After being sent back from the light, Alona Dare - former homecoming queen, current Queen of the Dead - finds herself doing something she never expected: working. Instead of spending days perfecting her tan by the pool (her typical summer routine when she was, you know, alive), Alona must now cater to the needs of other lost spirits. By her side for all of this - ugh - “helping of others” is Will Killian: social outcast, seer of the dead, and someone Alona cares about more than she’d like. Before Alona can make a final ruling on Will’s “friend” or “more” status, though, she discovers trouble at home. Her mom is tossing out Alona’s most valuable possessions, and her dad is expecting a new daughter with his wicked wife. Is it possible her family is already moving on? Hello! She’s only been dead for two months! Thankfully, Alona knows just the guy who can put a stop to this mess. Unfortunately for Alona, Will has other stuff on his mind, and Mina, a young (and beautiful) seer, is at the top of the list. She’s the first ghost-talker Will’s ever met—aside from his father—and she may hold answers to Will’s troubled past. But can she be trusted? Alona immediately puts a check mark in the “clearly not” column. But Will is - ahem - willing to find out, even if it means leaving a hurt and angry Alona to her own devices, which is never a good idea. Packed with romance, lovable characters, and a killer cliffhanger, Queen of the Dead is the out-of-this-world sequel to The Ghost and the Goth.

After a close encounter with a bus, Alona Dare goes from homecoming queen to Queen of the Dead. She’s stuck as a ghost in the land of the living with no sign of the big, bright light to take her to a better place. To make matters worse, the only person who might be able to help her is Will Killian, a total loser outcast. More than anything, Will wishes he didn’t have the rare ability to communicate with the dead, especially the former mean girl of Groundsboro High. He’s not filling out any volunteer forms to help her cross to the other side, though it would bring him some welcome peace and quiet. Can they get over their mutual distrust -- and quasi-attraction -- to work together? Readers of this spirited paranormal comedy won't want this odd couple to ever part.

Alona Dare has been living as Lily “Ally” Turner for over a month...and it's not been easy. Besides being trapped in a body so not as good as her original one, she's failing miserably at playing the sister and daughter of people she barely knows. Plus, she can't help but think that Will Killian - the boy she hates to care about - somehow wishes the real Lily were back. She and Will have been trying to find a solution, looking for a two-for-one miracle that would free Alona and keep Lily alive. Visits to local psychics have proven useless, but then they stumble across Malachi the Magnificent, who seems to be different. His office is full of ghosts, for one thing. But Malachi doesn’t seem to hear or see them, which is odd. Plus, he bolts the moment he sees Will. To make things even weirder, Misty Evans, Alona's former best friend, is waiting in Malachi's lobby and claiming that she's being haunted. By Alona. Will's convinced that Malachi has answers, while Alona is all kinds of pissed that someone's impersonating her. But their efforts to uncover the truth will bring them much unwanted attention and put them directly in the path of a ghost who will stop at nothing for another stab at life. Even if it means destroying Alona.

"A young man struggles to move forward after the death of his twin brother in this contemporary novel about loss, redemption, and love"--

Felicity meets Fangirl in this contemporary novel about a young woman who must leave behind her fantasy life—inspired by her favorite WB show from the 1990s—and create a real one at college. Caroline Sands has never been particularly good at making friends. And her parents’ divorce and the move to Arizona three years ago didn’t help. Being the new girl is hard enough without being socially awkward too. So out of desperation and a desire to please her worried mother, Caroline invented a whole life for herself—using characters from Felicity, an old show she discovered online and fell in love with. But now it’s time for Caroline to go off to college and she wants nothing more than to leave her old “life” behind and build something real. However, when her mother discovers the truth about her manufactured friends, she gives Caroline an ultimatum: Prove in this first semester that she can make friends of the nonfictional variety and thrive in a new environment. Otherwise, it’s back to living at home—and a lot of therapy. Armed with nothing more than her resolve and a Felicity-inspired plan, Caroline accepts the challenge. But she soon realizes that the real world is rarely as simple as television makes it out to be. And to find a place where she truly belongs, Caroline may have to abandon her script and take the risk of being herself.

The year's best, and darkest, tales of terror, showcasing the most outstanding new short stories and novellas by both contemporary masters of the macabre and exciting newcomers. As ever, this acclaimed anthology also offers the most comprehensive annual overview of horror around the world in all its incarnations; a comprehensive necrology of famous names; and a list of indispensable contact addresses for the dedicated horror fan and writer alike. The Mammoth Book of Best New Horror remains the world's leading annual anthology dedicated solely to presenting the best in contemporary horror fiction.

The Advocate is a lesbian, gay, bisexual, transgender (LGBT) monthly newsmagazine. Established in 1967, it is the oldest continuing LGBT publication in the United States.

Thirteen-year-old October Schwartz is new in town; she spends her free time in the Sticksville Cemetery and it isn't long before she befriends the ghosts of five dead teenagers, each from a different era of the past. They form the Dead Kid Detective Agency, a group committed to solving Sticksville's most mysterious mysteries.

The Advocate is a lesbian, gay, bisexual, transgender (LGBT) monthly newsmagazine. Established in 1967, it is the oldest continuing LGBT publication in the United States.