Radio is 'Africa's medium', with an ability to transcend barriers to access, facilitate political debate and shape identities.

Brash hustlers, sinister colonels, resilient refugees, and intrepid radio hosts: meet the future of Congo In this extraordinary debut – called ‘gripping’ by The Times of London – Ben Rawlence sets out to gather the news from a forgotten town deep in Congo’s ‘silent quarter’ where peace is finally being built after two decades of civil war and devastation. Ignoring the advice of locals, reporters, and mercenaries, he travels by foot, bike, and boat, introducing us to Colonel Ibrahim, a guerrilla turned army officer; Benjamin, the kindly father of the most terrifying Mai Mai warlord; the cousins Mohammed and Mohammed, young tin traders hoping to make their fortune; and talk show host Mama Christine, who dispenses counsel and courage in equal measure. From the ‘blood cheese’ of Goma to the decaying city of Manono, Rawlence uncovers the real stories of life during the war and finds hope for the future.

Tonregie, Tonrundrunktechnik ; Bildtelegrafienetz, Fernsehnetz, Kabelfernsehnetz ; Radiobetrieb, Fernsehbetrieb, Radiostation ; Afrika ; Geschichte.

This book critically analyses the important role of radio in public life in post-apartheid South Africa. As the most widespread and popular form of communication in the country, radio occupies an essential space in the deliberation and the construction of public opinion in South Africa. From just a few state-controlled stations during the apartheid era, there are now more than 100 radio stations, reaching vast swathes of the population and providing an important space for citizens to air their views and take part in significant socio-economic and political issues of the country. The various contributors to this book demonstrate that whilst print and television media often serve elite interests and audiences, the low cost and flexibility of radio has helped it to create a ‘common’ space for national dialogue and deliberation. The book also investigates the ways in which digital technologies have enhanced the consumption of radio and produced a sense of imagined community for citizens, including those in marginalised communities and rural areas. This book will be of interest to researchers with an interest in media, politics and culture in South Africa specifically, as well as those with an interest in broadcast media more generally.

This collection brings together essays on the role that radio played in political resistance against oppressive regimes during the period of the armed struggle in the region.

Radio has played a pivotal role in situations of conflict, crisis, change and development on the African continent. Local radio stations are as important as international broadcasters being both the barometers and agents of change. North America: Praeger

This book explores the convergence of urban radio with digital media technologies in Africa, focusing on how youth are riding on the rapid (though uneven) internet rollout on the continent to participate and drive the production and consumption of urban radio. With thirteen original chapters, the book sheds new light on the changing landscape of radio in a diverse set of African countries, illustrated with rich case studies from Zimbabwe, South Africa, Eswatini, Nigeria and Kenya. This book covers the following themes: youth agency and cultural power; civic engagement and political participation; youth, identity and belonging; youth cultural expressions as well as the impact of capitalist imperatives on commercial radio programing in Africa. Vibrant and innovative, Converged Radio, Youth and Urbanity in Africa reveals the creation of a new public sphere, through which African youth project their voices and identities, participating in and shaping national discourse. ​

The media play a key role in post-apartheid South Africa and is often positioned at the centre of debates around politics, identity and culture. Media, such as radio, are often said to also play a role in deepening democracy, while simultaneously holding the power to frame political events, shape public discourse and impact citizens' perceptions of reality. Broadcasting Democracy: Radio and Identity in South Africa provides an exciting look into the diverse world of South African radio, exploring how various radio formats and stations play a role in constructing post-apartheid identities. At the centre of the book is the argument that various types of radio stations represent autonomous systems of cultural activity, and are 'consumed' as such by listeners. In this sense, it argues that South African radio is 'broadcasting democracy'. Broadcasting Democracy will be of interest to media scholars and radio listeners alike.