When Brad and Kent see a man being shot and pushed over a cliff, they can't run away fast enough. Ages 8+.

Historicizing Fear is a historical interrogation of the use of fear as a tool to vilify and persecute groups and individuals from a global perspective, offering an unflinching look at racism, fearful framing, oppression, and marginalization across human history.The book examines fear and Othering from a historical context, providing a better understanding of how power and oppression is used in the present day. Contributors ground their work in the theory of Othering—the reductive action of labeling a person as someone who belongs to a subordinate social category defined as the Other—in relation to historical events, demonstrating that fear of the Other is universal, timeless, and interconnected. Chapters address the music of neo-Nazi white power groups, fear perpetuated through the social construct of black masculinity in a racially hegemonic society, the terror and racial cleansing in early twentieth-century Arkansas, the fear of drug-addicted Vietnam War veterans, the creation of fear by the Tang Dynasty, and more. Timely, provocative, and rigorously researched, Historicizing Fear shows how the Othering of members of different ethnic groups has been used to propagate fear and social tension, justify state violence, and prevent groups or individuals from gaining equality. Broadening the context of how fear of the Other can be used as a propaganda tool, this book will be of interest to scholars and students of history, anthropology, political science, popular culture, critical race issues, social justice, and ethnic studies, as well as the general reader concerned with the fearful framing prevalent in politics. Contributors: Quaylan Allen, Melanie Armstrong, Brecht De Smet, Kirsten Dyck, Adam C. Fong, Jeff Johnson, Łukasz Kamieński, Guy Lancaster, Henry Santos Metcalf, Julie M. Powell, Jelle Versieren

Studies of the portrayal of black people in film have tended to be studies for the ideological correctness of the depictions of black people and the extent to which they rely on stereotypes. By closely examining films such as Sapphire (1959), Leo the Last (1969), Black Joy (1977), Playing Away (1986) and Mona Lisa (1987) and situating them in their historical and social context, Fear of the Dark develops a particualar critical perspective on the film portrayal of black female sexuality and questions the extent to which black film makers have challenged stereotypes.

When the Caterpillar Crawl-a-thon comes to the garden Hermie has just the thing to scare Wormie into first place. But the plan fails when Wormie show no fear, and it's Hermie racing away in fright.

Winner, 2020 Body and Embodiment Best Publication Award, given by the American Sociological Association Honorable Mention, 2020 Sociology of Sex and Gender Distinguished Book Award, given by the American Sociological Association How the female body has been racialized for over two hundred years There is an obesity epidemic in this country and poor Black women are particularly stigmatized as “diseased” and a burden on the public health care system. This is only the most recent incarnation of the fear of fat Black women, which Sabrina Strings shows took root more than two hundred years ago. Strings weaves together an eye-opening historical narrative ranging from the Renaissance to the current moment, analyzing important works of art, newspaper and magazine articles, and scientific literature and medical journals—where fat bodies were once praised—showing that fat phobia, as it relates to Black women, did not originate with medical findings, but with the Enlightenment era belief that fatness was evidence of “savagery” and racial inferiority. The author argues that the contemporary ideal of slenderness is, at its very core, racialized and racist. Indeed, it was not until the early twentieth century, when racialized attitudes against fatness were already entrenched in the culture, that the medical establishment began its crusade against obesity. An important and original work, Fearing the Black Body argues convincingly that fat phobia isn’t about health at all, but rather a means of using the body to validate race, class, and gender prejudice.

This book provides a structural analysis of race, and a methodology for connecting global to national and local racial processes. Visit our website for sample chapters!

In the 1960s, for at least a brief moment, Montreal became what seemed an unlikely centre of Black Power and the Caribbean left. In October 1968 the Congress of Black Writers at McGill University brought together well-known Black thinkers and activists from Canada, the United States, Africa, and the Caribbean, people like C.L.R. James, Stokely Carmichael, Miriam Makeba, Rocky Jones, and Walter Rodney. Within months of the Congress, a Black-led protest at Sir George Williams University (now Concordia) exploded on the front pages of newspapers across the country, raising state security fears about Montreal as the new hotbed of international Black radical politics.

Stein attacks the rigid prohibitions that have long governed the conversation about race, not to offend or shock but to provoke the serious thinking that liberal enforcers have until now rendered impossible. Stein examines the ways in which the regime of racial preferences has sown division, corruption, and resentment in this country.

For most of the first half of the twentieth century, tuberculosis ranked among the top three causes of mortality among urban African Americans. Often afflicting an entire family or large segments of a neighborhood, the plague of TB was as mysterious as it

An inspiring story of scientific endeavour and human bravery, The Plague Race is the story of one brave scientist who made an amazing discovery made in Hong Kong 100 years ago -- during an outbreak of the plague that threatened to decimate the island and, from there, the world. A tense and frightening race was run in appalling conditions by two rival scientists: Alexandre Yersin - rigorous, solitary, cerebral - and the suave Kitasako, unscrupulous, enigmatic, careless. Spiced with anecdotes, facts and chilling reconstructions, this book is an enthralling work of narrative history. And Marriott's investigations into plague in the modern world bring some disturbing facts to light . . . 'Beautifully written . . . Marriott's discourse encompasses empire, science and discovery as well as prejudice . . . The Plague Race is part history, part thesis, part thriller. As an investigation, it is all-entrancing' Observer