Matt O’Brien, an assistant curator and art restorer at the Metropolitan Museum of Art, has always been passionate about the Italian Renaissance. But when he discovers a long-neglected portrait of a beautiful woman among the museum’s miles of storage bins, he becomes obsessed--and not only because he suspects that the painting is by Leonardo da Vinci. Something about the mysterious woman’s exquisite face stirs his memory, and when Matt finds himself spun across the centuries into Quattrocento Italy, where he arrives perfectly attired in 15th century clothing, he appears to be free to pursue her. A magically woven, richly detailed debut, Quattrocento tells an unforgettable tale of art, and love, and the unexpected places places where they meet.

This anthology provides a panoramic view of fifteenth-century Florence in the words of the city's own citizens and visitors. The fifty-one selections offer glimpses into Renaissance thought. Together, the documents demonstrate the social, political, religious, and cultural impact Florence had in shaping the Italian and European Renaissance, and they reveal how Florence created, developed, and diffused the mythology of its own origins and glory. The documents point up the divergences in quattrocento accounts of the origins of Florence, and they reveal the importance of the city's economy, social life, and military success to the formation of its image. The book includes sources that elaborate on the city's accomplishments in literature and the visual arts, others that present major trends in Florentine religious life, and still others that attest to the acclaim and admiration that Florence evoked from foreign visitors. The editors also provide an informative introduction, a detailed chronology of fifteenth-century Italy, maps, photographs, an annotated bibliography, and a biographical sketch of the author of each document.

Poetry and Identity in Quattrocento Naples approaches poems as acts of cultural identity and investigates how a group of authors used poetry to develop a poetic style, while also displaying their position toward the culture of others. Starting from an analysis of Giovanni Pontano’s Parthenopeus and De amore coniugali, followed by a discussion of Jacopo Sannazaro’s Arcadia, Matteo Soranzo links the genesis and themes of these texts to the social, political and intellectual vicissitudes of Naples under the domination of Kings Alfonso and Ferrante. Delving further into Pontano’s literary and astrological production, Soranzo illustrates the consolidation and eventual dispersion of this author’s legacy by looking at the symbolic value attached to his masterpiece Urania, and at the genesis of Sannazaro’s De partu Virginis. Poetic works written in neo-Latin and the vernacular during the Aragonese domination, in this way, are examined not only as literary texts, but also as the building blocks of their authors’ careers.

Insegna Studi Mediterranei all?Istituto Universitario Europeo di Fiesole; è stato fellow di Villa I Tatti (The Harvard University Center for Italian Renaissance Studies a Firenze) e Visiting Professor all?Università degli Studi di Firenze e all?Università di Atene. Ha pubblicato Florentine Public Finances in the Early Renaissance e Marriage Alliance in Late Medieval Florence (ambedue presso la Harvard University Press). Con Franek Sznura ha curato l?edizione di Alle Bocche della Piazza. Diario di anonimo fiorentino (1382-1401 (Olschki, 1986). Per le Edizioni di Storia e Letteratura ha pubblicato Firenze nel Quattrocento. Vol. I, Politica e fiscalità (2006).

A study of Rene of Anjou, a French prince and exiled king of Naples, and how he engaged his Italian network in a programme of cultural politics conducted with an eye towards a return to power in the peninsula, this volume seeks to understand the politics of culture in early Renaissance Europe through the lens of Italian humanism and art.

An unfamiliar portrait of Renaissance Florence is depicted in this volume where we find not only some celebrated humanist-oriented thinkers but also their scholastic friends and rivals, discussing matters pertaining to moral psychology. The rationale here is to illuminate the shadowlands of Renaissance philosophy and the intellectual history of late 15th-century Italy by bringing into focus the important role played by scholastic thinkers in the Italian Renaissance. Questions and problems regarding e.g. the intellect and the will, evil and conscience, cognition and love are treated through detailed accounts of debates and texts which were rarely discussed previously.

This study provides new interpretations of the little-known but fascinating Palazzo Trinci frescoes, relating them for the first time both to their physical context and to their social, political, and cultural environment. Chapters show how a humanist agenda subverted the historical and mythical associations more frequently used to promote powerful families, to point the Trinci family in new directions. It also shows how the artists involved adapted established civic, religious, and chivalric imagery in support of these ideas. The book argues that the resulting decorations are highly unusual for the period, in their serious political and social purpose. Positioning the Trinci as bringers of peace, not war, the family is now associated with culture and education and presented as willing to encourage debate about the character of the virtuous ruler and the nature of good government. The book will be of interest to scholars working in art history and Renaissance studies.