Richard Parkinson's Thirty Years in the South Seas was first published in 1907. In this 900-page work, Parkinson drew together and expanded on the scientific and popular papers he had been publishing since 1887, creating in the process a landmark ethnography of the Bismarck Archipelago. Parkinson moved to New Britain in 1879, only seven years after the first trader had established himself in the area. Over the next thirty years, he employed many local people on the family's expanding plantations, and travelled widely in the area, trading for produce (especially coconuts), observing traditional life, and buying artefacts for museums in Europe, USA and Australia. His travels covered the islands now known as New Britain, New Ireland, New Hanover, Manus, Buka and Bougainville, but he also collected information about the mainland of New Guinea (Kaiser Wilhelmsland). His observations covered a wide range of topics, from religious life and ceremonies to artefacts and language. It is clear he talked extensively with people - though mostly with a translator - and compared accounts. He also took many photographs, some 200 of which were included in the volume. Given the period, all his human subjects had to be posed, but the range of associated detail, probably unconsciously included, is substantial. What is particularly important about this work is the period in which it was written. While Parkinson may never have been the first contact of any local people, he was clearly among the first, and observed many societies before they were extensively incorporated into the Western economy, or missionised. Thirty Years in the South Seas is unparalleled in the literature of the Bismarck Archipelago. It is an incomparable picture of a time and place now long past.

South Seas Encounters examines several key types of encounters between the many-faceted worlds of Oceania, Britain and the United States in the formative nineteenth century. The eleven essays collected in this volume focus not only on the effect of the two powerful, industrialized colonial powers on the cultures of the Pacific, but the effect of those cultures on the Western cultural perceptions of themselves and the wider world, including understanding encounters and exchanges in ways which do not underemphasize the agency and consequences for all participating parties. The essays also provide insights into the causes, unfolding, and consequences for both sides of a series of significant ethnographic, political, cultural, scientific, educational, and social encounters. This volume makes a significant contribution to increasing scholarly interest in Oceania’s place in British and American nineteenth-century cultural experiences. South Seas Encounters investigates these significant interactions and how they changed the ways that Oceanic, British, and American cultures reflected on themselves and their place in the wider world.

The Pacific’s ‘Indigenous times’ are not just smaller sections of larger histories, but dimensions of their own. Histories of our Pacific world are richly rendered in these essays by Damon Salesa. From the first Indigenous civilisations that flourished in Oceania to the colonial encounters of the nineteenth century, and on to the complex contemporary relationships between New Zealand and the Pacific, Salesa offers new perspectives on this vast ocean – its people, its cultures, its pasts and its future. Spanning a wide range of topics, from race and migration to Pacific studies and empire, these essays demonstrate Salesa’s remarkable scholarship. Bridging the gap between academic disciplines and cultural traditions, Salesa locates Pacific peoples always at the centre of their stories. An Indigenous Ocean is a pivotal contribution to understanding the history and culture of Oceania.

Examines the way in which the British transformed the Pacific islands during the nineteenth centuryThe discovery of the Pacific islands amplified the qualities of mystery and exoticism already associated with 'foreign' islands. Their 'savage' peoples, their isolation, and their sheer beauty fascinated British visitors across the long nineteenth century. Dark Paradise argues that while the British originally believed the islands to be commercial paradises or perfect sites for missionary endeavours, as the century progressed, their optimistic vision transformed to portray darker realities. As a result, these islands act as a 'breaking point' for British theories of imperialism, colonialism, and identity. The book traces the changing British attitudes towards imperial settlement as the early view of 'island as paradise' gives way to a fear of the hostile islanders and examines how this revelation undermined a key tenant of British imperialism - that they were the 'superior' or 'civilized' islanders.Key FeaturesThe first monograph to trace the Pacific islands as represented through the lens of British fiction and non-fiction across the long nineteenth centuryExamines texts written by Pacific islanders and published in the British pressSignificantly broadens our understanding of the British Pacific by analysing understudied Pacific texts and authors alongside more canonical works

A wide-ranging edited collection that interrogates colonial expansion, and the mismatch between intention, perception and hype, and the actual realities.

Versions of Jacki Huggins's 'Pretty deadly tidda business' have appeared in Hecate vol. 17, no. 1; 1991, I lndyk, ed.; Memory (Southerly 3, 1991) HarperCollins, Sydney, 1991; Second Degree Tampering, Sybylla Feminist Press, Melbourne, 1992. Laleen Jayamanne's 'Love me tender, love me true ... ' was first published in Framework 38139, 1992. A version of Smaro Kamboureli's 'Of black angels and melancholy lovers' appeared in Freelance (Saskatchewan Writers' Guild), xxi, 5 (Dec. 1991-Jan. 1992). Roxana Ng's 'Sexism, racism and Canadian nationalism' appeared in Race, Class, Gender: Bonds and Barriers, Socialist Studies/Etudes Socialistes: A Canadian Annual no. 5, 1989. Trinh Minh-ha's 'All-owning spectatorship' has also appeared in her collection of essays When the Moon Waxes Red, Routledge, NY, 1991.

"One of the most innovative monographs in recent Pacific Islands studies." --Reviews in Anthropology