How do you fight without hate?Racing Demon reveals the struggle of four clergymen to make sense of their mission. David Hare's play opened at the National Theatre, London, in 1990 to universal acclaim, and won four awards as Play of the Year. Racing Demon was the first part of David Hare's trilogy of plays about British institutions; Murmuring Judges and The Absence of War completed the trilogy.

Everyone knows their astrological sign, but how many of us know what monsters lurk within the zodiac? You may have your suspicions: the glowing red eyes after a night on the town, an irresistible attraction to a white neck, a few lost days every month, a feeling of supernatural superiority, but what you probably don't know is that your star sign influences your evil incarnation of choice. Let Horrorscopes explain why you are what you are, how your ruling planet forces you into evil ways, how your rising sign can mask your true monstrous reality, what you would do on a really bad day, and how you can fight your evil twin and exorcise your monster within—that is, if you really want to. Bestselling author Stella Hyde reveals the dark side of the 12 sun signs, from Aries the Fire Demon to Pisces the Sea Wolf. For each sign the Jekyll and Hyde traits are revealed along with aspects like “Your Deadliest Sin” and how your monstrous side manifests itself at work, at home and at play. Horrorscopes is something new under the astrology sun—fun and a bit scary!

Learning that David Hare has written sixteen stage plays, eight collaborations, and eleven screenplays for film and television, one might be surprised by the fact that this leading English artist is not yet fifty years old. He was only twenty-two when his first play was performed by the Portable Theatre, and he was a major voice on the British stage before he was thirty. The present volume is the first major collection of essays devoted to Hare, and its editor, Hersh Zeifman, who is a professor at York University, Toronto, is well-qualified to assemble and supervise such a significant undertaking. As co-editor of the prestigious journal, Modern Drama, he has been exposed to all the major authors and topics of modem theatre and is ideally positioned to discern Hare's pivotal role on the contemporary stage.

*A groundbreaking approach to drama criticism*

Demon Carburetors provides readers with a detailed look at carburetor theory and operation as well as guidance for choosing the correct, high-performance unit. Detailed, exploded views of each of the Demon Carburetors, the Road Demon, Speed Demon, Race Demon, and King Demon give a better understanding of each model. Straight-forward advice on tuning for the street and strip along with modifications for drag, oval, and road racing are also included. For automotive enthusiasts.

This series contains what no other study guides can offer - extensive first-hand interviews with the playwrights and their closest collaborators on all of their major work, put together by top academics especially for the modern student market. As well as invaluable synopses, biographical essays and chronologies, these guides allow the student much closer to the playwright than ever before! In About Hare, Professor Richard Boon provides an in-depth study of one of the great post-war British playwrights. His study includes a rigorous analysis of Hare's work, as well as interviews with Hare and those who helped to put his work on stage, including Bill Nighy, Vicki Mortimer, Sir Richard Eyre, Lia Williams and Jonathan Kent. With the increasing interest in this major playwright, whose work attracts the very best of acting talent, this book is a timely publication for student and theatregoer alike.

`A most illuminating study.' - John Bayley Six Contemporary Dramatists explores, in a straightforward manner, the central concerns of six of the most important contemporary dramatists. It demonstrates how the work of Alan Bennett, Dennis Potter, Simon Gray, Howard Brenton, David Hare and Alan Ayckbourn is essentially moral, and relates their aspirations to the British romantic tradition of the last century. At the same time, Duncan Wu explores how each writer has responded to the changes that took place in personal and public ethics during the 1980s as a result of Thatcherism. He also includes an interview with Alan Ayckbourn, published here for the first time, in which the volume's themes are focused and summarised. For the paperback edition, a substantial preface discussing Tom Stoppard's Arcadia, David Hare's Skylight and David Edgar's Pentecost has been added. This is an essential and readable guide to televised and theatrical drama for students and theatregoers alike.

This analysis of twenty published texts by David Hare employs definitions from contemporary semiotic literary theory as a means of describing typologies of political drama. By tracing the incorporation of stylistic devices from agitational propaganda (caricature, self-referentiality, the frisson between oral and visual signification) throughout the typologies, the study illustrates how each text subverts audience expectation based on established dramatic genres. The collection of texts is seen as inherently self-referential and politically subversive. At the centre of each typology is a protagonist who functions as a martyr to or parodic emblem of contemporary society. Consistently, the hermeticism of public institutions which represent the political status quo makes them immune from any form of individual protest from the Left or Right. In the satirical anatomy, the emblem of political dissent is coopted by involvement within the institution, or the stage is dominated by a conservative who controls the action. In the demythology, private individuals are seen as incapable of altering the public frame of history; but here private suffering subverts the collective mythology of the historical construct. In the martyrology, the emblem of dissent is associated with a moral virtue which is inimical to contemporary society, the audience's expectation of the triumph of the individual being subverted when he/she is expelled from the onstage world on the grounds of political ideology. It is only in the final typology, the conversion, that a conservative emblem is seen as directly influenced by such martyrdom, and the audience is provided with an actual example of political change. Thus, the study describes how each typology builds on the construction of the previous, and all generate from agitational propaganda.

"Late and Soon" (1943) - It is the story of Valentine Arbell, a widowed chatelaine and her two daughters living in a large country house. One of her daughters, Primrose has an affair with Valentine's former admirer Rory, but Rory rekindles his passion for Valentine. Set against the backdrop of imminent second World War in 1942, each character has to face a difficult decision that will change their lives forever. Along with 8 other short stories this edition shows the more evolved side of the author E. M. Delafield. E. M. Delafield (1890-1943) was a prolific English author who is best known for her largely autobiographical works like Zella Sees Herself, The Provincial Lady Series etc. which look at the lives of upper-middle class Englishwomen. TABLE OF CONTENTS NOVEL Late and Soon SHORT STORIES The Bond of Union Lost in Transmission Time Work Wonders The Hotel Child The Gallant Little Lady Impasse The Appeal The Philistine: A Story

Combining thematic analysis and stimulating close readings, The Collar is a wide-ranging study of the many ways--heroic or comic, shrewd or dastardly--Christian ministers have been represented in literature and film. Since all Christians are expected to be involved in ministry of some type, the assumptions of secular culture about ministers affect more than just clergy. Ranging across several nations (particularly the U. S., Britain, and Canada), denominations, and centuries, The Collar aims to encourage creative and faithful responses to the challenges of Christian leadership and to provoke awareness of the times when leadership expectations become too extreme. Using the framework of novels, plays, TV, and movies to make inquiries about pastoral passion, frustration, and fallibility, Sue Sorensen's well-informed, sprightly, and perceptive book will be helpful to pastors, parishioners, those interested in practical theology, and anyone who enjoys evocative literature and film.