Queens in War Zones is a story about five African American females who grew up in a treacherous suburb in Birmingham, Alabama. One of them will tell the story of the challenges they faced while living in this hazardous community. She will also tell the regular complications each of theVm endured as young women. Through all the trials and tribulations, nothing could separate their bond and love for one another. The story will take a fatal turn when one of them knocks on deaths door to save a loved one.

in the confusing decade following World War II, comic books were all the rage. They treated such issues as the atomic and hydrogen bombs, communism, and the Korean War, and they offered heroes and heroines to deal with these problems. Using five representative cartoon stories, historian William Savage looks at the immense popularity of comic books and their impact on the American public. Cartoons.

This book, based upon a series of psychological research studies, examines Sierra Leone as a case study of a constructivist and narrative perspective on psychological responses to warfare, telling the stories of a range of survivors of the civil war. The authors explore previous research on psychological responses to warfare while providing background information on the Sierra Leone civil war and its context. Chapters consider particular groups of survivors, including former child soldiers, as well as amputee footballers, mental health service users and providers, and refugees. Implications of the themes emerging from this research are considered with respect to how new understandings can inform current models of trauma and work with its survivors. Amongst the issues concerned will be post-traumatic stress and post-traumatic growth; resilience; mental health service provision; perpetration of atrocities; and forgiveness. The book also provides a critical consideration of the appropriateness of the use of Western concepts and methods in an African context. Drawing upon psychological theory and rich narrative research, Trauma, Survival and Resilience in War Zones will appeal to researchers and academics in the field of clinical psychology, as well as those studying post-war conflict zones.

This book deals with an aspect of the Great War that has been largely overlooked: the war reportage written based on British and American authors’ experiences at the Western Front. It focuses on how the liminal experience of the First World War was portrayed in a series of works of literary journalism at different stages of the conflict, from the summer of 1914 to the Armistice in November 1918. Sara Prieto explores a number of representative texts written by a series of civilian eyewitness who have been passed over in earlier studies of literature and journalism in the Great War. The texts under discussion are situated in the ‘liminal zone’, as they were written in the middle of a transitional period, half-way between two radically different literary styles: the romantic and idealising ante bellum tradition, and the cynical and disillusioned modernist school of writing. They are also the product of the various stages of a physical and moral journey which took several authors into the fantastic albeit nightmarish world of the Western Front, where their understanding of reality was transformed beyond anything they could have anticipated.

A New York Times Book Review Editors' Choice. Finalist for the Costa Biography Award and long-listed for the Andrew Carnegie Medal for Excellence. Named a Best Book of 2018 by Esquire and Foreign Policy. An Amazon Best Book of November, the Guardian Bookshop Book of November, and one of the Evening Standard's Books to Read in November "Now, thanks to Hilsum’s deeply reported and passionately written book, [Marie Colvin] has the full accounting that she deserves." --Joshua Hammer, The New York Times The inspiring and devastating biography of Marie Colvin, the foremost war reporter of her generation, who was killed in Syria in 2012, and whose life story also forms the basis of the feature film A Private War, starring Rosamund Pike as Colvin. When Marie Colvin was killed in an artillery attack in Homs, Syria, in 2012, at age fifty-six, the world lost a fearless and iconoclastic war correspondent who covered the most significant global calamities of her lifetime. In Extremis, written by her fellow reporter Lindsey Hilsum, is a thrilling investigation into Colvin’s epic life and tragic death based on exclusive access to her intimate diaries from age thirteen to her death, interviews with people from every corner of her life, and impeccable research. After growing up in a middle-class Catholic family on Long Island, Colvin studied with the legendary journalist John Hersey at Yale, and eventually started working for The Sunday Times of London, where she gained a reputation for bravery and compassion as she told the stories of victims of the major conflicts of our time. She lost sight in one eye while in Sri Lanka covering the civil war, interviewed Gaddafi and Arafat many times, and repeatedly risked her life covering conflicts in Chechnya, East Timor, Kosovo, and the Middle East. Colvin lived her personal life in extremis, too: bold, driven, and complex, she was married twice, took many lovers, drank and smoked, and rejected society’s expectations for women. Despite PTSD, she refused to give up reporting. Like her hero Martha Gellhorn, Colvin was committed to bearing witness to the horrifying truths of war, and to shining a light on the profound suffering of ordinary people caught in the midst of conflict. Lindsey Hilsum’s In Extremis is a devastating and revelatory biography of one of the greatest war correspondents of her generation.

In Queens of Afrobeat, the women of Afrobeat music—a unique blend of jazz, soul, highlife, and West African rhythms—are finally given the recognition they deserve. This extensive study takes a multifaceted view of the storied lives of the women behind Fela Kuti's activist music. Dotun Ayobade's wide-ranging research pulls from interviews with surviving queens, ethnographic narratives, the exploration of newspaper archives, and close readings of album covers, photographs, and promotional materials to help us see and understand the women who surrounded Fela Kuti on stage and in everyday life. Not only were these artists crucial performers and backup singers for Kuti's most important compositions, they also played key roles in his activism and campaigns of social protest against the Nigerian government in the 1970s. Drawing on previously untapped material, Queens of Afrobeat weaves together an intricate narrative of women's participation in popular music. The stories of these remarkable women transform and uniquely personalize our understanding of the politics and performance of one of the major modern musical traditions in Africa.

A highly-illustrated, entertaining account of English royal history from 1066 to the present that explores the scandals behind each royal dynasty, from the ‘accidental’ murder of William II to American divorcée Meghan Markle, highlighting the individuals honoured with the crown of England—and those unfortunate enough to cross their paths.

Despite its reputation as the longest established in Europe, the history of the English monarchy is punctuated by scandal, murders, betrayals, plots, and treason. Since William the Conqueror seized the crown in 1066, England has seen three civil wars; six monarchs have been murdered or executed; the throne of England has been usurped four times, and won in battle three times; and personal scandals and royal family quarrels abound.

This story is about five African American females who grew up in the rough and violent parts of Birmingham, Alabama. Lashay (one of the females) will tell the story of what each of them went through in this neighborhood while dealing with regular struggles as women from teen pregnancy to losing a loved one due to gun violence. Jaytilya M. Watkins is a self published author of three books who takes different experiences from life and put them in her stories. Life motivates her to write and will continue to be inspiration for her to write more stories.

One Face in a Million is an entirely fictional story evolved over many years. The author began thinking about writing a story after he visited southern Africa in 1967, where his wife had been born and raised and was often called Mu Shangaaniana when she was young. He began to formulate a story about a young gal who had been raised on a mission station in Mozambique. She was anxious to leave Africa for America to have a more interesting life. A plot formed in his my mind, and he envisioned a striking gal having a life that was quite amazing. She would travel and fall in love, meet notable people, and experience a lot of success. Would that prove to be satisfying for her? During the years that followed, William was privileged to travel to many places throughout the world, so his story evolved in a way that readers could share in some of his traveling experiences. His protagonist had to decide what was really important in her life. Her story takes place across the span of a few decades; therefore, the story eventually developed into a series of five books, which should be considered as one. Because the title is One Face in a Million, William knew her appearance would be of real interest. He looked at images of several notable actresses of the past, but the one that he preferred was of Merle Oberon. Perhaps it would be just as well for any reader to formulate their own ideas of what his characters would look like. Although this is a fictitious story, he hopes that it entertains those who choose to read it.