When Ifiok travels to his hometown to do a documentary on some ex-militants' apparent redemption, a tragi-comic series of events will make him realise he is unable to swim against the tide of corruption in this satirical portrait of (post) post-colonial Nigeria.

This collection assembles the best interviews from Steve Cushing's long-running radio program Blues Before Sunrise, the nationally syndicated, award-winning program focusing on vintage blues and R&B. As both an observer and performer, Cushing has been involved with the blues scene in Chicago for decades. His candid, colorful interviews with prominent blues players, producers, and deejays reveal the behind-the-scenes world of the formative years of recorded blues. Many of these oral histories detail the careers of lesser-known but greatly influential blues performers and promoters. The book focuses in particular on pre–World War II blues singers, performers active in 1950s Chicago, and nonperformers who contributed to the early blues world. Interviewees include Alberta Hunter, one of the earliest African American singers to transition from Chicago's Bronzeville nightlife to the international spotlight, and Ralph Bass, one of the greatest R&B producers of his era. Blues expert, writer, record producer, and cofounder of Living Blues Magazine Jim O'Neal provides the book's foreword.

For 'ethnic minorities' in Britain, broadcast TV provides powerful representations of national and 'western' culture. In Southall - which has the largest population of 'South Asians' outside the Indian sub-continent - the VCR furnishes Hindi films, 'sacred soaps' such as the Mahabharata, and family videos of rites of passage, as well as mainstream American films. Television, Ethnicity and Cultural Change examines how TV and video are being used to recreate cultural traditions within the 'South Asian' diaspora, and how they are also catalysing cultural change in this local community. Marie Gillespie explores how young people negotiate between the parental and peer, local and global, national and international contexts and culturess which traverse their lives. Articulating their own preoccupations with television narratives, they both reaffirm and challenge parental traditions, formulating their own aspirations towards cultural change. Marie Gillespie's in-depth study offers an invaluable survey of how cultures are shaped and changed through people's recreative reception of the media.

National Security at its simplest means the nation’s control of its borders and the preservation of its territorial integrity including its airspace and territorial waters. Above all, it means the protection of national institutions of governance and the freedom of the people without subversion, infiltration and disruption. On the other hand, there can be no real national security without international security. Diplomacy is an instrument of establishing and maintaining the equilibrium of national and international security. Both diplomacy and national security have their roots in the conceptual scheme and operational aspects of sovereignty, which is the hallmark of States. National security and diplomacy are inextricably interwoven. Indeed defence and diplomacy, the diplomat and the soldier have much in common except that their battle-lines and locations, their target areas, their weapons and equipment and their strategies and tactics are distinct and are tackled differently. Diplomacy is the defence of one’s country and its interests beyond its frontiers, but in a sense, diplomacy only an extension of national security. The intelligence network of the country both within the country and overseas plays a vital role in both in diplomacy and for national security.