"Smoking. Pauline Hopkins on alchemy and the undead. Frances E.W. Harper on woman's political future. Sui Sin Far on cross-dressing. Emma Lazarus and Angelina Weld Grimké on lesbian longing. Julia Ward Howe on intersexuality. Charlotte Perkins Gilman on euthanasia. Emma Goldman against the tyranny of marriage. Ida B. Wells against lynching. Anna Julia Cooper on Black American womanho. Frances Willard on riding a bicycle. This anthology is perhaps the first of its kind: a full-length collection of radical writings by American women of the 19th and early 20th century, with all major genres represented-fiction, poetry, drama, memoir, essays, and oratory-and voices of color prioritized. Many of these writings have never been anthologized before; some have never even been reprinted before. Stabel and Turpin endeavor to counterbalance widely canonized voices with a greater proportion of writings by less-anthologized Black feminists, Native feminists, and Asian American feminists, many of whom were writing for their lives and the lives of their families and communities, often at the risk of being harassed, slandered, disenfranchised, or lynched. Readers will find the original version of what was later edited into Sojourner Truth's "Ain't I a Woman?" speech, Julia A. J. Foote's account of her fight to be able to preach in the A.M.E. Church despite being a woman, and Julia Ward Howe's sensitive treatment of intersex life in America. They will also encounter new and surprising facets of the authors they know and love. For example, Emily Dickinson's most overtly erotic poems, those usually passed over in favor of other verses that misleadingly suggest a celibacy or disinterest in sex on Dickinson's part; and Kate Chopin's "An Egyptian Cigarette," her first-person fictional account of smoking pot-originally published in Vogue. Readers will enjoy excerpts from Pauline Hopkins's Of One Blood, a novel of alchemy and the undead, as well as from Amelia E. Johnson's Clarence and Corinne, a traditional love story. Simply writing such works was a radical freedom that these women had to carve out for themselves, in an era when many of them were legally considered property, none could vote, and reading and writing were often seen as privileges only for the free and wealthy. Radicals is ultimately intended to undo silences and prioritize unheard, underrepresented, powerful works of literature-from a period whose later historians often relegated women's writings to the periphery of American culture. One and all, these were women of genius and audacity, and, as Adah Isaacs Menken writes of such radicals, "this very audacity is divine""--

Today's highly accelerated visual culture--a realm of converging media, rapid technological advancement, and unprecedented crossover among the arts, popular culture, and commerce--compels the new breed of designer to create innovative visual languages. radical graphics/graphic radicals offers an unparalleled look at the work of those visionaries who are redefining graphic design in our era. Book jacket.

Radical liberals want to make America a better place, but their utopian social engineering leads, ironically, to greater human suffering. So argues David Horowitz, bestselling author in his newest book Radicals: Portraits of a Destructive Passion. From Karl Marx to Barack Obama, Horowitz shows how the idealistic impulse to make the world “a better place” gives birth to the twin cultural pathologies of cynicism and nihilism, and is the chief source of human suffering. A former liberal himself, Horowitz recounts his own brushes with radicalism and offers unparalleled insight into the disjointed ideology of liberal elites through case studies of well-known radial leftists, including Christopher Hitchens, feminist Bettina Aptheker , leftist academic Cornel West, and more. Exploring the origin and evolution of radical liberals and their progressive ideology, Radicals illustrates how liberalism is not only intellectually crippling for its adherents, but devastating to society.

“This country's leading hell-raiser" (The Nation) shares his impassioned counsel to young radicals on how to effect constructive social change and know “the difference between being a realistic radical and being a rhetorical one.” First published in 1971 and written in the midst of radical political developments whose direction Alinsky was one of the first to question, this volume exhibits his style at its best. Like Thomas Paine before him, Alinsky was able to combine, both in his person and his writing, the intensity of political engagement with an absolute insistence on rational political discourse and adherence to the American democratic tradition.

"When Eli first meets Sam Westergard, he is dazzled by his new friend's charisma, energy, and determined passion. Both graduate students in New York City, the two young men bond over their idealism, their love of poetry, and their commitment to socialism, both in theory and in practice--this last taking the form of an organized protest against Soline, a giant energy company that has speculated away the jobs and savings of thousands. As an Occupy-like group begins to coalesce around him, Eli realizes that some of his fellow intellectuals are more deeply--and dangerously--devoted to the cause than others"--Amazon.com.

Rhetoric for Radicals is intended for college-aged activists and organizers, and for the most part it's written in a relaxed, approachable style. It does get a bit cerebral and academic in places - in demonstrating how the book builds on the previous literature - but this material is kept to a minimum. On the whole, Rhetoric for Radicals is an invaluable, comprehensive how-to book that will greatly benefit beginning and seasoned rhetors alike. Rhetoric for Radicals concludes on a hopeful note, with the wish that its activist readership will internalize the book's rhetorical tools and tactics, and will be that much better equipped to become "the rhetors of the past who created the future." And indeed, there can be but little doubt tht this thorough, well-organized, accessible - and even personal - little handbook is the best instrument imaginable for fulfilling this purpose. - Frank Kaminski, EnergyBulletin.net Radicals have important messages to deliver, but they are often so caught up in the passion of their causes that they lose sight of effective communication—which is their most powerful tool. The ability to speak with clarity and intelligence, without underestimating the challenge of breaking new ground and winning new converts, is crucial. Activists often suffer from a credibility gap because of their lack of a coherent message and strategic delivery. Rhetoric for Radicals addresses and helps solve these problems. It provides the tools to develop the all-important communication skills necessary to be effectively heard. If you accept that communication creates the social world, then you will agree that changing the way we communicate can change the world. Rhetoric for Radicals provides practical guidelines for public speaking, writing, conversation, persuasion, political correctness, propaganda analysis, street theatrics, and new languages. Chapters include: Streets, Rhetoric, and Revolution A Call for Rhetorical Action Skills for the Multitude The Power of Language Body Rhetoric Twenty-First Century Radical Rhetoric Geared to college-aged radical activists and organizers, this book will also appeal to activists of any age who want to sharpen their message. Jason Del Gandio is a lecturer at Temple University in Philadelphia. He is a post-Seattle activist who has worked on globalization and free/fair trade issues, anti-war campaigns, and Latin American solidarity.

Legendary community organizer Saul Alinsky inspired a generation of activists and politicians with Reveille for Radicals, the original handbook for social change. Alinsky writes both practically and philosophically, never wavering from his belief that the American dream can only be achieved by an active democratic citizenship. First published in 1946 and updated in 1969 with a new introduction and afterword, this classic volume is a bold call to action that still resonates today.

“An exuberant tour through the world of scientists behaving badly” (The New York Times). They may have a public image as cool, logical, levelheaded types. But in reality, scientists will do pretty much anything—take drugs, follow mystical visions, lie, and even cheat—to make a discovery. In Free Radicals, physicist and journalist Michael Brooks seamlessly weaves together true stories of the “mad, bad and dangerous” men and women who have revolutionized the scientific world, and offers a fast-paced and thrilling exploration of the real process behind discovery (The Times, London). Brooks also traces the cover-up back to its source: the scientific establishment’s reaction to the public fear of science after World War II. He argues that it its high time for science to come clean about just how bold and daring scientists really are. “Not all scientists are nerds. In Free Radicals, physicist Michael Brooks tries to dispel the notion that scientists are stuffy, pen-protector-polishing bookworms.” —The Washington Post “Insightful . . . A page-turning, unvarnished look at the all-too-human side of science.” —Kirkus Reviews

This is a book for students new to the writing and reading of Chinese characters.A list of the 214 standard Chinese radicals and their variants is provided (both Traditional and Simplifed Chinese characters).Every radical is provided with its: - Pinyin pronunciation, - Meaning in English, - Number of strokes.A page spread consists of 12 radicals provided in the left column and 16 writing boxes per row to practice in.Each radical can be written 16 times, across two pages.Blank pages are provided for copying.

For better or worse, E.P. Thompson’s monumental book The Making of the English Working Class has played an essential role in shaping the intellectual lives of generations of readers since its original publication in 1963. This collected volume explores the complex impact of Thompson’s book, both as an intellectual project and material object, relating it to the social and cultural history of the book form itself—an enduring artifact of English history.