Do you want a holiday that bypasses too familiar haunts and gives you a greater depth of experience? Do you want a holiday that is enriching for you - and for the locals at your destination? If you do, and believe that your trip should give local communities a fair deal (so often denied them) as well as being fun, then this book is for you. This fully revised second edition of The Ethical Travel Guide is the essential resource for responsible global travel, providing a wealth of new ideas for your next holiday. The extensive directory has been updated and expanded, listing hundreds of places to visit and stay in countries all over the world. From sustainable farming in Ecuador to luxury culinary breaks in Crete, there is something for every taste and budget. A thorough introduction gives a background to the many ethical and practical issues involved, including a new section on travel and climate change. Combining thoughtful guidance with comprehensive listings, this is the essential guide for anyone interested in ethical, fair and sustainable tourism.

Kottarathil Sankunni’s Aithihyamaala in its richness, lucidity and variety is the Malayalam equivalent to Kathasaritsagara, Arabian Nights and Popol Vuh. This compilation of folklore, a perfect counterpoint to Kerala’s history, transports the reader into a fascinating world of kings and chieftains, elephants and mahouts, temples and deities, priests and wizards, nymphs and sirens. Penned by Kottarathil Sankunni in his inspiring and delightful language, this cherished collection combining a heightened sense of the real and the unreal is considered a classic.

The verdant and beautiful Kerala, well known for its flora and fauna and for its rich tradition of temples, has today become one of the must see destinations in the world. Temples have always been an integral part of the culture and tradition of Kerala. This small state has become famous for its efforts to preserve the ancient culture of the big temples as well as the small family shrines, keeping their rich variety and tradition intact. These temples play an important role in spreading the greatness of Kerala in countries all over the world. Temples of Kerala have never been mere places of worship; they have played a pivotal role in the social, financial, cultural and educational fields of the state. For the rehabilitation of the poor and the deprived many schemes have been implemented by the temples like providing food and shelter to the needy. Today, if there is a great progress in the field of tourism, the temples have certainly contributed much to it. A large number of foreigners come to the state to study and understand Kerala’s traditional temple arts like Kathakali, Chakiarkoothu, Ottamthullal etc. On the happy occasion of bringing out this book, we have endeavored to include details of the prominent Ayyappan temples outside Kerala, along with those of the great temples within the state. The intention is to make this a comprehensive reference book for all well-known temples in India. May all our readers be blessed by the Almighty with peace, prosperity and good health.

‘The Essence of Ganga’ is not just a biography but a way to narrate what happens when you show trust in the supreme power and how it brings the universe together to make things happen for you. This book showcases how faith can lead to miracles and how these miracles can be further used to help others. Anybody can be successful in life, but how you act towards society when you reach the top will decide if your life is meaningful or not. Very few people choose to give back to the universe when they are successful. The majority would just aspire to earn more for their own luxury, but a rare few, such as Mandakini, will spend their life making a difference in the lives of others. “A kaleidoscope of a deeply inspiring life - lived in the true spirit of service to mankind. Like the Ganga, this splendid book narrates the ever flowing and enchanting experiences of Mandakini’s journey. An ideal read for anyone looking to discover life’s purpose.” - Maj Gen(Dr) Jagtar Singh,VSM, former Addl Director General Armed Forces Medical Services

The book is a wide-ranging collection of essays on Indian classical dance, which include writings on dance appreciation, the criticism, theory and philosophy of dance, as well as some historical and light controversial articles. Also included is a seminal and unique monograph on the contribution of Sanjukta Panigrahi to the development of Odissi. The book approaches the subject from an internationalist point of view and opens up new possibilities for the appreciation of Indian dance in the context of a global intercultural critique. In addition, it is beautifully illustrated with a number of photographs captured by Arun Kumar. It will enrich and provide new ways of understanding for classical Indian dance, both for the dance community and for the general reader.

"Akashvani" (English) is a programme journal of ALL INDIA RADIO, it was formerly known as The Indian Listener. It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes, who writes them, take part in them and produce them along with photographs of performing artists. It also contains the information of major changes in the policy and service of the organisation. The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service, Bombay, started on 22 December, 1935 and was the successor to the Indian Radio Times in English, which was published beginning in July 16 of 1927. From 22 August ,1937 onwards, it used to published by All India Radio, New Delhi. From 1950,it was turned into a weekly journal. Later, The Indian listener became "Akashvani" (English ) w.e.f. January 5, 1958. It was made fortnightly journal again w.e.f July 1,1983. NAME OF THE JOURNAL: AKASHVANI LANGUAGE OF THE JOURNAL: English DATE, MONTH & YEAR OF PUBLICATION: 10 DECEMBER, 1972 PERIODICITY OF THE JOURNAL: Weekly NUMBER OF PAGES: 52 VOLUME NUMBER: Vol. XXXVII, No.51 BROADCAST PROGRAMME SCHEDULE PUBLISHED (PAGE NOS): 16-50 ARTICLE: 1. Space Technology and Communications 2. Gynecological Maladies and Remedies 3. Craze for Publicity 4.Should Capital Punishment Go 5. On Building a House 6. Pollution of Environment AUTHOR: 1.Prof. P. Venkateswara Rao 2. Dr. M. Prabhavathi Rao 3. V. Luthor Isaac 4. V. V. Bedekar and Motilal Vora 5. K. P. Sukumaran Nair 6. R.V. Raghavarao KEYWORDS : 1. Critical Situation,Communication Satellites, Major Break through 2. Childhood, Puberty, Age of Maturity, Menopause 3.The Craze, Ethics in Publicity,Publicity for Personal Advancement. Women revolution Movement, Reviews 6.Population Explosion, Kind and Extent of Pollution. Prasar Bharati Archives has the copyright in all matters published in this “AKASHVANI” and other AIR journals. For reproduction previous permission is essential.

Digital Religion does not simply refer to religion as it is carried out online, but more broadly studies how digital media interrelate with religious practice and belief. This collection explores Digital Hinduism and consequentially studies how Hinduism is expressed in the digital sphere and how Hindus utilise digital media. Highlighting digital Hinduism and including case studies with foci on India, Asia and the global Hindu diaspora, this book features contributions from an interdisciplinary and international panel of academics. The chapters focus on specific case studies, which in summary exemplify the wide variety and diversity of what constitutes Digital Hinduism today. Applying methods and research questions from various disciplinary backgrounds appropriate to the study of religion and digital culture, such as Religious Studies, South Asian Studies, Anthropology and Media and Communication Studies, this book is vital reading for any scholar interested in the relationship between religion and the digital world.

This book examines the making of the Goddess Durga both as an art and as part of the intangible heritage of Bengal. As the ‘original site of production’ of unbaked clay idols of the Hindu Goddess Durga and other Gods and Goddesses, Kumartuli remains at the centre of such art and heritage. The art and heritage of Kumartuli have been facing challenges in a rapidly globalizing world that demands constant redefinition of ‘art’ with the invasion of market forces and migration of idol makers. As such, the book includes chapters on the evolution of idols, iconographic transformations, popular culture and how the public is constituted by the production and consumption of the works of art and heritage and finally the continuous shaping and reshaping of urban imaginaries and contestations over public space. It also investigates the caste group of Kumbhakars (Kumars or the idol makers), reflecting on the complex relation between inherited skill and artistry. Further, it explores how the social construction of art as ‘art’ introduces a tangled web of power asymmetries between ‘art’ and ‘craft’, between an ‘artist’ and an ‘artisan’, and between ‘appreciation’ and ‘consumption’, along with their implications for the articulation of market in particular and social relations in general. Since little has been written on this heritage hub beyond popular pamphlets, documents on town planning and travelogues, the book, written by authors from various fields, opens up cross-disciplinary conversations, situating itself at the interface between art history, sociology of aesthetics, politics and government, social history, cultural studies, social anthropology and archaeology. The book is aimed at a wide readership, including students, scholars, town planners, heritage preservationists, lawmakers and readers interested in heritage in general and Kumartuli in particular.