Matustík presents a bold new way of dealing with one of humanity's most intractable problems.

The code of conduct for a leading tech company famously says "Don't Be Evil." But what exactly is evil? Is it just badness by another name--the shadow side of good? Or is it something more substantive--a malevolent force or power at work in the universe? These are some of the ontological questions that philosophers have grappled with for centuries. But evil also raises perplexing epistemic and psychological questions. Can we really know evil? Does a victim know evil differently than a perpetrator or witness? What motivates evil-doers? Satan's rebellion, Iago's machinations, and Stalin's genocides may be hard to understand in terms of ordinary reasons, intentions, beliefs, and desires. But what about the more "banal" evils performed by technocrats in a collective: how do we make sense of Adolf Eichmann's self-conception as just an effective bureaucrat deserving of a promotion? Evil: A History collects thirteen essays that tell the story of evil in western thought, starting with its origins in ancient Hebrew wisdom literature and classical Greek drama all the way to Darwinism and Holocaust theory. Thirteen interspersed reflections contextualize philosophical developments by looking at evil through the eyes of animals, poets, mystics, witches, librettists, film directors, and even a tech product manager. Evil: A History will enlighten readers about one of the most alluring and difficult topics in philosophy and intellectual life, and will challenge their assumptions about the very nature of evil.

What does it mean to read, and to teach, Jewish American and Holocaust literatures in the early decades of the twenty-first century? New directions and new forms of expression have emerged, both in the invention of narratives and in the methodologies and discursive approaches taken toward these texts. The premise of this book is that despite moving farther away in time, the Holocaust continues to shape and inform contemporary Jewish American writing. Divided into analytical and pedagogical sections, the chapters present a range of possibilities for thinking about these literatures. Contributors address such genres as biography, the graphic novel, alternate history, midrash, poetry, and third-generation and hidden-child Holocaust narratives. Both canonical and contemporary authors are covered, including Michael Chabon, Nathan Englander, Anne Frank, Dara Horn, Joe Kupert, Philip Roth, and William Styron.

This is not a conventional book. It is designed to stimulate and challenge all people who are curious to find out about the world they inhabit and their place within it. It does this by suggesting questions and lines of questioning on a wide range of topics. The book does not provide answers or model arguments but prompts people to create their own questions and a reading log or journal. To this end, almost all questions have a list of books or articles to provide a starter for stimulating further reading. Once you start, you will be hooked! Never stop questioning.

Palmquist’s Commentary provides the first definitive clarification on Kant’s Philosophy of Religion in English; it includes the full text of Pluhar’s translation, interspersed with explanations, providing both a detailed overview and an original interpretation of Kant’s work. Offers definitive, sentence-level commentary on Kant’s Religion within the Bounds of Bare Reason Presents a thoroughly revised version of Pluhar’s translation of the full text of Kant’s Religion, including detailed notes comparing the translation with the others still in use today Identifies most of the several hundred changes Kant made to the second (1794) edition and unearths evidence that many major changes were responses to criticisms of the first edition Provides both a detailed overview and original interpretation of Kant’s work on the philosophy of religion Demonstrates that Kant’s arguments in Religion are not only cogent, but have clear and profound practical applications to the way religion is actually practiced in the world today Includes a glossary aimed at justifying new translations of key technical terms in Religion, many of which have previously neglected religious and theological implications

This masterful work on Kant's Religion within the Boundaries of Mere Reason explores Kant's treatment of the Idea of God, his views concerning evil, and the moral grounds for faith in God. Kant and Religion works to deepen our understanding of religion's place and meaning within the history of human culture, touching on Kant's philosophical stance regarding theoretical, moral, political, and religious matters. Wood's breadth of knowledge of Kant's corpus, philosophical sharpness, and depth of reflection sheds light not only on Kant, but also on the fate of religion and its relation to philosophy in the modern world.

The historical period of the Enlightenment is usually thought of as the high point of philosophical optimism. By breaking the chains of traditional heteronomous morality, the tutelage of dogmatic religion and the oppression of authoritarian politics, the Enlightenment created the space for a new, self-critical and autonomous frame of reference for human effort. Immanuel Kant is undoubtedly the greatest philosopher in the German Enlightenment. And Kant was a pessimist? In this book, the author explores Kant’s moral and religious philosophy and shows that a pessimistic undercurrent pervades these. This provides a new vantage point not only to assess comprehensively Kantian philosophy but also to provide much needed context and reading assistance to the general premises of Kant’s philosophy of autonomy and rationality. For Kant, to be autonomous and rational is not something human nature naturally pursues; instead, reason but must reframe, rethink and reshape human nature. Human nature is a problem, autonomy and rationality are the solution. Kant’s subsequent attempts to establish a rational religion can be explained in extension of this problem. Since human beings are not naturally prone to act autonomously, they have to be educated through historical institutions that are reformed appropriately so as to provide the incentives for human beings to become autonomous. This is where Kant believed religion could play an important pedagogical function.

"Utilizing insights drawn from mathematical topology, from French critical theory and literature, and from Holocaust studies, Sandor Goodhart articulates a new understanding of the relation of literary reading to disaster"--

“I died at Auschwitz,” French writer Charlotte Delbo asserts, “and nobody knows it.” Möbian Nights: Reading Literature and Darkness develops a new understanding of literary reading: that in the wake of disasters like the Holocaust, death remains a premise of our experience rather than a future. Challenging customary “aesthetic” assumptions that we write in order not to die, Sandor Goodhart suggests (with Kafka) we write to die. Drawing upon analyses developed by Girard, Foucault, Blanchot, and Levinas (along with examples from Homer to Beckett), Möbian Nights proposes that all literature works “autobiographically”, which is to say, in the wake of disaster; with the credo “I died; therefore, I am”; and for which the language of topology (for example, the “Möbius strip”) offers a vocabulary for naming the “deep structure” of such literary, critical, and scriptural sacrificial and anti-sacrificial dynamics.