“The early years of Sarah Vaughan’s career coincided with the waning of the swing era, and this biography shows how the change both fuelled and limited her career.” — The New Yorker “Queen of Bebop explores the hard choices of many a jazz singer when rock ‘n roll began stealing audience focus, relying on a variety of performers to shed light on Vaughan’s mindset. A welcome and well-researched accounting of Vaughan’s life story. ” — NPR.org “Necessary and exciting. . . . Queen of Bebop models a way of understanding the lives and artistry of jazz musicians — one that establishes their importance and centrality in creating the best that America has offered the world.” — Washington Post “Elaine Hayes’ vivid portrait of Sarah Vaughan’s life, times, and indelible musical legacy reveals why she was indeed called The Divine One.” — New York Journal of Books “As a biographer, Hayes strikes a difficult balance between discussing Vaughan’s art and illuminating the tumultuous relationships of which Vaughan rarely spoke.” — Women’s Review of Books “A lively and moving portrait of the passionate and tenacious jazz singer. Hayes gracefully narrates Vaughan’s life… a detailed look at a fearless singer who constantly moved into new musical territories and left a legacy for younger musicians.” — Publishers Weekly, Starred Review “Hayes’ interviews with musicians, meticulous jazz history, incisive coverage of the ridiculous publicity campaigns the performer endured, and frank coverage of Vaughan’s emotionally and financially disastrous marriages and her repeated rising from the ashes cohere in a deeply illuminating and unforgettable biography of a true American master.” — Booklist, Starred Review “ an informative, meticulously researched biography. . . . a fine homage.” — emissourian.com “Inspiring. . . . traces Vaughan’s life and its intersection of music with race and gender.” — Library Journal “You may think you know Sarah Vaughan, but this book reveals how much you don’t. Queen of Bebop is a much-needed addition to music scholarship.” — Tammy Kernodle, author of Soul on Soul: The Life and Music of Mary Lou Williams “A richly contextualized and beautifully researched listening guide for the career of Sarah Vaughn. In respectfully treating Vaughn’s unflagging artistry, drive, and the social justice stakes involved in working within and against the new kinds of hit-making strategies and technologies, Hayes’ treatment lifts us beyond the bop/pop divide.” — Sherrie Tucker, author of Dance Floor Democracy “With an eye for detail and an ear for nuance, Elaine M. Hayes takes us on Vaughan’s journey from shy church girl to the sassy, masterful “musician’s singer” she became. This book is a must read for fans and scholars of the ‘Divine One’s’ singular contribution to American music.” — Guthrie P. Ramsey, author of The Amazing Bud Powell: Black Genius, Jazz History and the Challenge of Bebop and African American Music “Hayes brings to life the story of one of America’s most musically gifted, creative, intelligent, and productive women. An enticing and essential read for anyone drawn to the sounds of the inimitable Sarah Vaughan and what it meant to be strong, talented, beautiful, and black in 20th century America.” — Carol Ann Muller, author of Musical Echoes: South African Women Thinking in Jazz

Presents the lifelong influence of Betty Carter's career and her music on the music world

A spunky African American girl has a hula-hooping competition with her friends in Harlem, and soon everyone in the neighborhood--young and old alike--joins in on the fun.

Most studies of 1960s jazz underscore the sounds of famous avant-garde musicians like John Coltrane, Ornette Coleman, and Albert Ayler. Conspicuously absent from these narratives are the more popular jazz artists of the decade that electrified dance clubs, permeated radio waves, and released top-selling records. Names like Eddie Harris, Nancy Wilson, Ramsey Lewis, and Jimmy Smith are largely neglected in most serious work today. Mike Smith rectifies this oversight and explores why critical writings have generally cast off best-selling 1960s jazz as unworthy of in-depth analysis and reverent documentation. The 1960s were a time of monumental political and social shifts. Avant-garde jazz, made by musicians indifferent to public perception aligns well with widely held images of the era. In with the In Crowd: Popular Jazz in 1960s Black America argues that this dominant, and unfortunately distorted, view negates and ignores a vibrant jazz community. These musicians and their listeners created a music defined by socialization, celebration, and Black pride. Smith tells the joyful story of the musicians, the radio DJs, the record labels, and the live venues where jazz not only survived but thrived in the 1960s. This was the music of everyday people, who viewed jazz as an important part of their cultural identity as Black Americans. In an era marked by turmoil and struggle, popular jazz offered a powerful outlet for joy, resilience, pride, and triumph.

Ella Fitzgerald sang the blues and she sang them good. Ella and her fellas were on the way up! It seemed like nothing could stop her, until the biggest club in town refused to let her play... and all because of her colour. But when all hope seemed lost, little did Ella imagine that a Hollywood star would step in to help. This is the incredible true story of how a remarkable friendship between Ella Fitzgerald and Marilyn Monroe was born - and how they worked together to overcome prejudice and adversity. An inspiring story, strikingly illustrated, about the unlikely friendship between two celebrated female icons of America's golden age.

In the late 1960s, Patsy Channing, a stunningly beautiful young woman, was suspended from the venerable Mississippi State College for Women for breach of conduct. The resulting scandal reached all the way to the Columbus courthouse, and the press ate it up. But Patsy’s story starts long before that, living with a preoccupied and troubled mother in Memphis, Tennessee. As Patsy grows up, she buries the memories of her unspeakable childhood trauma and is determined to have a normal life. Music becomes her ticket out and a vehicle for the one thing she covets most—a chance to be crowned Miss America. In Confessions of a Southern Beauty Queen, Julie Hines Mabus provides a peek into that world—a world struggling through the civil rights movement, reeling from the death of JFK, and cutting loose with the musical innovations from Memphis and Detroit. Patsy develops a close friendship with a guitarist at Stax Recording Studio, giving her firsthand exposure to the early Memphis Soul Sound created by such greats as Otis Redding, Isaac Hayes, and Sam & Dave. Confessions of a Southern Beauty Queen opens and closes with the end of Patsy’s time at Mississippi State College for Women on that fateful spring morning in 1968 when she entered the Columbus courthouse. Patsy’s story, marked with tragedy and triumph, mirrors that of a growing and evolving South, where change never comes easy.

Heavy Metal, Gender and Sexuality brings together a collection of original, interdisciplinary, critical essays exploring the negotiated place of gender and sexuality in heavy metal music and its culture. Scholars debate the current state of play concerning masculinities, femininities, queerness, identity aesthetics and monstrosities in an area of music that is sometimes mistakenly treated as exclusively sustaining a masculinist hegemony. The book combines a broad variety of perspectives on the main topic, regarding gender in connection to: the history of the genre; the range of metal subgenres; heavy metal's multidimensional scope (music, lyrics, performance, style, illustrations); men and women; sexualities and various local and global perspectives. Heavy Metal, Gender and Sexuality is a text that opens up the world of heavy metal to reveal that it is a very diverse and ground-breaking stage where gender play is at the centre of its theatricality and sustains its mass appeal.

Bring your favorite anime foods to life with 75 recipes—from traditional Japanese favorites to inventive recreations—that are easy to make, fun, and delicious. Food plays an important role in anime, whether it is briefly shown in a slice-of-life scene or the entire plotline of an episode or even a series, and popular anime food creator Nadine Estero (@issagrill) has perfectly captured these favorite food moments. In The Anime Chef Cookbook, she brings 75 appetizers, mains, desserts, and drinks from the screen to your table so that you can enjoy the same foods as your favorite characters, with recipes including: Haikyuu!! steamed pork buns Food Wars! soufflé omelet Isekai Izakaya pork katsu sandwich My Hero Academia cold soba March Comes in Like a Lion pampered udon Dragon Ball Z meat lover's meat feast Kiki’s Delivery Service chocolate cake Your Name strawberry pancakes with macarons Clannad starfish scones Laid-Back Camp hot buttered rum cow and much more! Along with the easy-to-follow recipes are stunning anime-style food illustrations and information about the exact episodes that feature the foods, allowing The Anime Chef to immerse you in your favorite animated worlds while satisfying your appetite.

Join five young people who as they challenge the limits of their everyday lives to venture above and beyond their planetary homes.

Following the same format as the acclaimed first volume, this selection of the best 250 modern jazz records and CDs places each in its musical context and reviews it in depth. Additionally, full details of personnel, recording dates, and locations are given. Indexes of album titles, track titles, and musicians are included.