This book exhibits the richness and sophistication of Plotinian and Dionysian apophatic theologies by explicating their respective internal “logics.” It articulates the unique metaphysical status and explanatory role that the One and God, respectively, play in Plotinus’s and Dionysius’s reflections, showing the way in which apophasis is generated and sustained by the metaphysical-explanatory lines of thought in which the One (Plotinus) and God (Dionysius) function as the ultimate, unconditioned source of everything else. In the context of explanation, negation serves to convey the incomparable reality of the One or of God as beyond being. However, the metaphysical and explanatory lines of thought are themselves situated within the broader context of the soul’s ascent to mystical union with the One or with God. From this broader perspective, the discursive practice of negation constitutes the basis of preparing the soul for mystical union. Preparation for mystical union involves the cognitive and trans-cognitive practice of negation, which enables the soul to progress towards and become united with the One or God. This study is motivated by the desire to more deeply understand apophasis as deployed in different philosophical, theological, and religious contexts, including the work of contemporary thinkers such as Jean-Luc Marion.

It could be argued that deconstruction has to a considerable extent been formed by critical accounts of it. This collection reprints a cross section of these important works, charting the ways in which deconstruction is conceptualized and demonstrating the impact it has had on a wide range of traditions. The essential pieces in this set include writings by Jacques Derrida, Jonathan Culler, Paul de Man, Barbara Johnson, and a wide range of key thinkers in areas as diverse as psychoanalysis, law, gender studies, and architecture. The major themes covered include: * Vol. 1: Part I: "What is Deconstruction?"Part II: "Philosophy"* Vol. 2: Part III: "Literary Criticism"Part IV: "Feminism and Queer Theory"* Vol. 3: Part V: "Psychoanalysis"Part VI: "Religion/Theology"Part VII: "Architecture"* Vol. 4: Part VIII: "Politics"Part IX: "Ethics"

This book exhibits the richness and sophistication of Plotinian and Dionysian apophatic theologies by explicating their respective internal "logics." It articulates the unique metaphysical status and explanatory role that the One and God, respectively, play in Plotinus's and Dionysius's reflections, showing the way in which apophasis is generated and sustained by the metaphysical-explanatory lines of thought in which the One (Plotinus) and God (Dionysius) function as the ultimate, unconditioned source of everything else. In the context of explanation, negation serves to convey the incomparable reality of the One or of God as beyond being. However, the metaphysical and explanatory lines of thought are themselves situated within the broader context of the soul's ascent to mystical union with the One or with God. From this broader perspective, the discursive practice of negation constitutes the basis of preparing the soul for mystical union. Preparation for mystical union involves the cognitive and trans-cognitive practice of negation, which enables the soul to progress towards and become united with the One or God. This study is motivated by the desire to more deeply understand apophasis as deployed in different philosophical, theological, and religious contexts, including the work of contemporary thinkers such as Jean-Luc Marion.

Satirizing Modernism examines 20th-century novels that satirize avant-garde artists and authors while also using experimental techniques associated with literary modernism. These novels-such as Wyndham Lewis's The Apes of God, William Gaddis's The Recognitions, and Gilbert Sorrentino's Imaginative Qualities of Actual Things-were under-recognized and received poor reviews at the time of publication, but have increasingly been acknowledged as both groundbreaking and deeply influential. Satirizing Modernism analyzes these novels in order to present an alternative account of literary modernism, which should be viewed neither as a radical break with the past nor an outmoded set of aesthetics overtaken by a later postmodernism. In self-reflexively critiquing their own aesthetics, these works express an unconventional modernism that both revises literary history and continues to be felt today.

Many scholars believe that Friedrich Schleiermacher relegates the doctrine of the Trinity to an appendix at the end of his magnum opus, The Christian Faith (1830/31); his alleged disregard for the Trinity is the supposed death knell for serious consideration of his work within the history of Christian thought. This volume argues that Schleiermacher not only calls for the doctrine's revitalization, but also makes it the centrepiece of Protestant Christianity. Following Schleiermacher's own thought experiment, Poe presents his doctrine of God in reverse order of its original presentation. Her examination centres on the Trinity, treating it as the keystone of the entire work, while analysing the divine attributes: love and wisdom, justice and holiness, eternity, omniscience, omnipotence, and omnipresence. When viewed from the standpoint of the conclusion, the Trinitarian shape of Schleiermacher's theology comes to the fore. What emerges is a middle way between merely economic Trinitarianism and a full-fledged development of immanent Trinitarianism, examining divine personhood and the union of the divine with humanity. The central thesis of this work runs boldly counter to the prevailing academic account of Schleiermacher's doctrine of the Trinity, and offers an innovative and constructive reading. Readers will be privy to a fresh look at Schleiermacher's doctrine of God and its importance for contemporary theology.

Branching out from his earlier works providing a history and a theory of apophatic thinking, William Franke's newest book pursues applications across a variety of communicative media, historical periods, geographical regions, and academic disciplines—moving from the literary humanities and cultural theory and politics to more empirical fields such as historical anthropology, evolutionary biology, and cognitive science. On the Universality of What Is Not: The Apophatic Turn in Critical Thinking is an original philosophical reflection that shows how intransigent deadlocks debated in each of these arenas can be broken through thanks to the uncanny insights of apophatic vision. Leveraging Franke's distinctive method of philosophical, religious, and literary thinking and practice, On the Universality of What Is Not proposes a radically unsettling approach to answering (or suspending) perennial questions of philosophy and religion, as well as to dealing with some of our most pressing dilemmas at present at the university and in the socio-political sphere. In a style of exposition that is as lucid as it is poetic, deep-rooted tensions between alterity and equality in all these areas are exposed and transcended.

Globally we seem torn between local, exclusive forms of religion, which can cause immense spiritual and physical damage to people, and a bland secularism that confines the religions to safe havens, each offering its own private options for "spirituality" within a secularized global politic. In this context the religions tolerate one another but cannot engage in mutually challenging and transforming dialogue. Thompson argues that it is only through dialogue that the distinctive truths of the faiths emerge. Moving beyond the threefold paradigm that has limited dialogue, and challenging modern secularism and postmodern relativism alike, he argues for a dialogue-based realism that is rooted in the Christian doctrines of creation and Trinity. Turning to recent theological approaches, Thompson both affirms and criticizes narrative and postliberal theologies, liberation theology, and the revival of negative theology. The transfiguration of Jesus provides a model for the way theology proceeds in dialogue, from an initial naivety, through metaphysical construction and deconstruction, to a new metaphorical "interillumination." Thompson sets forth a utopian hope for "the interreligious city of God, shining with the divine, interilluminative rainbow light reflected from the many faiths, including the secular faith."

A Jewish theologian engages leading postliberal Christian thinkers who argue that Christ and the church do not replace God's love of Israel and the Jews.

Tamsin Jones believes that locating Jean-Luc Marion solely within theological or phenomenological discourse undermines the coherence of his intellectual and philosophical enterprise. Through a comparative examination of Marion's interpretation and use of Dionysius the Areopagite and Gregory of Nyssa, Jones evaluates the interplay of the manifestation and hiddenness of phenomena. By placing Marion against the backdrop of these Greek fathers, Jones sharpens the tension between Marion's rigorous method and its intended purpose: a safeguard against idolatry. At once situated at the crossroads of the debate over the turn to religion in French phenomenology and an inquiry into the retrieval of early Christian writings within this discourse, A Genealogy of Marion's Philosophy of Religion opens up a new view of the phenomenology of religious experience.

"Bound to Be Free" explores the scriptural concepts of church ("ekklesia"), freedom ("eleutheria"), and truthful speech ("parrhesia"), showing not only that the proper meanings of three concepts interpenetrate one another but also that rending them asunder lies at the root of Christian division today. According to Reinhard Hutter, the crucial interrelationship of these three concepts has long been obscured by ongoing church division. Separated from each other, many Christians assume that freedom can be maintained and truthful speech preserved only at the cost of unity. Others assume that Christian unity can be attained only if freedom and truthful speech are narrowly circumscribed in their proper exercise. Christian division issues from the all too familiar individualistic accounts of church, freedom, and speech that have haunted modernity and clouded the proclamation of the gospel. This book shows that here, at the beginning of the twenty-first century, it is imperative that Christians attend to this crucial interrelationship and its source in the God of the gospel. Hutter discusses the meaning, role, and importance of each concept in turn, engaging along the way a wide range of classical and contemporary voices in theology, philosophy, and culture that reveal in different ways how church, freedom, and truthful speech support one another."Bound to Be Free" is a groundbreaking work that challenges common approaches to ecumenism and points a fruitful new course ahead.