet Telex; Polyethylene (Parts 1 & 2); Pop Is Dead; Present Tense; Prove Yourself; Pulk/Pull Revolving Doors; Punchdrunk Lovesick Singalong; Pyramid Song; Reckoner; Ripcord; Sail To The Moon; Scatterbrain; Separator; Sit Down. Stand Up; Skttrbrain; Spectre; Staircase; Stop Whispering; Street Spirit (Fade Out); Stupid Car; Subterranean Homesick Alien; Sulk; Supercollider; Talk Show Host; There There; These Are My Twisted Words; Thinking About You; Tinker Tailor Soldier Sailor Rich Man Poor Man Beggar Man Thief; The Tourist; Trans-Atlantic Drawl; Trickster; True Love Waits; Up On The Ladder; Vegetable; Videotape; We Suck Young Blood; Weird Fishes/Arpeggi; Where I End And You Begin; Worrywort; Yes I Am; You; You And Whose Army?; You Never Wash Up After Yourself.

Radiohead are not like other bands. For over three decades they have charted a singular course. As their music has become more beautiful, more strange, and more uncompromising, the band who make it have become more popular, evolving from the indie clubs of Britain to Stadia across the globe, while selling over 30 million albums. And they have done it their way. Their line-up has remained unchanged since they met at school, but these five very different characters have always remained united in their quest to keep pushing boundaries. They have changed musical direction almost as many times as they have made albums and the band who seemed destined to be one-hit-wonders when "Creep" was a global hit in the early '90s, evolved into trailblazers who have embraced rock, dance, electronica, classical music, and pop without sacrificing what makes them special. Radiohead are proof that selling records need not mean selling out and this is their story.

How the British rock band Radiohead subverts the idea of the concept album in order to articulate themes of alienation and anti-capitalism is the focus of Marianne Tatom Letts's analysis of Kid A and Amnesiac. These experimental albums marked a departure from the band's standard guitar-driven base layered with complex production effects. Considering the albums in the context of the band's earlier releases, Letts explores the motivations behind this change. She places the two albums within the concept-album/progressive-rock tradition and shows how both resist that tradition. Unlike most critics of Radiohead, who focus on the band's lyrics, videos, sociological importance, or audience reception, Letts focuses on the music itself. She investigates Radiohead's ambivalence toward its own success, as manifested in the vanishing subject of Kid A on these two albums.