RA:The Book - The Recording Architecture Book of Studio Design was first published as a single, hardcover volume in 2011 and which has sold in over fifty countries to critical acclaim. A necessarily large format dictated by the detailed drawings it contained, RA:The Book was unavoidably heavy and costly to produce and ship. This iBook version is the first of three stand alone volumes which will hopefully make this essential guide to recording studio design more accessible. It includes a new introduction with previously unavailable photographs. The following description is for the original hardcover: Established by Roger D'Arcy and Hugh Flynn on April 1st 1987 Recording Architecture has risen to become one of the premier recording studio design companies in the world. First Commissioned by ex Def Leppard guitarist Pete Willis for Blue Room studios In Sheffield swiftly followed by projects such as Hulgrave Hall, for composer Keith Hopwood the company has grown to design key installations around the world. Now for the first time they will be publishing a history of these ground breaking designs covering all aspects of architectural, acoustic and interior design of these studios and spaces specifically related to sound on a project by project basis. In a Career spanning Three decades Recording Architecture has virtually unrivalled experience in the design of studios which range in size and purpose from classical orchestral, residential, mixing, mastering, post production, film dubbing, video editing and rehearsal studios over 40 countries worldwide. Stating his desire to expand awareness with the new book Roger D Arcy states Over the years, and perhaps surprisingly, the only available books on recording studio design seem to have been written by individuals with little or no qualified background in Architecture or design in the field - we are trying show the detailed architectural/acoustic input behind a successful design with each studio study showing drawings in large format . This is not a theoretical guide but a detailed presentation of tried and tested techniques as applied to real, built projects in many of the case studies, the actual drawings issued for construction are reproduced. The examples illustrate not only what we think should be done but what was in fact physically (and successfully) implemented in a wide variety of situations from small, private project studios to large, commercial land mark studios such as Lansdowne and CTS. Examples range in scope from individual spaces and rooms to multi studio facilities and cover the two principal strands of recording and mixing: MUSIC studios recording (tracking), mixing and mastering (including cutting) project to orchestral in scale examples have been taken from the private, commercial and educational sectors. POST PRODUCTION studios voice over (dubbing), FX recording ( Foley ), film mix studios (dubbing theatres) from small voice over studios for TV to large Dolby Premier Certified film mix theatres. Contents include hundreds of photographs together with detailed plans and construction drawings - including comprehensive specifications of materials and techniques - showing exactly how these environments were created.

"I am Ra. We came to your peoples to enunciate the Law of One. We wished to impress upon those who wished to learn of unity that in unity all paradoxes are resolved; all that is broken is healed; all that is forgotten is brought to light." For thousands of years those of Ra have sought to teach the Law of One to seekers of truth on Earth who wished to learn of the unity or oneness of all things. This basic law of all creation is buried deep within each of our hearts because we really are one in love and in light, the building blocks of the universe. We are all manifestations of the One Infinite Creator. We are the Creator. We are not learning this law for the first time but are remembering it yet again as all mystics have taught throughout Earth's history. Our journey of self-realization is the discovery or remembrance of this essential truth, our essential identity. A waking up, as some have called it, within an illusion of separation. Don Elkins and Carla L. Rueckert worked together for 12 years to perfect the channeling process and receive philosophical inspiration and guidance from extraterrestrial sources. When Jim McCarty joined them in 1980 they began to receive a new and unique type of channeling contact from those of Ra. Through this contact, Ra shared information to help seekers of truth deepen their awareness and acceptance of self and other, and to help Earth move into the emerging fourth density of love and understanding. This book is the transcript from the recording of that conversation between the Questioner and Ra. Through questions & answers, the metaphysical blueprint of spiritual evolution is explored, from the microcosm to the macrocosm, from the particulars of life on this planet to the life of the cosmos, to the possibilities of healing, transformation, and self-realization for spiritual seekers and wanderers. * * * * * * * * * The Ra Contact: Teaching the Law of One Volume 2 contains Ra contact sessions 57-106. As with all L/L Research material, this book can be read for free in PDF form on the archive website www.llresearch.org.

"One thing I learned from Sun Ra is that you take him lightly at your own peril. He spoke of serious things, and needs to be taken seriously. The time is right for a new book on Ra, and Thomas Stanley's is the right book. You can never be certain with Sun Ra, but I'm betting he'd have loved it." -John Szwed, author of Space is the Place: The Lives and Times of Sun Ra "Sun Ra has an intrinsic instinct of music as language...there is a sense of language being transmitted as code - and this also translates from a trans-African type of construct to something that could be construed as signals being sent in outer space...he turns everything upside down in a gnostic type of way, and his synthesis is one of the few and unique blends of jazz and mysticism." Matthew Shipp, pianist, composer, bandleader

Highly respected New Testament scholar Craig Keener is known for his meticulous and comprehensive research. This commentary on Acts, his magnum opus, may be the largest and most thoroughly documented Acts commentary available. Useful not only for the study of Acts but also early Christianity, this work sets Acts in its first-century context. In this volume, the second of four, Keener continues his detailed exegesis of Acts, utilizing an unparalleled range of ancient sources and offering a wealth of fresh insights. This magisterial commentary will be an invaluable resource for New Testament professors and students, pastors, Acts scholars, and libraries.

"I am Ra. We came to your peoples to enunciate the Law of One. We wished to impress upon those who wished to learn of unity that in unity all paradoxes are resolved; all that is broken is healed; all that is forgotten is brought to light." For thousands of years those of Ra have sought to teach the Law of One to seekers of truth on Earth who wished to learn of the unity or oneness of all things. This basic law of all creation is buried deep within each of our hearts because we really are one in love and in light, the building blocks of the universe. We are all manifestations of the One Infinite Creator. We are the Creator. We are not learning this law for the first time but are remembering it yet again as all mystics have taught throughout Earth's history. Our journey of self-realization is the discovery or remembrance of this essential truth, our essential identity. A waking up, as some have called it, within an illusion of separation. Don Elkins and Carla L. Rueckert worked together for 12 years to perfect the channeling process and receive philosophical inspiration and guidance from extraterrestrial sources. When Jim McCarty joined them in 1980 they began to receive a new and unique type of channeling contact from those of Ra. Through this contact, Ra shared information to help seekers of truth deepen their awareness and acceptance of self and other, and to help Earth move into the emerging fourth density of love and understanding. This book is the transcript from the recording of that conversation between the Questioner and Ra. Through questions & answers, the metaphysical blueprint of spiritual evolution is explored, from the microcosm to the macrocosm, from the particulars of life on this planet to the life of the cosmos, to the possibilities of healing, transformation, and self-realization for spiritual seekers and wanderers. * * * * * * * * * The Ra Contact: Teaching the Law of One Volume 1 contains Ra contact sessions 1-56. As with all L/L Research material, this book can be read for free in PDF form on L/L's archive website.

Volume 1 of this three part series focuses on private and in-house studios and Recording Architecture's built output from 1987 to 1996 with technical chapters covering work stages A to D (including details of sound isolation and acoustic treatment). This second volume concentrates on commercial recording studios (including case studies of the legendary Lansdowne, CTS, Maison Rouge and Konk), mastering and cutting rooms and the years 1997 to 2002 together with work stages E to H (including electrical power and ventilation/air conditioning). Together, the three eBooks cover the entire contents of the hard back edition of RA:The Book but they have been edited and compiled to work as stand-alone volumes. Established by Roger D'Arcy and Hugh Flynn on April 1st 1987 Recording Architecture has risen to become one of the premier recording studio design companies in the world. First Commissioned by ex Def Leppard guitarist Pete Willis for Blue Room studios In Sheffield swiftly followed by projects such as Hulgrave Hall, for composer Keith Hopwood the company has grown to design key installations around the world. Now for the first time they will be publishing a history of these ground breaking designs covering all aspects of architectural, acoustic and interior design of these studios and spaces specifically related to sound on a project by project basis. In a Career spanning Three decades Recording Architecture has virtually unrivalled experience in the design of studios which range in size and purpose from classical orchestral, residential, mixing, mastering, post production, film dubbing, video editing and rehearsal studios over 40 countries worldwide. Stating his desire to expand awareness with the new book Roger D Arcy states Over the years, and perhaps surprisingly, the only available books on recording studio design seem to have been written by individuals with little or no qualified background in Architecture or design in the field - we are trying show the detailed architectural/acoustic input behind a successful design with each studio study showing drawings in large format . This is not a theoretical guide but a detailed presentation of tried and tested techniques as applied to real, built projects in many of the case studies, the actual drawings issued for construction are reproduced. The examples illustrate not only what we think should be done but what was in fact physically (and successfully) implemented in a wide variety of situations from small, private project studios to large, commercial land mark studios such as Lansdowne and CTS. Examples range in scope from individual spaces and rooms to multi studio facilities and cover the two principal strands of recording and mixing: MUSIC studios recording (tracking), mixing and mastering (including cutting) project to orchestral in scale examples have been taken from the private, commercial and educational sectors. POST PRODUCTION studios voice over (dubbing), FX recording ( Foley ), film mix studios (dubbing theatres) from small voice over studios for TV to large Dolby Premier Certified film mix theatres. Contents include hundreds of photographs together with detailed plans and construction drawings - including comprehensive specifications of materials and techniques - showing exactly how these environments were created.

A talented pianist and composer in his own right, Sun Ra (1914 - 1993) founded and conducted one of jazz's last great big bands from the 1950s until he left planet Earth. Few only know that he also was a gifted thinker and poet. Sun Ra's poetry leaves everything behind what's called contemporary, and flings out pictures of infinity into the outer space. These poems are for tomorrow. This is the only edition of Sun Ra's complete poetry and prose in one volume. The Contributors James L. Wolf Earned a music degree from Carleton College, and studied ethnomusicology at the University of Washington, Seattle. Now works at the Library of Congress in the Music Division. Active musician in various bands in the DC area. Many contributions to Sun Ra scholarship. Hartmut Geerken Oriental studies, philosophy and comparative religion at the universities of Tübingen and Istanbul. Writer, filmmaker, musician, composer. Since the 1970s, close relationships to Sun Ra and his works, setting up the world's most comprehensive Waitawhile Sun Ra Archive Sigrid Hauff Studied oriental languages and arts, philosophy, and romance studies at the universities of Tübingen and Istanbul. Free lance writer on literary and philosophical subjects. Klaus Detlef Thiel Studied philosophy and history at Trier University, Ph.D. Philosophical author, focussing on theory and history of writing. Brent Hayes Edwards Teaches in the English Department at Rutgers University, New Brunswick, NJ. Author and Co-Editor of works on jazz and literature.

When reputations are threatened, loners alone have no fear. Hachiman Hikigaya's life has changed little since being forced to join the Service Club. Sure, he now spends his time after school in the company of the icy Yukino Yukinoshita and bubbly airhead Yui Yuigahama, but his warped personality still ensures that he won't wring a moment's enjoyment from his insufferable school life. When someone starts trolling his class with hateful e-mails, though, and the Service Club is enlisted to help solve the case, Hachiman's "unique" perspective as an outsider might finally come in handy...or he could still just be a loser.

Alyssa thought her fight was over. She was wrong.The memories come unbidden.Plagued by visions from the past, Alyssa struggles to discern myth from reality.Desperate to uncover the truth about her ancestry and her mother's tragic disappearance, Alyssa must reunite with old friends--and old foes--to discover that her only hope lies in a secret world, hidden in plain sight.

Established by Roger D'Arcy and Hugh Flynn on April 1st 1987 Recording Architecture has risen to become one of the premier recording studio design companies in the world. First Commissioned by ex Def Leppard guitarist Pete Willis for Blue Room studios In Sheffield swiftly followed by projects such as Hulgrave Hall, for composer Keith Hopwood the company has grown to design key installations around the world. Now for the first time they will be publishing a history of these ground breaking designs covering all aspects of architectural, acoustic and interior design of these studios and spaces specifically related to sound on a project by project basis. In a Career spanning Three decades Recording Architecture has virtually unrivalled experience in the design of studios which range in size and purpose from classical orchestral, residential, mixing, mastering, post production, film dubbing, video editing and rehearsal studios over 40 countries worldwide.