As colonists made their way to New England in the early seventeenth century, they hoped their efforts would stand as a "citty upon a hill." Living the godly life preached by John Winthrop would have proved difficult even had these puritans inhabited the colonies alone, but this was not the case: this new landscape included colonists from Europe, indigenous Americans, and enslaved Africans. In Race and Redemption in Puritan New England, Richard A. Bailey investigates the ways that colonial New Englanders used, constructed, and re-constructed their puritanism to make sense of their new realities. As they did so, they created more than a tenuous existence together. They also constructed race out of the spiritual freedom of puritanism.

In the months after the end of the Civil War, there was one word on everyone’s lips: redemption. From the fiery language of Radical Republicans calling for a reconstruction of the former Confederacy to the petitions of those individuals who had worked the land as slaves to the white supremacists who would bring an end to Reconstruction in the late 1870s, this crucial concept informed the ways in which many people—both black and white, northerner and southerner—imagined the transformation of the American South. Beyond Redemption explores how the violence of a protracted civil war shaped the meaning of freedom and citizenship in the new South. Here, Carole Emberton traces the competing meanings that redemption held for Americans as they tried to come to terms with the war and the changing social landscape. While some imagined redemption from the brutality of slavery and war, others—like the infamous Ku Klux Klan—sought political and racial redemption for their losses through violence. Beyond Redemption merges studies of race and American manhood with an analysis of post-Civil War American politics to offer unconventional and challenging insight into the violence of Reconstruction.

C. P. Ellis grew up in the poor white section of Durham, North Carolina, and as a young man joined the Ku Klux Klan. Ann Atwater, a single mother from the poor black part of town, quit her job as a household domestic to join the civil rights fight. During the 1960s, as the country struggled with the explosive issue of race, Atwater and Ellis met on opposite sides of the public school integration issue. Their encounters were charged with hatred and suspicion. In an amazing set of transformations, however, each of them came to see how the other had been exploited by the South's rigid power structure, and they forged a friendship that flourished against a backdrop of unrelenting bigotry. Rich with details about the rhythms of daily life in the mid-twentieth-century South, The Best of Enemies offers a vivid portrait of a relationship that defied all odds. By placing this very personal story into broader context, Osha Gray Davidson demonstrates that race is intimately tied to issues of class, and that cooperation is possible--even in the most divisive situations--when people begin to listen to one another.

How Black Christians, Muslims, and Jews have used media to prove their equality, not only in the eyes of God but in society. The institutional structures of white supremacy—slavery, Jim Crow laws, convict leasing, and mass incarceration—require a commonsense belief that black people lack the moral and intellectual capacities of white people. It is through this lens of belief that racial exclusions have been justified and reproduced in the United States. Televised Redemption argues that African American religious media has long played a key role in humanizing the race by unabashedly claiming that blacks are endowed by God with the same gifts of goodness and reason as whites—if not more, thereby legitimizing black Americans’ rights to citizenship. If racism is a form of perception, then religious media has not only altered how others perceive blacks, but has also altered how blacks perceive themselves. Televised Redemption argues that black religious media has provided black Americans with new conceptual and practical tools for how to be in the world, and changed how black people are made intelligible and recognizable as moral citizens. In order to make these claims to black racial equality, this media has encouraged dispositional changes in adherents that were at times empowering and at other times repressive. From Christian televangelism to Muslim periodicals to Hebrew Israelite radio, Televised Redemption explores the complicated but critical redemptive history of African American religious media.

In The Chosen Ones, sociologist and feminist scholar Nikki Jones shares the compelling story of a group of Black men living in San Francisco’s historically Black neighborhood, the Fillmore. Against all odds, these men work to atone for past crimes by reaching out to other Black men, young and old, with the hope of guiding them toward a better life. Yet despite their genuine efforts, they struggle to find a new place in their old neighborhood. With a poignant yet hopeful voice, Jones illustrates how neighborhood politics, everyday interactions with the police, and conservative Black gender ideologies shape the men’s ability to make good and forgive themselves—and how the double-edged sword of community shapes the work of redemption.

Prophecy is the fundamental idiom of American politics--a biblical rhetoric about redeeming the crimes, suffering, and promise of a special people. Yet American prophecy and its great practitioners--from Frederick Douglass and Henry Thoreau to Martin Luther King, James Baldwin, and Toni Morrison--are rarely addressed, let alone analyzed, by political theorists. This paradox is at the heart of American Prophecy, a work in which George Shulman unpacks and critiques the political meaning of American prophetic rhetoric. In the face of religious fundamentalisms that associate prophecy and redemption with dogmatism and domination, American Prophecy finds connections between prophetic language and democratic politics, particularly racial politics. Exploring how American critics of white supremacy have repeatedly reworked biblical prophecy, Shulman demonstrates how these writers and thinkers have transformed prophecy into a political language and given redemption a political meaning. To examine how antiracism is linked to prophecy as a vernacular idiom is to rethink political theology, recast democratic theory, and reassess the bearing of religion on American political culture. Still, prophetic language is not always liberatory, and American Prophecy maintains a critical dispassion about a rhetoric that is both prevalent and problematic.

Race and Redemption is the latest volume in the Studies in the History of Christian Missions series, which explores the significant, yet sometimes controversial, impact of Christian missions around the world. In this historical examination of the encounter between British missionaries and people in the Pacific Islands, Jane Samson reveals the paradoxical yet symbiotic nature of the two stances that the missionaries adopted--"othering" and "brothering." She shows how good and bad intentions were tangled up together and how some blind spots remained even as others were overcome. Arguing that gender was as important a category in the story as race, Samson paints a complex picture of the interactions between missionaries and native peoples--and the ways in which perspectives shaped by those encounters have endured.

Analyzes rape, sexism, capitalism, Black male imprisonment, parenting, Black culture, Black-Jewish relations, and Black leadership, in search of answers to the white world's ""culture of containment""

Masterfully told, marked by irony and humor as well as outrage and a barely contained sadness, Jerald Walker’s Street Shadows is the story of a young man’s descent into the “thug life” and the wake-up call that led to his finding himself again. Walker was born in a Chicago housing project and raised, along with his six brothers and sisters, by blind parents of modest means but middle-class aspirations. A boy of great promise whose parents and teachers saw success in his future, he seemed destined to fulfill their hopes. But by age fourteen, like so many of his friends, he found himself drawn to the streets. By age seventeen he was a school dropout, a drug addict, and a gangbanger, his life spiraling toward the violent and premature end all too familiar to African American males. And then came the blast of gunfire that changed everything: His coke-dealing friend Greg was shot to death—less than an hour after Walker scored a gram from him. “Twenty-five years later, tossing the drug out the window is still the second most difficult thing I’ve ever done. The most difficult thing is still that I didn’t follow it.” So begins the story, told in alternating time frames, of the journey that Walker took to become the man he is today—a husband, father, teacher, and writer. But his struggle to escape the long shadows of the streets was not easy. There were racial stereotypes to overcome—his own as well as those of the very white world he found himself in—and a hard grappling with the meaning of race that came to an unexpected climax on a trip to Africa. An eloquent account of how the past shadows but need not determine the present, Street Shadows is the opposite of a victim narrative. Walker casts no blame (except upon himself), sheds no tears (except for those who have not shared his good fortune), and refuses the temptations of self-pity and self-exoneration. In the end, what Jerald Walker has written is a stirring portrait of two Americas—one hopeless, the other inspirational—embodied within one man.

WARNING: This book is adult in nature and is intended for mature audiences. PLEASE NOTE: This is the FIRST book of a two-book series. The second book, "Word of Honor" is being released at the exact same time, and is also available NOW. They can be purchased together. Thank you. They say there are two sides to a story. And two sides to every man... Aaron Pike is one of those men. Aaron is a white nationalist, a Commander in the organization and Nazi who grew up in Frisco City and Gordon, Alabama. He considers himself an activist and purist for the white race in America and offers no pretenses or excuses for his controversial views, affiliations, machinations, and sometimes violent behavior. Despite the common theory or belief that the majority of white supremacists are void of any aptitude and acumen, Aaron is not only intelligent, but also sometimes charming, witty, and funny. He has the power to disturb and fluster with merely a look. Much to no one's surprise, including his own, he ends up in the prison system, serving a stint for beating a man nearly to death in what is perceived as a racially driven assault. While serving his term, the recidivist Aaron believes as he's always done that he will serve his time and be right back out on the front lines of the movement. However, fate ushers him down a different path altogether... A new prison psychiatrist is assigned to Holman Correctional Facility, and Mr. Pike is forced to delve deep and discuss in detail situations regarding not only his tumultuous past, but his not so clear future. ...And the future holds a strong desire to meet a woman he is not only compatible with but one he is determined to make his wife... Mia Armstrong is an elementary schoolteacher from a conservative, Christian background. She also volunteers at the prison, and is asked to help spread the word about a prison pen pal program. In that process, she runs into Aaron, and before long, the two hit it off. Only there is one problem... Mia Armstrong is African American. The two forge an alliance and that friendship flourishes into pure, unadulterated love. How will Aaron deal with the truth of his feelings? Can he force himself to hate a woman he adores and loves based on her race alone? Will Mia be able to stay by his side after discovering the darker edge of the man she's fallen helplessly in love with? Will she be able to offer forgiveness and redemption or will she turn her back on a lost soul who is used to not giving love, or receiving it? Step inside of this explosive novel, 'The 'N' Word', to find out how this story of unlikely love unfolds.