Marnia Lazreg examines four arguments given by women who take up veiling, exposes their assumptions, & describes the implications for the future.

Until now the bulk of the literature about the veil has been written by outsiders who do not themselves veil. This literature often assumes a condescending tone about veiled women, assuming that they are making uninformed decisions choices about veiling makes them subservient to a patriarchal culture and religion. “Rethinking Muslim Women and the Veil” offers an alternative viewpoint, based on the thoughts and experiences of Muslim women themselves. This is the first time a clear and concise book-length argument has been made for the compatibility between veiling and modernity. Katherine Bullock uncovers positive aspects of the veil that are frequently not perceived by outsiders. “Rethinking Muslim Women and the Veil” looks at the colonial roots of the negative Western stereotype of the veil. It presents interviews with Muslim women to discover their thoughts and experiences with the veil in Canada. The book also offers a positive theory of veiling. The author argues that in consumer capitalist cultures, women can find wearing the veil a liberation from the stifling beauty game that promotes unsafe and unhealthy ideal body images for women. This book also includes an extensive bibliography on topics related to Muslim women and the veil.

Why Muslim women should not wear the veil Across much of the world today, Muslim women of all ages are increasingly choosing to wear the veil. Is this trend a sign of rising piety or a way of asserting Muslim pride? And does the veil really provide women freedom from sexual harassment? Written in the form of letters addressing all those interested in this issue, Questioning the Veil examines the inconsistent and inadequate reasons given for the veil, and points to the dangers and limitations of this highly questionable cultural practice. Marnia Lazreg, a preeminent authority in Middle East women's studies, combines her own experiences growing up in a Muslim family in Algeria with interviews and the real-life stories of other Muslim women to produce this nuanced argument for doing away with the veil. Lazreg stresses that the veil is not included in the five pillars of Islam, asks whether piety sufficiently justifies veiling, explores the adverse psychological effects of the practice on the wearer and those around her, and pays special attention to the negative impact of veiling for young girls. Lazreg's provocative findings indicate that far from being spontaneous, the trend toward wearing the veil has been driven by an organized and growing campaign that includes literature, DVDs, YouTube videos, and courses designed by some Muslim men to teach women about their presumed rights under the veil. An incisive mix of the personal and political, supported by meticulous research, Questioning the Veil will compel all readers to reconsider their views of this controversial and sensitive topic.

In 2004, the French government instituted a ban on the wearing of "conspicuous signs" of religious affiliation in public schools. Though the ban applies to everyone, it is aimed at Muslim girls wearing headscarves. Proponents of the law insist it upholds France's values of secular liberalism and regard the headscarf as symbolic of Islam's resistance to modernity. The Politics of the Veil is an explosive refutation of this view, one that bears important implications for us all. Joan Wallach Scott, the renowned pioneer of gender studies, argues that the law is symptomatic of France's failure to integrate its former colonial subjects as full citizens. She examines the long history of racism behind the law as well as the ideological barriers thrown up against Muslim assimilation. She emphasizes the conflicting approaches to sexuality that lie at the heart of the debate--how French supporters of the ban view sexual openness as the standard for normalcy, emancipation, and individuality, and the sexual modesty implicit in the headscarf as proof that Muslims can never become fully French. Scott maintains that the law, far from reconciling religious and ethnic differences, only exacerbates them. She shows how the insistence on homogeneity is no longer feasible for France--or the West in general--and how it creates the very "clash of civilizations" said to be at the root of these tensions. The Politics of the Veil calls for a new vision of community where common ground is found amid our differences, and where the embracing of diversity--not its suppression--is recognized as the best path to social harmony.

Object Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things. The veil can be an instrument of feminist empowerment, and veiled anonymity can confer power to women. Starting from her own marriage ceremony at which she first wore a full veil, Rafia Zakaria examines how veils do more than they get credit for. Part memoir and part philosophical investigation, Veil questions that what is seen is always good and free, and that what is veiled can only signal servility and subterfuge. From personal encounters with the veil in France (where it is banned) to Iran (where it is compulsory), Zakaria shows how the garment's reputation as a pre-modern relic is fraught and up for grabs. The veil is an object in constant transformation, whose myriad meanings challenge the absolute truths of patriarchy. Object Lessons is published in partnership with an essay series in The Atlantic.

Veiling is a globally polarizing issue, a locus for the struggle between Islam and the West and between contemporary and traditional interpretations of Islam. This book examines the vastly misunderstood and multi-layered world of the veil. It explores and analyzes the cultures, politics, and histories of veiling.

For as long as he can remember, Blake K. Healy has seen angels and demons. He sees them as clearly as he would see you if you were standing right in front of him. He sees angels dancing in worship services and whispering words of encouragement in people’s ears. He also sees demons latching on to people and perpetuating addiction and bitterness in their hearts. The Veil chronicles how Blake matured in this gifting, while overcoming the fear and confusion of what he saw, how he learned to use his gift of seeing for God’s glory, and how to teach others to do the same. This new and updated version of The Veil also includes a brief guide on how to begin growing in the gift of seeing in the spirit yourself, as well as an appendix of scriptural references to the spirit realm and angels, along with Blake’s commentary on these passages.

Already a bestseller in France where it was nominated for several literary prizes, this brilliant theological thriller asks--and answers--perhaps the most compelling question there is: "What if God's existence was proven, undeniably and irrefutably?"

Dr. Jin Tsay’s revelation entices the military with a potential to uncover and disarm any covert threats. The government that funded the engineer’s classified project orders Tsay’s death, so they can solely and secretly possess his alluring technological consummation: VEIL Veil proves to be the purest, deepest form of espionage and anti-terrorism by endowing humankind with the ability to experience life through another person. Dr. Tsay's technology offers submersion into another’s mind; Veil provides a direct perception of their immediate thoughts, emotions, memories, and the rush of their most intimate senses. If it ever escapes the military’s relentlessly selfish grip, Veil swears to permanently alter the psychosocial, sexual, political, economic, and religious landscapes of our lives. Veil promises to usher in our ultimately unifying evolution: the New Veil World. Retribution for Dr. Jin Tsay’s assassination comes in the form of his widow, who races to deliver Veil unto the world and share it freely, before those who ordered her husband’s murder can exploit it. Wielding the inescapable force of Veil, Suren Tsay seeks to inflict justice upon all those responsible for her husband’s demise, culminating in an unforgiving, brutal, obsessive hunt for the elusive killer of the father of the New Veil World: the Great Jin Tsay. Taking Veil beyond limits Jin himself could’ve imagined, the revered Widow Tsay vows to get her revenge at any cost. Suren Tsay soon realizes she too must inhabit the world created by her husband’s invention and her own bloodlust. Suren must learn to live in the New Veil World. She must also fight to liberate it.

Until now the bulk of the literature about the veil has been written by outsiders who do not themselves veil. This literature often assumes a condescending tone about veiled women, assuming that they are making uninformed decisions choices about veiling makes them subservient to a patriarchal culture and religion. “Rethinking Muslim Women and the Veil” offers an alternative viewpoint, based on the thoughts and experiences of Muslim women themselves. This is the first time a clear and concise book-length argument has been made for the compatibility between veiling and modernity. Katherine Bullock uncovers positive aspects of the veil that are frequently not perceived by outsiders. “Rethinking Muslim Women and the Veil” looks at the colonial roots of the negative Western stereotype of the veil. It presents interviews with Muslim women to discover their thoughts and experiences with the veil in Canada. The book also offers a positive theory of veiling. The author argues that in consumer capitalist cultures, women can find wearing the veil a liberation from the stifling beauty game that promotes unsafe and unhealthy ideal body images for women. This book also includes an extensive bibliography on topics related to Muslim women and the veil.