Set sail with elusive millionaire P. Gumball, dashing Fionna and Cake, and notorious rapscallion Marshall Lee as they take to the high seas.

When the Quint Confederacy and the Kos Empire went to war—again—Queen Samara wisely kept her Rogue Coalition out of the conflict. But staying neutral in a galactic war doesn’t pay the bills, not when both sides refuse to trade with neutral sectors.. With her people on the brink of starvation, Samara hatches a daring plan to snatch the kidnapped Kos Emperor from the Quint mercenaries holding him. The Kos Empire will pay a fortune for their emperor’s return, enough to feed the Coalition’s citizens while they wait for the return to a begrudging peace. But when her plan goes sideways, Samara finds herself evading Quint mercenaries with the very man she intends to capture. And the more time she spends with Valentin Kos, the more she realizes that he’s not the coldly indifferent villain she imagined. Torn between duty and desire, Samara must decide if saving her people is worth giving up the one thing she’s always wanted.

Featuring New York Times bestselling author Sabrina Jeffries’ “hallmark humor, poignancy, and sensuality” (Romantic Times), this entry in the Sinful Suitors series inspires you to risk all for love. Lady Anne is shocked when Captain Lord Hartley Corry—her former fiancé who left for India after her father forbade their marriage—returns to England and acts as if everything is all water under the bridge. He never fought for her hand or eloped with her as he promised and he thinks she’d still be willing to marry him? Not a chance. Hartley is equally shocked to literally run into his past love upon arriving at his brother’s house. Though he yearns to take advantage of this second chance to woo his beloved, he can hardly admit that he is secretly a spy—at least not until he can be sure he trusts her. But convincing Lady Anne to let him prove his sincerity by courting her respectably all over again might be his undoing. Because all he wants is to show her how much of a rogue he can be when the right woman is in his arms…

Queen Samara Rani knows she’s likely walking into a trap, but agreeing to meet with Commander Adams is the fastest way to get within striking distance of the Quint Confederacy’s biggest traitor and her sworn enemy. Adams attacked her home and destroyed her ship, and if he’s not stopped, he will ruin the tentative peace between the Kos Empire and the Quint Confederacy—and Samara’s chance at future with Emperor Valentin Kos. Samara is determined to serve up some well-deserved payback, but she is no longer a lone assassin, and despite her protests, her friends and allies refuse to let her undertake such a perilous mission without them. Even Valentin, usually the voice of reason, refuses to stay behind. Samara is loath to put her friends in danger, and taking a team carries its own risks, so she makes plans to keep them safe, no matter what the cost. When Adams threatens that safety, and everything she holds dear, Samara vows to show him exactly how she earned her deadly reputation—and why one should never cross the Rogue Queen.

When Queen Samara Rani fulfills the promise she made to Emperor Valentin Kos to visit his court and meet with his advisors, she knows they won’t welcome her with open arms, especially when she’s been tasked with discovering the traitors within their ranks—traitors she tricked out of five million credits. As soon as Samara begins her investigation it becomes clear that Valentin’s advisors want her gone and they aren’t picky about how. After their tactics turn violent, Samara and Valentin race to unravel the web of treachery and lies before the next attack ends in tragedy. When the conflict escalates in ferocity and rumors start blaming Samara, she is forced to continue her hunt alone. Uncovering traitors is difficult when courtiers learn to lie before they learn to walk, and one misstep could cost her life. However, Rogue Queens aren’t easy to kill and Samara has more than a few tricks of her own.

First published in 1978, and widely considered to be the sequel to her masterpiece 'By Grand Central Station I Sat Down and Wept', this remarkable book further established Smart's reputation as a brave and inspirational writer. A still beautiful woman, 31 years old with four children by a faithless lover, cannot break the habit of expectation. She must learn to submit to the cold, bare, unglamorous tenets of reality - the untenable position of love. She must learn to deflect Grand Passion into an acceptance of the rogues and rascals with their radiant faces, who buy her a bitter with borrowed cash. Out of a passionate youth, through pain and harsh revelation, she has attained a maturity - a certain knowledge that the cost of rapture is high and that there is no looking back. Hers is a voice that distils a woman's determination for survival - a voice that rises up from everyday life, from the bus queue, the Underground, the pub - and in Elizabeth Smart's hand is wrought into something magnificent.

"Originally published in single magazine form as Adventure Time 30-34"--Title page verso.

A Highland lad joins forces with a notorious Scottish “Robin Hood” to seek revenge on the greedy laird who destroyed the boy’s village Authors Jane Yolen and Robert J. Harris have garnered resounding critical acclaim for their thrilling historical novels that bring Scotland’s colorful past to breathtaking life. Now they return to the Highlands with an enthralling tale of a young boy’s lawless coming of age during the dark days of the Clearances. The early years of the 19th century are hard times for farmers in the Scottish Highlands. Young Roddy Macallan and his family are among the villagers cruelly driven from their lands when a new laird decides it would be more profitable to lease the ground to English sheep farmers. Returning in secret to the ruins of his home to retrieve a precious family heirloom—a “blessing” once presented to a Macallan ancestor by Bonnie Prince Charlie—Roddy is discovered and savagely beaten by order of the laird’s sadistic enforcer, William Rood, who then steals the treasure for his master. Were it not for the timely arrival of the notorious outlaw Alan Dunbar, the boy would surely be dead. Taken under the wing of the infamous “Rogue,” young Roddy begins a new life as a renegade. Now, against all odds and with the aid and guidance of his bold criminal mentor, the determined lad will seek a righteous vengeance on the powerful villains who wronged him and his clan.

On today's world stage, there is one leader who stands apart from the rest. Queen Elizabeth II has seen more of the planet and its people than any other head of state and has engaged with the world like no other monarch in modern history.The iconic monarch never ventured further than the Isle of Wight until the age of 20 but since then has now visited over 130 countries across the globe in the line of duty, acting as diplomat, hostess and dignitary as the world stage as changed beyond recognition. It is a story full of drama, intrigue, exotic and sometimes dangerous destinations, heroes, rogues, pomp and glamour, but at the heart of it all a woman who's won the hearts of the world.

With characteristic lawlessness and connection to the common man, the figure of the rogue commanded the world of Irish fiction from 1660 to 1790. During this period of development for the Irish novel, this archetypal figure appears over and over again. Early Irish fiction combined the picaresque genre, focusing on a cunning, witty trickster or pícaro, with the escapades of real and notorious criminals. On the one hand, such rogue tales exemplified the English stereotypes of an unruly Ireland, but on the other, they also personified Irish patriotism. Existing between the dual publishing spheres of London and Dublin, the rogue narrative explored the complexities of Anglo-Irish relations. In this volume, Lines investigates why writers during the long eighteenth-century so often turned to the rogue narrative to discuss Ireland. Alongside recognized works of Irish fiction, such as those by William Chaigneau, Richard Head, and Charles Johnston, Lines presents lesser-known and even anonymous popular texts. With consideration for themes of conflict, migration, religion, and gender, Lines offers up a compelling connection between the rogues themselves, marked by persistence and adaptability, and the ever-popular rogue narrative in this early period of Irish writing.